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Unique Houseboat Destinations in India: Experience Tranquility and Culture

September 30, 2024, 2:32 am

Houseboat travel in India is an enchanting way to explore the country’s breathtaking landscapes, rich cultural heritage, and serene waters. From the picturesque backwaters of Kerala to the majestic lakes of Kashmir, these floating accommodations offer a unique perspective on some of India’s most stunning destinations. Here are the most unique houseboat destinations in India that promise an unforgettable experience.

1. Backwaters of Kerala

The backwaters of Kerala are arguably the most famous houseboat destination in India. This intricate network of lagoons, lakes, and canals, surrounded by lush palm trees and vibrant villages, creates a picturesque setting for travelers. Renting a houseboat in Alleppey or Kumarakom allows you to immerse yourself in the tranquil beauty of the region.
These traditional wooden houseboats, known as kettuvallams, offer modern amenities while maintaining their authentic charm. Glide through the backwaters to witness local life—fishermen casting their nets, women washing clothes, and children playing along the banks. Indulge in delicious Kerala cuisine prepared with fresh, local ingredients, making your houseboat experience truly memorable.

2. Dal Lake, Srinagar

Dal Lake in Srinagar is renowned for its stunning houseboats that provide a unique accommodation experience in the heart of the Himalayas. The vibrant shikaras (traditional wooden boats) and floating gardens create a picturesque ambiance perfect for relaxation.
Staying on a houseboat in Dal Lake allows you to enjoy breathtaking views of snow-capped mountains and lush gardens. Explore the nearby Mughal gardens, shop for exquisite Kashmiri handicrafts, and savor authentic Kashmiri dishes, including Rogan Josh and Yakhni. The tranquil surroundings and rich cultural heritage of this region make a houseboat stay unforgettable.

3. Nigeen Lake, Srinagar

For a quieter alternative, consider houseboating on Nigeen Lake, located adjacent to Dal Lake. Less crowded than its neighbor, Nigeen Lake offers a more intimate experience of the local culture and natural beauty.
Houseboats here are typically smaller and cozier, providing a personal touch to your stay. Explore the lake by shikara, visit the floating gardens, and witness local fishermen at work. The surrounding willow and chinar trees create a serene setting perfect for unwinding and reflecting.

4. Alleppey (Alappuzha)

Known as the “Venice of the East,” Alleppey is a prime destination for houseboat travel in Kerala. The backwaters here are interspersed with scenic canals and lush landscapes, making it ideal for a leisurely cruise.
Houseboat rentals in Alleppey offer various packages, from day trips to multi-day journeys. Enjoy the sight of paddy fields, coconut groves, and local wildlife as you glide through the waters. Don’t miss the chance to savor traditional Kerala cuisine while watching the sunset over the tranquil backwaters.

5. Kumarakom

Kumarakom, located near Vembanad Lake, is known for its lush greenery and diverse birdlife. Houseboat stays in Kumarakom provide an opportunity to explore the region’s natural beauty and tranquility.
The nearby bird sanctuary is a must-visit for birdwatchers, home to various migratory species. In addition to enjoying the stunning landscapes, partake in activities like fishing and exploring local villages. The houseboats in Kumarakom offer modern amenities and can be rented for short or extended stays.

6. Goa

While primarily known for its beaches, Goa also offers unique houseboat experiences along its rivers and backwaters. Houseboats in Goa provide a different perspective on the region, allowing travelers to explore the scenic countryside, lush forests, and quaint villages.
Cruise through the rivers of Goa to witness rich biodiversity, including various bird species and riverine wildlife. The laid-back vibe of Goa, combined with the charm of houseboat travel, makes it an appealing destination for those looking to unwind.

Houseboat travel in India offers a blend of adventure, tranquility, and cultural immersion. Whether gliding through the serene backwaters of Kerala, soaking in the beauty of Dal Lake, or exploring the hidden gems of Goa, each destination promises a unique experience that showcases India’s diverse beauty.

