Father’s Day 2025: The Google Doodle That Has Everyone Getting Emotional

June 15, 2025, 1:05 pm

Google honoured fathers with a special Father's Day 2025 Doodle on June 15 and actively joined the global celebration. It included vibrant sprouting leaves closely associated with dads and father figures, in the design to emphasise growth, nurturing, and support. As a result, the visual tribute reflected the quiet strength that fathers consistently bring to everyday life.

Additionally, the heartwarming artwork featured a blend of stop-motion and digital illustration, which further reinforced the intended message of gratitude. Alongside this, the Doodle included a moving note that read, “Thank you to all of the dads who helped us grow,” paying tribute to the men who continue to guide, protect, and uplift their loved ones throughout life’s journey.

Father's Day continues to be celebrated globally as a day that recognises and honours parenting. Although countries observe the day on different dates, the purpose remains consistent. In India, for instance, people celebrate it on the third Sunday of June. This year, that date falls on June 15. Notably, the day exists to acknowledge every father's courage, dedication, and selflessness, often expressed quietly, without public celebration or recognition.

Father's Day: A Celebration of Love

Moreover, the Doodle's leafy structure effectively captured the essence of growth, as it symbolised the way fathers gently nurture their families, just as trees shield and protect young seedlings. In doing so, Google employed nature-inspired graphics to subtly remind users of the emotional and spiritual strength that fathers provide in their daily lives.

Furthermore, the imaginative use of animation and symbolism added visual and emotional depth to the message. Beyond the artistic execution, the day itself carried profound cultural meaning. Specifically, Father’s Day 2025 aimed to express gratitude toward those who consistently motivate others to dream bigger and strive for self-improvement. The day extended far beyond the giving of cards and gifts; instead, it emphasised a deep, emotional connection.

Ultimately, despite regional and cultural variations in how people observe it, the central message remained unwavering: heartfelt appreciation for the father figures who contribute to our growth each day, both visibly and behind the scenes.

Tourist Destroys Crystal Van Gogh Chair, Flees Gallery

June 14, 2025, 11:46 am

A tourist visiting Verona’s Maffei Palace in Italy caused serious damage to a unique crystal-studded art chair named after Vincent van Gogh. The piece, created by Italian artist Nicola Bolla, was covered in hundreds of Swarovski crystals and displayed prominently in the historic gallery.

Security Footage Captures

The incident unfolded when the tourist, accompanied by a woman, attempted to pose for photos near the fragile chair. At first, he only pretended to sit, but later decided to sit on it fully. As soon as he did, the delicate structure collapsed beneath him. Security footage captured the man losing balance and trying to grab the wall to avoid falling, while the woman rushed to help him up. Instead of alerting staff, the couple quietly left the room without informing the museum. The gallery later shared the footage online to raise awareness and express their frustration over the careless act. “Every museum’s nightmare has become reality, even in Palazzo Maffei,” the museum posted on Instagram, adding, “An irresponsible gesture caused serious damage to Nicola Bolla’s ‘Van Gogh’ chair, a very delicate work, covered entirely with hundreds of Swarovski crystals.” The museum said it wasn’t just reporting the event, but wanted to start a campaign about respecting art. “We are sharing this episode not only for the sake of reporting, but to start a real campaign to raise awareness about the value of art and the respect it deserves.”

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Social Media Backlash

As the video went viral, social media users didn’t hold back their criticism. “They even got away. There are no words,” wrote one user. Another added: “So much ignorance, this is unacceptable! Foolish people.” A third commented: “Unfortunately, too many people enter museums just for a shot to post on social media and not because they have a real interest in art, which explains the ignorance and total lack of respect for places and works.” Thankfully, the museum was able to restore the damaged chair. “For days, we didn’t know if it would be possible to restore it. But we did it. A heartfelt thank you goes to the police, our security department, and the restorers whose valuable work enabled the recovery of the piece,” the museum stated. It remains unclear whether the couple will be held accountable for the damage or what the restoration cost was.

Nazca Lines Protection Reversal: Peru Reinstates Safeguards Amid Criticism

June 11, 2025, 2:29 pm

Peru has triggered a Nazca Lines protection reversal following intense public backlash over its decision to shrink the protected area surrounding the ancient geoglyphs. The original reduction had sparked concerns from environmentalists and archaeologists who warned it would expose the sacred site to informal mining threats.