From breathtaking landscapes to rich cultural encounters, a houseboat journey allows you to connect with nature and create lasting memories, making it an ideal choice for travelers seeking something different. Explore these unique houseboat destinations in India and embark on an unforgettable adventure!

Revisiting India’s History And Culture

August 9, 2024, 3:54 am

Art for the sake of Art movement in literature became a bohemian creed in the 19th century; a slogan raised in defiance of those—from John Ruskin to the much later communist advocates of socialist realism who were of the opinion that the value of art was to serve some moral and didactic purpose. It was a rejection of the Marxist aim about literature. But it seems that Ravi Valluri, a renowned Indian author does not subscribe to the Art For Art’s Sake movement when he is particularly viewed through the prism of his mesmerising book “ Indian Stories: Images & Thoughts. Real authors as Geoffrey Chaucer puts in his words, never wallow in their personal grief and sorrow. Neither do they remain confined to their own ivory towers. They closely engage with the society they inhabit and depict it in its various hues and shades through their literary masterpieces.

Quite in a similar manner, the author of the book Indian Stories: Images & Thoughts, has thrown light on the different aspects of life in India with his vast experience which he has gathered while traveling in the every nook and cranny of india in the capacity of a highly decorated officer of the Indian Railways.

Therefore, while analysing this book, no literary critic will dare to refute the fact Valluri has obviously no leanings towards the school of Art for Art’s Sake. Au contraire, he appears to be influenced by the Art for Life’s sake school. We all understand the dictum that literature is a mirror of society and mirror to society as well. Indian Stories: Images & Thoughts is a book in which the writer chooses to wax abundantly eloquent about India’s history, culture, architect, places etc. He has, in this way, commendably shown us a mirror of Indian Society, the glorious ethos of which is deeply rooted in its heathy cultural roots. What an authentic picture of India, the author paints on this literary canvas!

Much to our gratification, It has even been mentioned in the blurb of the book also that India is a never ending saga and story. This ancient civilisation has remarkably amazing stories to narrate. Dwelling on the structural facet of the book, it will be really pertinent to remark that the author has most meticulously and prudently segmented this book into four sections which retain deeply engaging subtitles such as “Wanderlust Discovering India By Rail”, “Wondrous India: Discovering the Lesser- Known Trails,” “Well-Known Personalities, Lesser Known People” and “Wavering Mind, Wandering Thoughts.”

It is, no doubts, not the first book in the history of literature that sheds light on the cultural history of India but what makes it stand apart from the other books is the sheer elegance with which the author has carried forward his narratives. The profuse usage of subtle and sublime imagery in all the sub-narratives opens the inner eye of the readers and superlatively spell-bound, they feel as if they are beholding a three dimensional picture. Such is the literary prowess of the author of this excellent book. The rich and diverse culture of India has umpteen sub-cultures too which have been reflected over with utmost finesse. The book is also seeped in the essence of mythology with the undertones of biography and memoir. Written in an easy-to-comprehend language, this must-read book will endow readers with a slew of opportunities to discover the spirit of India.

Hemraj: The Maestro of Contemporary Indian Art and His Spiritual Kinship with Buddha

August 3, 2024, 3:16 am

Hemraj stands as a colossus in the domain of contemporary Indian art, revered for his monumental oil abstract paintings that encapsulate the quintessence of his unparalleled artistic vision. Esteemed for his expansive canvases, Hemraj’s oeuvre is a testament to his profound comprehension of abstraction and the intricacies of human emotion. His artistic journey, suffused with philosophical and spiritual undertones reminiscent of Buddha’s teachings, imbues his work with an ethereal depth.

For Hemraj, abstraction transcends mere stylistic expression; it epitomizes a profound mode of existence. He avers that to engender abstract art, one must embody abstraction itself. This philosophy is a direct corollary of the Buddhist precept of inner emptiness and detachment from the corporeal. Hemraj frequently articulates his mental and emotional state as being “blank as the sky,” a metaphor akin to the Buddhist notion of śūnyatā (emptiness). This state of pure receptivity permits him to channel his most intimate thoughts and emotions onto the canvas, unencumbered by preconceived notions or extraneous influences.