Public Criticism Triggers Nazca Lines Protection Reversal

On Sunday, Peru’s culture ministry restored the full 5,600 sq km (2,200 sq mile) protection zone, which it had slashed to 3,200 sq km in May. Officials had initially justified the cuts by citing more accurate data that identified zones with "real patrimonial value." However, widespread criticism sparked a swift Nazca Lines protection reversal. The ministry also committed to forming a new technical panel to evaluate long-term land use. This group will include academic specialists, government representatives, archaeologists, and UNESCO officials.

More than 800 vast animal, plant, and shape drawings span the Nazca Lines, which people carved into the desert over 1,500 years ago. These geoglyphs stand among Peru's most iconic cultural treasures and UNESCO recognised them as a World Heritage Site in 1994. Critics warned that reducing their protective buffer would invite illegal gold mining and environmental degradation, especially as global gold prices surged to new highs.

Mining Threats Spark Urgent Action to Protect Nazca Lines

The Peruvian Ministry of Energy and Mines estimates that 362 small-scale miners operate within the Nazca district under a regularisation program. However, many fear a rise in illegal activities. Former culture minister Luis Jaime Castillo warned that illegal mining and mineral processing plants already infest the area.

The Nazca Lines protection reversal seeks to stop further damage. Although the government previously faced pressure to support small-scale mining, experts argue that preserving cultural heritage must take priority.

A new round of assessments will soon determine whether any land changes can occur without risking the site. Until then, the restored boundaries remain in effect, offering renewed confidence in the protection of Peru’s archaeological legacy.

Frederick Forsyth: Thriller Author and MI6 Spy Dies

June 10, 2025, 12:03 pm

Frederick Forsyth, one of Britain's most recognisable thriller writers, died at the age of 86 following a brief illness. His literary agency, Curtis Brown, announced the tragedy on Monday, saying that the author died peacefully at home, surrounded by his family. “We mourn the passing of one of the world’s greatest thriller writers,” said his agent Jonathan Lloyd, as quoted by AFP. The bestselling author leaves behind a legacy of high-stakes political thrillers that captivated readers across generations.

Frederick Forsyth: From a RAF Pilot to a Global Bestseller

Forsyth was born in Ashford, Kent, in 1938, and later joined the Royal Air Force in 1956 before he moved into journalism. Notably, he reported on world issues, including the failed assassination of French President Charles de Gaulle which was an event that ultimately inspired his classic novel The Day of the Jackal. He authored over 25 works, including The Odessa File (1972), The Dogs of War (1974), The Fox, The Kill List, and The Afghan, and sold over 75 million copies worldwide. Filmmakers adapted several of his writings into successful films. Interestingly, Forsyth wrote his famous novel The Day of the Jackal in just 35 days after he found himself broke in London. Publishers initially rejected the manuscript, believing the plot wouldn’t sell since de Gaulle wasn’t assassinated. Nevertheless, the novel became a global phenomenon. In the film adaptation, Edward Fox played the lead role.

Forsyth’s Influence on Modern Thriller Writing

Moreover, Frederick Forsyth wrote with a hurricane pace, meticulous detail, and a focus on morally complex characters. As Reuters noted, he often blended journalistic fact with taut fiction, weaving brutal subplots of betrayal, politics, and murder. Although a private individual, Forsyth reportedly spoke fluent French by age 12 and German by 16, due to language exchanges in his youth. That same linguistic skill and observational sharpness defined his literary success. Ultimately, from war zones to foreign embassies, Frederick Forsyth’s life informed every page he wrote. In death, as in fiction, he leaves behind a legacy that reads like a final, masterful plot twist.

Nita Ambani Celebrates India’s Cultural Strength at WAVES 2025 | Watch

May 2, 2025, 3:53 pm

Reliance Foundation’s Founder and Chairperson, Nita Ambani, addressed a packed audience on day two of the World Audio Visual Entertainment Summit (WAVES) 2025 in Mumbai. Speaking on "Taking Indian Culture to the World," she highlighted India’s rich heritage and its youthful energy.

Blending Tradition with Youthful Energy

At the Jio World Convention Centre, Nita Ambani stressed how India harmoniously blends ancient wisdom with modern vibrancy.
"We are a country enriched by the wisdom of its civilisation, but equally energised by the throbbing energy of the world's youngest population," she said. She also pointed to India’s rising economic strength and growing global influence. "Our sacred traditions meet modern dynamism. Our economy, soon the third largest, fuels our soaring soft power."

Honouring India’s Ancient Roots

Nita Ambani praised India as the land where knowledge began. She reminded the audience that India is the birthplace of ‘OM’ and Sanskrit, a language that shaped many others. She said, “India is the origin of OM, the sound of the birth of our universe. It is the birthplace of zero, the beginning of the infinite, and the home of Sanskrit that gave the world language.” She also highlighted India’s achievements in yoga, Ayurveda, science, and the arts—from Aryabhatta’s astronomy to classical music and epics like the Ramayana and Mahabharata.

https://twitter.com/ANI/status/1918193337489674249

A Timeless Civilisation Leading with Peace

Moving forward, Nita Ambani described India as a timeless civilisation that offers the world values of peace and unity. “We are a civilisation that gifted humanity the ideals of truth, non-violence, unity, and peace,” she said. She called India a beacon of wisdom, citing the Vedas, the Bhagavad Gita, and the teachings of Gautam Buddha and Mahatma Gandhi.

Applauding PM Modi’s Vision

Nita Ambani credited Prime Minister Narendra Modi for reviving India’s voice globally. She said, “For centuries, India shared its wisdom and soul with the world. Somewhere, our voice softened. But now it is rising again. We owe deep gratitude to PM Modi, whose vision and leadership have reignited India’s presence on the global stage.”

Celebrating Global Indian Icons

She praised Indians abroad who carry forward the country’s spirit. “Today, India's spirit is inspiring the world like never before,” she said.
Nita Ambani applauded icons such as musician Anoushka Shankar, sarod player Rishabh Sharma, chef Vikas Khanna, and actress Priyanka Chopra. She noted that even while living abroad, they keep Indian values close to their hearts.

WAVES 2025 Draws Global Attention

Prime Minister Modi inaugurated WAVES 2025 on Thursday. The summit has attracted participants from over 90 countries.
More than 10,000 delegates, 1,000 creators, 300+ companies, and 350+ startups are taking part. The event features 42 plenary sessions, 39 breakout sessions, and 32 masterclasses. Topics include broadcasting, infotainment, AVGC-XR, digital media, and films.

Struggle Behind Grace: Prerana Shrimali’s Journey in Classical Dance

April 28, 2025, 8:20 pm

Illuminated by stage lights, Prerana’s poised silhouette captivates audiences, each movement radiating grace and every expression narrating a story. A dedicated artist and educator, Prerana’s journey from a small town in Rajasthan to the international stage is a testament to her unwavering passion and resilience. Her life is a rich tapestry woven with threads of struggle, sacrifice, and triumph, illustrating the profound impact of following one’s dreams against all odds. Shrimali was born to an orthodox family in Banswara, Rajasthan. Her family was one where education was above all. Her father, a journalist, made her understand that hard work and discipline were necessary to secure her future. "Then, we did not think about careers at early age like children do today," she reminisces. "I was very studious, and wanted to be an IAS officer, but my economics was weak, and dance was an escape from economics," she confesses. The Early Struggles In 1984, he took a firm step and moved to Delhi without her family's permission as dance was always considered as a hobby in her society but not as a career. After reaching Delhi, she started her training under her Guru Kundan Lal Gangani ji. Her early days in Delhi were filled with strife. Having no fixed income and no familial backing, making ends meet became an everyday ordeal. “Rent was a constant worry. But I couldn’t afford to give up.” She recalls A turning point arrived when she received an invitation to perform at the prestigious Khajuraho Dance Festival. “My Guruji received a telegram(at that time, artists used to receive invitations 6 months prior ), and he was so happy as he wanted to show what Jaipur Gharana is all about, but unfortunately, before the event, he died, and I was clueless. Since I only had 5 years of training” Somehow, despite facing all these challenges. She managed to perform at the Khajuraho Dance Festival. “Performing at Khajuraho was a significant achievement and my first solo performance. It was an international-level event, and being invited to perform solo was a dream come true,” she recalls. This chance set the stage for her brilliant dance career on a path that she had never envisioned. Her performance at Khajuraho Dance Festival turned her career around. The performance received wide coverage in the media, leading to a host of opportunities. Once you become known, opportunities follow," Prerana says. The festival was also witnessed by media people and art lovers from all over the world, and her mesmerizing performance proved unforgettable. Afterwards, she never looked back, yet still uncertain about dance as a career. “Choosing a dance career comes with risks. It’s not a secure job with fixed earnings; it’s like the mythical Chatak bird, always waiting for the right opportunity,” she reflects. The uncertainty of the dance world used to leave her troubled, but she stayed committed. Building a Legacy After living in Delhi for years, the COVID-19 pandemic brought Shrimali back to Jaipur, and she set up her dance academy. "Operating an academy is not simple. I am a performer, not an entrepreneur," she confesses. "The greatest challenge is money—raising funds to keep and grow the institution." Unfazed by the challenges of operating a school of education, Prerana worked hard at the academy, vowing to deliver top-notch training to would-be dancers. Aware of the influence of social media on dance perception, Prerana launched the Yuva Ekal series, an initiative for young dancers to display their talent all over India. Today's students are often expecting instant fame from a one-minute Instagram reel, but real dance takes years of intense practice," she points out. In "Yuva Ekal," she hopes to kindle patience and commitment in students, bridging the gap between the classical style and modern-day needs. Financial struggle is still there. She often reaches out to sponsors, government bodies, and art patrons, but the response is slow. So, mostly she has to sponsor the events herself. Inspiring Future Generations Prerana Shrimali is a shining example of persistence today, a testament to the fact that true artistry does not lie in momentary glory but in dogged commitment through decades of hardship. Her success is a reflection of her commitment: she has performed for India at international dance festivals of repute, toured Europe, the USA, and Southeast Asia, and introduced world-class recognition to classical Indian dance. Prerana has received several national awards, worked with the elite artists, and held workshops to maintain the integrity of the art. Through her performances and her dedication to mentoring the future generation of classical dancers, Shrimali is not only keeping an art form alive; she is creating the next generation of dancers who will pass on this cultural heritage. Her tale is a strong reminder that passion, grit, and devotion can overcome barriers, motivating future generations. As she says, “Hard work is essential, but opportunity at the right time with luck is needed to become successful.”