Hemraj propounds a potent symbiosis between the artist and their creation, asserting that “painting is the reflection of the artist.” This tenet resonates profoundly with the Buddhist teaching that the external world is a mirror of our inner state. Hemraj’s paintings act as reflective surfaces, mirroring his inner cosmos and personal experiences, analogous to how meditation unveils the inner consciousness. The deep interconnection between the artist and his art engenders a visceral resonance with the audience. Each brushstroke, chromatic choice, and compositional element is an unadulterated manifestation of his identity, convictions, and emotions, paralleling the way Buddhist art reflects the practitioner’s inner serenity and enlightenment.

Hemraj’s artistic journey is a relentless quest to explore the frontiers of abstract art, mirroring a spiritual pilgrimage towards enlightenment. His works, distinguished by their audacious use of color, dynamic forms, and intricate textures, beckon viewers into a realm where the tangible and the imaginative coalesce. Through his artistry, Hemraj challenges the orthodox perceptions of reality and beckons his audience to delve into their own abstract contemplations, much like Buddha’s exhortations to transcend superficial reality and apprehend deeper existential truths.

Hemraj’s canvases are not merely visual spectacles; they are meditative landscapes inviting introspection and spiritual awakening. His ability to distill complex emotions and abstract thoughts into visual form creates a dialogue between the viewer and the painting, encouraging a profound engagement with the work.

In the annals of contemporary Indian art, Hemraj’s contributions are unparalleled. His large-scale oil abstract paintings not only exemplify his technical virtuosity but also encapsulate his profound philosophical and spiritual insights, drawing inspiration from the timeless wisdom of Buddha. For Hemraj, abstraction is more than a visual lexicon; it is a modus vivendi, a profound reflection of the artist’s essence, and a spiritual odyssey towards enlightenment.

As he continues to transcend the boundaries of abstract art, Hemraj remains a beacon of inspiration for both nascent artists and seasoned connoisseurs worldwide. His work, suffused with the essence of Buddhist philosophy, stands as a testament to the enduring power of art as a medium for spiritual and emotional expression. Hemraj’s legacy is one of artistic brilliance intertwined with spiritual profundity, a true maestro whose paintings are the sublime reflections of his innermost self.

Ghotul: An Indigenous Institution of Community, Culture, Gender Equality & Personal Development

August 2, 2024, 2:43 pm

The Ghotul, located in the center of India, is evidence of the rich cultural legacy of the Gond and Muria tribes from Bastar and the surrounding regions. This unique social institution serves as a vibrant hub for socialization, education and personal development among the youth. As a cornerstone of tribal society, the Ghotul fosters gender equality and mutual respect, challenging traditional societal norms and preserving the cultural legacy of these indigenous communities.

The Role and Structure of Ghotul

The Ghotul, a cottage typically located on the village’s outskirts or in its center, is deeply embedded in the traditions of the Muria and Gond tribes. This dormitory is not just a shelter but a vital social institution where unmarried boys (Cheliks) and girls (Motiaris) gather.

They participate in various activities and celebrate festivals. The emphasis on gender equality in Ghotul is one of its most noticeable characteristics. Both boys and girls engage equally in activities and decision-making processes, fostering an environment of mutual respect and understanding. This inclusivity empowers young girls, giving them a platform to express themselves freely and challenge traditional gender roles prevalent in broader society.

Cultural and Educational Significance

The first Ghotul was established by the tribal tale of Lingo, the supreme deity and a highly esteemed ancestor. This divine association lends the institution a sacred status within the community, making it an integral part of tribal religious and social life. Inside the Ghotul, a structured hierarchy exists. The Siredar (head boy) and Belosa (chief girl) oversee the activities and assign responsibilities to other members. These duties range from cleaning and cooking to organizing cultural events, instilling a sense of discipline and community service among the youth.