Nazi-Looted Painting to be Returned to Belgian Collector’s Heirs

March 30, 2025, 7:48 pm

A painting dating back centuries, seized from Belgian art collector Samuel Hartveld in World War II, will be returned to his descendants. Henry Gibbs' Aeneas and His Family Fleeing Burning Troy (1654) was on view more than 30 years at London's Tate Gallery before it was determined that it belonged to them, the New York Post said. The United Kingdom's Spoliation Advisory Panel, which examines looted artworks, ruled that the painting was confiscated by the Nazis as 'an act of racial persecution'. The ruling by the panel opens the way for the work to be returned to Hartveld's descendants, a belated restitution and a step toward the continued pursuit of returning Nazi-looted art to its original owners.

A Lost Legacy

Samuel Hartveld, a prominent Belgian art dealer, escaped his country with his wife in 1940 when Nazi troops were closing in. Though he lived through the war, he lost his collection, which was said to have been sold for a fraction of its worth. Art historians estimate that a large proportion of his plundered paintings still lie dispersed throughout museums in Europe. The painting, which was influenced by Virgil's Aeneid, was believed to portray Gibbs' understanding of the English Civil War. It had remained in Tate's collection since 1994 when it was bought from a Brussels gallery. The heirs of Hartveld had legally submitted their claim in 2024, which resulted in the painting's return in the months to come.

Woman Buys Drawing for Rs.1000, Experts Say It Could Be a Renoir Worth Millions

March 30, 2025, 4:58 pm

Ancient artwork is of enormous historical significance, at times much greater than its aesthetic value. A woman in Pennsylvania has recently discovered the possible value of a charcoal sketch she bought for a mere $12 (around Rs 1,026) in a curio shop. The painting is thought to be that of Pierre-Auguste Renoir, a famous French artist, and could have been created in the 18th century. Markow, an owner of an antique shop, stumbled upon the work of art at a collector's auction in Montgomery County this past winter. Smitten by its originality, she knew the moment it caught her eye that she was going to purchase it. "Paintings were selling for $1,000, $2,000, even $3,000 toward the end of the auction. I had no idea what this was...I just knew I wanted it. It was something really special," she said to ABC News. When examining it more closely at home, she saw a scarce stamp on the reverse and a faint signature that experts later thought might belong to Renoir. Markow theorized that the portrait was of Renoir's wife, Aline Charigot, during a time when the artist was most interested in light and shading. Her interest caused her to view a few documentaries about the artist, but she was unable to verify its authenticity herself. For final expert verification, she called up Sotheby's, and it referred her to an experienced art appraiser of 43 years. When the piece was seen by him, all he could mutter was, "Congratulations." Then she took the painting to the Wildenstein Plattner Institute, a New York-based nonprofit firm committed to saving old paintings. A panel of experts is set to authenticate the drawing on April 10. “They believe it’s authentic. It’s rigorous, they’re pretty tough with their examination. I’m cautiously optimistic,” Markow said. If confirmed as an original Renoir, the piece could fetch over $1 million (nearly Rs 8.5 crore) in the market.