Senior members pass down knowledge of tribal history, folklore and customs to their juniors. Young people learn about their cultural heritage through storytelling, music and dance in an engaging and immersive environment. This informal education system ensures the continuity of tribal traditions from one generation to the next. Singing, dancing, telling stories, and taking part in customs are among the activities. These activities are designed to build discipline and demonstrate hard work. Ghotul members work in their communities during the day and gather in the dormitory each evening.

It is where children transition from childhood to adulthood, learning about social, cultural, economic, and political aspects of life. Junior members learn from their seniors about deities, festivals, music, dance, and hunting techniques, ensuring the transmission of tribal heritage. These activities are designed to build discipline and demonstrate hard work. Ghotul members work in their communities by day and come together in the dormitory by night.

Variations and Controversies

While the concept of Ghotul is consistent across the Muria and Gond tribes, variations exist. In some regions, boys and girls return to their homes at night, while in others, they stay in the Ghotul. Emotional attachments and monogamous relationships are either discouraged or encouraged, depending on local customs.

The Ghotul system is not without controversy. Its approach to premarital relationships, which can include sexual exploration, has drawn criticism from outside observers. Yet, within the tribal context, this aspect of Ghotul life is seen as a natural part of personal development and partner selection.

Anthropological and Social Insights

The significance of the Ghotul extends beyond its immediate community. Anthropologists and social scientists have studied this institution as a unique model of youth education and social organization. The Ghotul’s ability to combine cultural preservation with progressive social norms offers valuable insights into alternative forms of community-based education and social development.

Future and Preservation

As India continues to modernize, the future of traditional institutions like the Ghotul remains uncertain. While some view it as an outdated practice, others argue for its preservation as a vital part of tribal heritage and identity. The challenge lies in finding a balance between maintaining cultural traditions and adapting to changing social norms.

Conclusion

In conclusion, the Ghotul stands as a testament to the rich cultural tapestry of India’s tribal communities. It represents a unique approach to youth development, combining education, social interaction, and cultural preservation in a single institution. As debates about its relevance in modern society continue, the Ghotul remains an important subject of study and a symbol of tribal resilience and adaptation. Ghotul’s progressive approach to gender equality and its role in cultural education provides a valuable model for community-based social institutions worldwide.

From Prescribed Paths to Self-Made Dreams: How India’s Growing Middle-Class Embraces Individualism

June 13, 2024, 1:38 pm

Indian society has been characterized by collectivism for many decades, where the interests of the family, the community, and other groups are prioritized over personal wants. In the past, identity was tied much more to the position of the individual within the overall framework. However, a significant cultural shift is now underway as India modernizes and its urban middle class rapidly expands. Collective thinking still remains dominant; nevertheless, it is experiencing constant pressure from Western individualistic values, particularly among the youth living in big cities such as Delhi, Mumbai, Bangalore, and other cities. Values such as personal ambition, self-reliance, and freedom of choice are gaining prominence. This “me-first” attitude has emerged from India’s rapidly growing urbanized economy and the middle class. With growing cities and the ever-growing outward economy of the nation, millions are coming out of the poverty line and becoming part of the new middle-income earners. With a growing income and more disposable income in their hand, people could have the freedom to make choices; this basic human tendency makes Indians seek individualism distinct from family or social roles. Numerous people belonging to the newly emerging middle class are no longer hungry, thirsty, or living in rags, and as a result, they are not interested in hearing about arranged marriages and obeying their elders’ orders. The change in the mindset of the people of India from a significantly collectivist to an individualist orientation is attributed to the country’s high economic growth and the development of middle-class citizens.