MF Husain Painting Resurfaces After 70 Years, Sells for a Historic $13.8M

March 21, 2025, 2:59 pm

Maqbool Fida Husain's epic 1954 painting, Untitled (Gram Yatra), a vibrant 14-foot depiction of Indian village life, has reached a milestone in the history of modern Indian art. The painting, last seen over 70 years ago, was sold for a record $13.8 million (£10.6 million) at a Christie's sale in New York on March 19, 2023.The sale is the record price paid for a work of art by a South Asian artist, more than three times its estimated price of $3.5 million (£2.7 million). Prior to this, the record was previously held by Amrita Sher-Gil's The Story Teller (1937), which sold for $7.4 million (£5.7 million) last year in Mumbai. But Untitled (Gram Yatra) has now become the second-highest selling South Asian artwork, defeated only by a 12th-century black stone Bodhisattva sculpture, which went for $24.6 million (£19 million) at Christie's New York in 2017.

Rare Painting With an Exquisite History

The painting was originally purchased by Norwegian surgeon and art collector Leon Elias Volodarsky in 1954 while he worked for the World Health Organization in Delhi. It stayed in a private collection at Oslo University Hospital until donated by Volodarsky's estate in 1964. For decades, it was hung out of sight, its true value unknown. Now "The Volodarsky Husain," the painting was sold by Oslo University Hospital with proceeds going towards the creation of a medical training centre. The sale generated a bidding war, with five players vying for the painting, which was eventually acquired by an undisclosed institution via Christie's South Asian Modern and Contemporary Art head Nishad Avari.

Significance of Untitled (Gram Yatra)

[caption id="attachment_557001" align="alignleft" width="1024"] MF Hussain's painting Gram Yatra[/caption] During the auction, Avari called the painting 'by far one of the most important works' he had ever seen in his career. He highlighted its historical significance because it was created only five years after India's independence, portraying the spirit of a newly-created nation through the eyes of rural life. "This massive painting is Husain's magnum opus, a cornerstone of his oeuvre celebrating the diversity and dynamism of a newly independent nation," Avari said. "Gram Yatra is an exemplar of nation-building through art." The painting is composed of 13 distinct vignettes, each depicting various aspects of Indian village life. The work was regarded as seminal in establishing Husain's vision of a modern India in the post-independence era.

Picasso of India

Husain, sometimes dubbed the "Picasso of India," is a seminal figure in contemporary Indian art. A founder of the Bombay Progressive Artists' Group, Husain's combination of traditional Indian painting with Western expressionist styles was instrumental in formulating Indian modernism in the 1940s. His paintings, spanning topics ranging from mythology to rural India, were hugely acclaimed, though his later representations of Hindu gods and goddesses nude ignited controversy. In spite of legal challenges and threats to his artwork, Husain kept painting until he passed away in 2011 at the ripe old age of 95. Two of his works with nude images of Hindu gods were at the focal point of a legal battle in India recently. But a court rejected the lawyer's plea for confiscating the paintings, with the gallery concerned claiming its faith in artistic freedom.

Milestone for Art World

The sale of Untitled (Gram Yatra) for a record price has created a new benchmark for South Asian contemporary art, solidifying Husain's status as one of the most groundbreaking artists of his generation. It also highlights the increasing international appreciation and valuation of Indian contemporary art in the international market. As the painting passes on to new owners, Husain's legacy of his observation of India's rural existence and post-independence identity continues to entice art enthusiasts and collectors across the globe.