The story of Prince Bhati is representative of this culture of individualism prevalent in India’s middle class. Born and raised in a Gurjar family in Greater Noida, the young accountant’s son was destined to inherit the family’s business and adhere to its strict class system. However, after getting an engineering degree from Mumbai, Prince did not follow the same path. Pursuing tech jobs in Dubai and later in Singapore, he embraced a fiercely independent lifestyle of serial dating, global travel, and publicly renouncing his community’s orthodox traditions.“I cherish my roots but refuse to let them solely define me,” affirms Prince. “My identity isn’t tethered to ancestors or groups, but an ever-evolving individual journey of self-discovery and unapologetic authenticity. I’m the architect of my destiny.”

Several key factors are driving this profound cultural change.

Expanding Opportunities and Choices

On a societal level, being on one’s own and not a part of the family system is the freedom of many young middle-class Indians who are currently living independently. As opposed to previous generations who could not afford to education, today’s urban youth have the leeway to attend university, choose a career field, not rush into marriages, and map out their own lives, not necessarily in the conventional ways and working in order to be happy. The chance of a life independent is altogether a metaphor for this new type of independence and self-sufficiency that the culture of the show has put into practice to free one from the constant scrutiny and cries of the traditional home. This liberty allows them to decide what professions to pursue, whom to date or marry, how much to spend, and how to live, matters that were perhaps not available to their parents or grandparents. Social media glorifies the single life through flatmate experiences, solo travel adventures, and the consumption of goods/services geared towards individual needs rather than family units. The youth from popular culture, embrace individualism as the ultimate value, thus questioning collective values endorsed by their parents. This idea of independence has been augmented by exposure to a very glamorous and cosmopolitan world.

Avoiding Traditional Responsibilities

India derives its collectivist culture, which entails responsibilities and obligations towards older generations, such as supporting parents, paying for other relatives, obeying the elders, and meeting expectations set by society. From this perspective, this obligation is also burdensome and oppressive for those who seek to achieve their individual self-actualization. By living independently and prioritizing personal goals over traditional duties, India’s individualistic urban youth feel liberated from the gender roles, family politics, and societal expectations that previous generations unquestioningly embraced. With newfound freedom, they simply manage to work on personal goals and aspirations without having to sacrifice dreams for the good of the group.To the globally influenced young professionals, such individualism implies that one cannot or should not assume social roles such as marriage, raising a family, or taking care of parents as they have seen their parents do. However, they choose jobs, professions, and individual pursuits and do not follow a path similar to what their parents or grandparents were subjected to. At the same time, this shift towards individualism clashes with deeply ingrained cultural values of family allegiance, respect for elders, and community priorities, for a significant portion of India’s urban youth, the allure of personal freedom and self-determination outweighs the pull of traditional collectivist norms.

Appeal to Employers

The fierce self-prioritization among young professionals is highly appealing to corporate employers. Singles without family responsibilities are perceived as having to be more temporal and geographically mobile and thus willing to work more hours or take jobs with demanding hours that involve travel or require relocation without the burden of caring for children or other family members. Business organizations continue to foster this mentality of selfishness, as it is portrayed as a way of achieving personal career advancement and wealth in the form of expensive products and stocks. By not getting married at an early age and not taking on conventional roles and responsibilities, younger employees are more mobile in the global arena and focused on career goals.

This mentality is incompatible with cultural tradition, but it resonates with business rationality and emerging markets for a modernizing, urbanizing India. Self-centered workers who aim to achieve their career objectives rather than focus on their family responsibilities are valuable resources to the corporate world and the labor market. This search for autonomy perpetuates itself – as more young people abandon tradition in the hope of attaining personal freedoms and the option to prioritize work and consumption over marriage, the patterns become woven into the very fabric of the young, urban, middle-class Indian culture. This used to fall more in the realm of deviant behavior but is rapidly becoming the new normal for the burgeoning and increasingly competitive middle class of Indians.

In conclusion, the phenomenon of individualism in India cannot be generalized and reduced to the phenomenon of the tendency to nonconformity and rebellion; it is essentially multifactorial and influenced by both economic and socio-cultural factors. In such a transition as the nation is experiencing, the most crucial issue thus remains the search for the balance of self and society. Accepting tradition or culture on the one hand, and embracing individuality and talent on the other hand will be the way forward for achieving the true potential of Indians in the society of the twenty-first century.