SFI Hosts Satyam’s Triptych 2025: A Grand Showcase of Design Creativity

March 13, 2025, 11:00 pm

Satyam Fashion Institute (SFI), Noida, one of India's premier design institutions affiliated with SNDT Women's University, Mumbai, hosted its much-anticipated annual graduation show, Satyam's Triptych 2025, in celebration of International Women's Day. The event was a spectacular display of creative brilliance, featuring the innovative designs and artistic excellence of graduating students. The collections, inspired by contemporary, historical, and cultural design eras, captivated the audience, earning resounding applause and a standing ovation, making the evening an unforgettable experience. Dr Sneh Singh, Chairperson, SGI; CA Dr Pradeep Gupta, Secretary; Dr Vandana Jaglan, Principal, SFI; and Dr Neetu Malhotra, Vice Principal, Show Organizer, SFI, who extended their heartfelt congratulations to the graduating designers, wishing them a prosperous future. The graduating students from B. Design in Fashion Design, Textile Design, Lifestyle Accessory Design, Fashion Communication, and Post Graduate Diploma in Fashion Design collaborated to create a visually stunning and thought-provoking showcase. The collections featured an eclectic mix of themes, including Pakeezah: Purity of Love , Sooryasparsh, Dhaaga Darpan, Sustainable Chic - Revive, Recreate, Rewear, Tribal Twist, Medusa - The Lore of the Gorgon, NAVRANG: A Symphony of Indian Heritage, Timeless Treasures, BHRAM - A Soul's Reflection, Kumbh Prabha, Denim Florallia, The Luxe Office Edit, MANTHAN: A Journey to Inner Power, Botanical Breeze, Sparsh: Reflections of the Heart, The Vintage Legacy, The Ocean Elegance, UNBROKEN - From Pain to Power, The Elysian Flight - Metamorphosis Transformation, Luminous rebirth Bloom & Wither, Rivayat-e-Virasat and Drishya Sanrachna. Each collection showcased the students’ creativity and innovative approach to fashion, leaving an indelible mark on the audience. Adding to the event’s uniqueness, Satyam's Triptych 2025 highlighted sustainable fashion through collections such as Sooryasparsh (crafted from recycled raffia), Dhaga Darpan (featuring jute as the primary material), and Kumbh Prabha (embodying eco-friendliness and sustainability). In a remarkable initiative, the event also provided a platform for senior citizens to walk the ramp as models, promoting inclusivity and empowerment. This remarkable segment underscored SFI’s commitment to celebrating fashion for all ages, proving that style transcends generational boundaries. The evening was elevated by the exceptional choreography of Show Director & Choreographer Anup Banerjee, Creative Director Shomen Banerjee, and Wardrobe Director Shuku Banerjee, whose expertise added an element of sophistication to the 24 outstanding collections. Dr Neetu Malhotra, Vice Principal, SFI, expressed her gratitude to all the Industry Mentors, Designers, and Guests of Honour for gracing the design show with their presence. She emphasized that their presence transformed the event into an unforgettable celebration of talent and creativity. As part of its ongoing mission to promote India’s rich cultural heritage, Satyam Fashion Institute extends a heartfelt invitation to craft persons and artisans to participate in Satyam’s Triptych 2025. This initiative seeks to provide a prestigious platform for artisans to showcase their exceptional skills, craftsmanship, and invaluable contributions to preserving India’s artistic legacy. In recognition of their dedication, all participating craft persons and artisans will be honoured with a Certificate of Appreciation and a commemorative Trophy, inspiring future generations to cherish and uphold India’s diverse heritage.

Inception grant show 2025 by Art Incept

April 28, 2025, 8:20 pm

The 5^th edition of Inception Grant Show organised by Art Incept is taking place in the Capital from Mar 8^th – 16^th 2025 at Triveni and Shridharini Gallery, Mandi House, New Delhi. It is an exclusive showcase featuring the artworks of the 13 finalists from over 800 applicants from all over South Asia.

“Selected from a highly competitive pool of over 800 talented artists from across South Asia, these finalists represent the very best of emerging creativity in the region. The selection process was both rigorous and inspiring, as our esteemed internal jury faced the challenging task of narrowing down such a diverse and remarkable array of artistic talent”, says Gayatri Singh, Founder Art Incept.

Art Incept is a platform committed to showcasing South Asia’s most promising emerging artists, creating an environment where talent can thrive through focused mentorship, expert guidance, and ample opportunities for growth. Our ‘mentors-first’ approach prioritizes the artist's journey, offering a nurturing space to explore, evolve, and achieve their full potential.

The Inception Grant was initiated by Art Incept in the year 2020 in response to the challenges faced by emerging artists during Covid. More than a financial aid, the grant provides access to Art Incept’s mentors and curators, facilitating year-long development for awardees. The Grant has evolved into a significant stepping stone for South Asian artists, receiving over 1,000 applications annually.

“We are proud to present the Inception Grant 2025 Finalists—Arindam Manna, Ayesha Sultana, Badush Babu, Bhanu Srivastav, Bhavin Patel, Chaitali Paranjape, Debajit R Paul, Malinda Jayasinghe, Megha Singh, Riya Chandwani, Rohan & Roshan Anvekar, Rohit Varekar, and Shremoe D Prasad—each of whom brings a unique perspective, innovative approach, and compelling vision to their work. Their artistic expressions reflect the dynamic and evolving landscape of contemporary art in South Asia, and we are honored to celebrate their journey”, adds Singh.

Women’s Day Celebration with Highway Hero Trust – Saluting the Superb Women in Our Lives!

April 28, 2025, 8:20 pm

The Highway Hero Trust organized a grand Women's Day Celebration at Godavari Auditorium, Lodhi Road sunday saluting the unsung heroes of our society—Women Drivers, Entrepreneurs, and Teachers, along with a fashion show—Walk to Empower by the women drivers themselves. The program was graced by motivational women, distinguished guests, and young supporters to commemorate women's empowerment. The main attraction of the evening was the Women's Award Ceremony, awarding 17 women, in which remarkable women were honored for their courage and contributions to society. The ceremony was attended by prominent dignitaries such as Bansuri Swaraj, Member of Parliament; Reema Virdee - founder & director (Rvedaa Limited) and Radio presenter in London; Ajay Chaudhary, Joint Commissioner of Police, Delhi Police; Singer & Sa Re Ga Ma Pa fame, Kamal Khan and top IAS & IPS officers, and other distinguished leaders. The event was also graced by Sufi singer Vicky Ahuja and Bollywood singer Vishal Shrivastav with a rich cultural flavour. With his deep passion for Sufi music, Vicky Ahuja has been mesmerising crowds with his soulful performances. His work has left an imprint on Bollywood cinema with films like A Wednesday, Ludo, and Veer Zaara, as well as television and narrative telling. X Factor India and Rising Star fame, Vishal Srivastav has attracted people with his melodious voice and musical skills. With their mutual musical prowess, the event became memorable, and the audience was left awestruck. Promoting culture and diversity in music. Speaking at the ceremony, Balwant Singh Bhullaar, Founder & Chairman, Highway Hero Trust, said, “Women are the backbone of our nation’s progress. This event is a tribute to their strength, courage, and invaluable contributions. They represent ethics, loyalty, decisiveness, and leadership, and with empowering women, we empower the nation. In Highway Hero Trust, we are convinced that honoring their achievements is not only a requirement but an obligation—providing them with recognition and support they truly deserve.” The event was made possible with the generous presence of companies like Yes Bank, PP Jewellers, Indian Association of Tour Operators, RTGA, Indian Tourist Transporter Association, Connaught Club House, CEDAR Club House, Govindam Retreat, KIONA, and others. The Women's Day Celebration organized by Highway Hero Trust was a true reflection of women's strength and the need to make the world a safe and nurturing space for them in every walk of life. The event made a lasting impression on people, motivating them to continue striving for gender equality and empowerment.