Mamta Malhotra: A canvas of cultural tapestry woven amidst adversity

December 30, 2023, 8:19 am

Mamta Malhotra’s artistic journey, woven with the threads of diverse cultures and familial influences, is a testament to her unwavering dedication to the canvas despite numerous hardships. From the bustling streets of Mumbai to the serene landscapes of Kashmir, Mamta’s early exposure to art shaped her passion, a flame that continued to burn brightly through her formal education in Architecture.

Her artistic pilgrimage took her from the designed elegance of Chandigarh to the vibrant palette of Delhi’s Triveni Kala Sangam, where she honed her skills under the guidance of renowned artists. Today, based in both Varanasi and San Francisco, Mamta’s work reflects a fusion of cultural experiences, embodying simplicity, harmony, and a profound connection with nature—a reflection of her deep concerns for the environment and cultural heritage.

Varanasi, with its spiritual resonance, emerged as a recurring theme in Mamta’s art. Through her brushstrokes, she skillfully captures the essence of the city, blending its urban vibrancy with a rich cultural tapestry and an enduring connection to nature.
Mamta’s artistic prowess has earned her international acclaim, with features in prestigious publications and exhibitions in renowned galleries. Her solo exhibition, “The Cradles in Which Our Essence Evolved,” marked a pinnacle in her career, showcasing her ability to seamlessly merge tradition with the contemporary.

The theme of the exhibition, “Ma,” added layers of meaning to Mamta’s creations, incorporating Sanskrit shlokas and architectural elements. The inauguration, attended by esteemed guests, underscored the significance of Mamta Malhotra’s contributions to the art world.

Her commitment to environmental preservation and cultural heritage resonates through her art, inviting contemplation on the delicate balance between tradition and modernity. Mamta Malhotra’s paintings stand as more than mere visual delights—they are a timeless narrative that transcends borders, cultures, and the challenges that an artist may encounter. In each stroke, Mamta paints not only the beauty of Varanasi but also the enduring power of artistic expression to bridge the past with the present.

Viacom18 LIVE launches ‘Vh1 Lift Off’, India’s newest culture platform

October 27, 2023, 5:08 pm

Viacom18’s experiential & LIVE entertainment business, Viacom18 LIVE, renowned as the official curator of Vh1 Supersonic (India’s first multi-genre music & lifestyle festival), is all set to introduce another unique and experiential festival, ‘Vh1 Lift Off’.
This new IP will be a landmark event set to bring together a host of experiences and sub-cultures, elevating India’s urban cultural scene.

As a celebration of 50 Years of Hip Hop and built with its culture and its community at heart, the IP aims to work towards creating a platform that is both relevant and beneficial to creators, brands, and consumers alike.
Addressing a unique gap in India’s experiential urban sub-culture landscape, Vh1 Lift Off, unlike any other large-scale culture platform in the country, broadens the narrative beyond music and encompasses a multitude of subcultures. It speaks directly to today’s youth, offering an additive cultural experience that resonates with their diverse interests.

Gaurav Mashruwala – Head Viacom18 Live said, “At Viacom18, we take pride in setting the stage for a new and unparalleled cultural experience with our latest IP, ‘Vh1 Lift Off’. Vh1 Lift Off is a platform that allows us to broad-base the narrative beyond music and speak to varied subcultures and communities all at once, with the idea of ‘lifting them off’ through this platform. We are happy to bring this unparalleled experience in the culture space, knowing fully well that brands associate with the youth and sub-cultures, and therefore giving an opportunity for them to work with each other at such a large scale.”

Doordarshan to air documentary on India’s glory under PM Modi

April 13, 2023, 2:41 pm

DOCUMENTARY TITLED ‘DHAROHAR BHARAT KI’ TO BE AIRED TO DOORDARSHAN

In continuation with the ‘Azaadi Ka Amrutkal’ theme, national broadcaster Doordarshan is set to soon launch a two-part series titled “Dharohar Bharat Ki”.

The series will air on April 14-15 will focus on the rich cultural, and historical heritage under the present Modi regime.

WHAT THE DOCUMENTARY IS ABOUT ?

It has special emphasis has been placed on conserving India’s rich civilisational and cultural heritage, glorifying India’s freedom fighters, and the supreme sacrifice of India’s soldiers. ”

PM MODI ON SPECIAL DOCUMENTARY

Our soldiers devoted their entire lives and sacrificed their every being to safeguard every inch of our motherland. Their sacrifice cannot just be measured in words; its grandeur and import have to be brought made alive to inspire future generations,” Prime Minister Narendra Modi said in his interaction in the documentary.

UNDER PM MODI’S REGIME, INDIA LAID EMPHASIS & FOCUS ON CULTURE, HERITAGE

Over the years the Modi government has laid an emphasis on showcasing India’s glorious heritage. Right from setting up the National War Memorial to honour the sacrifice of our soldiers to the Police Memorial as a mark of respect to the fallen policemen, has been to imbibe the clarion call by the prime minister.

Spiritual sites like Ram Janmabhoomi, Somnath Temple, Mahakal Temple Corridor, Kashi Vishwanath Temple Corridor, and Kartarpur Sahib Corridor have been some of the most prominent steps undertaken to protect India’s cultural and religious heritage.
The documentary will showcase the huge strides made by India in the last few years for the revival of our spirit of cultural unity and pride.

Ascertaining the security as well as the sanctity of venerable patriotic sites, such as the Jallianwallah Bagh; resuscitating the splendid fervour of our civilizational centres such as Ram Janmabhoomi, Kashi Vishwanath Dham; Somnath Dham and Kedarnath Dham; according to respect to such spiritual sites such as the Karatrpur Sahib; celebrating the lives of freedom fighters at inspirational sites such as the Cellular Jail; centre-staging the contribution of Netaji Bose through the grand Netaji statue at India gate canopy; and honouring the legendary contribution of our patriots – past and present – such as the War Memorial are some of the themes that the documentary will present.

In essence, the two-part documentary is a visually compelling showcase of India’s vast and vibrant culture, rejuvenating, embracing, and in doing so, celebrating our rich and diverse inheritance.

PM Modi to interact with Pradhan Mantri Rashtriya Bal Puraskar awardees at 4 pm

January 24, 2023, 10:49 am

Prime Minister Narendra Modi on Tuesday will interact with Pradhan Mantri Rashtriya Bal Puraskar (PMRBP) awardees at 4 pm.

Meanwhile, PM Modi will interact with young heroes at his 7 Lok Kalyan Marg residence.

“Digital certificates were conferred on PMRBP awardees for the years 2022 and 2021 using Blockchain Technology. This technology was used for the first time for giving certificates to awardees,” the Prime Minister’s Office stated.

Moreover, for children’s exceptional achievement in six categories namely Innovation, Social Service, Scholastic, Sports, Art and Culture, and Bravery the Pradhan Mantri Rashtriya Bal Puraskar award is given by the Government of India.

A medal, a cash prize of Rs 1 lakh, and a certificate are given to each awardee.

However, across the country, 11 children are given the Pradhan Mantri Rashtriya Bal Puraskar awards under different categories of Bal Shakti Puraskar.

Furthermore, the awards are given to six boys and five girls, belonging to 11 States and Union Territories.

Konnichiwa Japan 2022 celebrates 70th anniversaryof diplomatic ties between India and Japan

December 19, 2022, 3:52 pm

As part of the year-long celebration of the 70th anniversary of the establishment of diplomatic relations between India and Japan, DLF Avenue inaugurated the ‘Konnichiwa Japan 2022’ festival. The event was inaugurated by Ambassador of Japan to India, Mr. Hiroshii SUZUKI, Embassy of Japan and witnessed a series of events through 16th & 17th December at DLF Avenue Saket. One of the key attractions at the festival was the Japanese Sumo Wrestling event.

Konnichiwa Japan 2022 was organized by Konnichiwa Japan Club with the support of the Embassy of Japan New Delhi, Japan Chamber of Commerce, and Industry in India (JCCII), Japan Foundation, Discover India Club, and India Japan Friendship Forum. The two[1]day flagship event featured a series of events including Sumo Wrestling, Karate Performance, Taiko Performance (Traditional Japanese drums), Japanese food tasting sessions, Japanese tea making ceremony, Calligraphy, Okinawa Dance Performance, Japanese Songs & Dance, Cosplay show, Japanese Quiz, Bollywood Dance by Japanese Artists, Kimono Wearing Show, etc.

Speaking at the inauguration ceremony, Ambassador of Japan to India, Hiroshii SUZUKI, Embassy of Japan said, “I am so glad to be here and bringing the Japanese culture to you all in India. Like India, Japan has a very rich culture and heritage, and with this festival, we aim to present all of you with an opportunity to experience various Japanese traditions like the food delicacies, Cosplay, dance & music. And this cannot be complete without our main attraction, Sumo Wrestling. We will also have a cultural amalgamation wherein our Japanese artists will dance on the popular beats of Bollywood songs. We are de[1]lighted to bring this festival to Delhi for everyone to experience and hope that it increases your love for Japan.” Dr. Alka Kumar, President, Konnichiwa Japan Club, says, “The objective is to showcase and introduce Japanese culture to common Indian people through various cultural performances and lectures. Furthermore, we hope to reach out to people who are yet to visit Japan and introduce the authentic Japanese culture by giving them an insight into the beautiful country of Japan through various events by professional Japanese performers during the festival.”

Siddhartha Natu, Vice President & Cluster Head Retail, Delhi at DLF Limited said, “DLF Avenue has the distinction of bringing together various cultures through curated experiences for a diverse community, and Nissan Konnichiwa Japan 2022 at DLF Avenue is an exciting way to bring Japan’s rich and diverse culture to India. Our patrons can expect an exquisite showcase through the exclusive line-up of activities being hosted at the festival. DLF Avenue has always thrived to delight its customers by providing elevated social experiences and this festival will definitely raise the bar in that category.” SUMOs who participated at the event are: Keisuke Kamikawa (sumo name Wakatenrow), 184 cm, 170 kg and Kazuyuki Hino (sumo name Kotohino) 177cm, 138 kgs respectively.

JP Nadda: Gujarat is Gangotri of culture of developmental politics

November 23, 2022, 3:31 pm

JP Nadda, national president of Bhartiya Janta Party on Wednesday appreciated the work done by the Gujarat government over the years and said that the Gujarat model is not just a mere development model but is the source of the “Culture of developmental politics.”

Nadda was addressing an election rally in Botad, he said, “The Gujarat model is not just a model of development, but the Gangotri of the culture of developmental politics.”
The BJP Chief while mentioning Prime Minister Narendra Modi’s welfare schemes for the poor, said, “PM Modi built 3.07 cr ‘pucca’ houses in the whole country under PM Awas Yojana and in Gujarat, 15 lakh houses were built. Under PM Kisan Samman Nidhi 11.78 cr farmers are being given Rs 2000 every 4th month and in Gujarat, 66 lakh farmers are getting this benefit.”

He added, “The condition of this country was such that for 70 years the common man had to wander for even the smallest treatment. Today health card worth Rs 5 lakh is being given annually for treatment and it is not being given on the basis of any caste but poor people. Today, the poor are being treated free of cost in the country.”

Nadda took a dig at Congress over dynastic politics and said that the party favored familyism while BJP took the development forward.

He said, “Today, development and developmentism are troubling Congress. They used to move ahead with dynasticism and we are taking development forward. We have ended the local problems here.”
Voting in the Assembly elections in the state will be held on December 1 and 5 and the counting of votes will take place on December 8.