Prasiddha@40 – Celebrating 40 Years of Art, Tradition, and Innovation

April 28, 2025, 8:20 pm

The Prasiddha Foundation, a distinguished cultural institution founded by eminent dancer Prathibha Prahlad, proudly commemorates its 40th anniversary with a grand three-day festival, ‘Prasiddha@40 – A Golden Era Redefined’. Taking place on March 10th, 11th, and 12th, 2025, at India Habitat Centre, New Delhi, this milestone event is not just a celebration of the past but a commitment to the future—of nurturing art, fostering creativity, and preserving India’s rich cultural heritage. At the heart of this landmark occasion is ‘Rāmāyaṇa Chaitrāvali’, a specially curated festival that brings forth unseen and untold stories from the Ramayana. More than just a performance, Rāmāyaṇa Chaitrāvali is an artistic and spiritual exploration, blending extraordinary talent, vibrant storytelling, and profound emotions to present Bharat’s sacred arts in a renewed and redefined manner. The festival will be inaugurated by distinguished luminaries from the public sphere, further reinforcing its significance as a cultural and artistic milestone. The festival opens with ‘SĀMARTHYA – The Women of Ramayana’, a powerful dance-theatre production that reimagines the epic of Lord Rama through the dynamic force of the women in the Ramayana. Conceptualized and choreographed by Padma Shri awardee Prathibha Prahlad, SĀMARTHYA presents the resilience, sacrifice, and strength of key female figures, brought to life through Bharatanatyam, Kuchipudi, Odissi, Kathakali, and Mohiniattam, offering a pan-Indian aesthetic to the performance. On the second day, the festival presents ‘EKAM SAT’, an immersive production that compels audiences to see the divine in every atom of the universe, regardless of the name or form through which He is worshipped. Conceptualized and directed by Prathibha Prahlad, the production is co-choreographed by Mithun Shyam (Bharatanatyam), Rekha Raju (Mohiniattam), and Nidhaga Karunad (Kathak), uniting diverse traditions in a singular spiritual narrative. Following EKAM SAT, three solo dance dramas present fresh perspectives on pivotal characters from the Ramayana: ‘RĀVANA – The Untold Story of the 11th Head’ by Sri. Surya N. Rao, portraying Ravana’s inner conscience, his 11th head, justifying his choices. ‘SAUMITRI – The Epitome of Unwavering Loyalty’ by P. Praveen Kumar, narrating Lakshmana’s courage, righteousness, and selflessness. ‘VĀYU PUTRA – Bhakti Redefined’ by Nidhaga Karunad, presenting the legendary Hanuman’s unparalleled devotion to Lord Rama. The festival culminates on the third day with ‘BHARAT AFTER MAHATMA’, a thought-provoking dance-theatre production that visually interprets India’s post-independence journey—exploring representations of India as they are perceived, imagined, or dreamt. The production moves seamlessly across Bharatanatyam, Chhau, Thang Ta, and contemporary movement, symbolizing the battles that remain to be fought and the dreams yet to be realized. Adding depth to the final evening, two solo performances will bring untold narratives to the forefront: ‘SHABARI – A Fable of Unwavering Faith’ by Satyanarayana Raju, depicting Shabari’s devotion to Lord Rama, leading to her spiritual liberation. ‘VĀLI – A Story of Courage and Invincibility’ by Mithun Shyam, an intense portrayal of Vaali, the mighty king of Kishkinda, drawing from Valmiki’s Ramayana.

New Delhi Railway Station Stampede: We Have Done This Before; What’s Wrong With Us

February 16, 2025, 8:32 pm

In the predawn hours of January 29, 2025, the air in Prayagraj was thick with devotion. Pilgrims, wrapped in shawls against the winter chill, pressed forward towards the Sangam, the sacred confluence of the Ganges, Yamuna, and the mythical Saraswati. Some had traveled thousands of miles, their journey fueled by faith and the promise of spiritual cleansing. The river shimmered under the first light of day, a silent witness to history being rewritten, yet again, by tragedy. In a moment, the hum of prayers gave way to screams. A sudden surge, a misstep, a barricade that buckled under pressure—and chaos unfurled. Within minutes, dozens were crushed, suffocated, trampled under the weight of devotion. The 2025 Maha Kumbh Mela had become yet another entry in India’s long ledger of stampede disasters, a testament to the delicate balance between faith and safety in a country where religion is the pulse of public life. [caption id="attachment_537672" align="alignnone" width="952"] New Delhi Railway Station stampede on Feb 15, 2025[/caption]

A History Written in Grief

India has seen this before. In 1954, a similar stampede at the same event killed over 700 pilgrims. In 2013, a railway station in Allahabad, overwhelmed by Kumbh visitors, turned into a death trap for 42 souls. In 2005, a Mandher Devi temple celebration in Maharashtra ended in 291 deaths when a fire and a surge of devotees triggered a deadly crush. In 2013, over 115 people perished on a bridge leading to the Ratangarh Mata Temple in Madhya Pradesh when rumors of its collapse sent thousands into a panic. This is not a new phenomenon. India’s history is dotted with similar catastrophes, all of them strikingly similar in cause and consequence. In 2008, the Chamunda Devi Temple in Jodhpur saw 224 devotees killed in a stampede when people rushing in collided with those trying to exit. In 2011, the Sabarimala pilgrimage in Kerala ended with 106 deaths after a vehicle accident on a narrow forest pathway led to a mass panic. And in 2022, an altercation among devotees at Vaishno Devi temple escalated into a deadly crush, leaving 12 dead. [caption id="attachment_537673" align="alignnone" width="944"] A police officer carries a stampede victim at the Chamunda Devi temple inside the massive 15th century Mehrangarh fort in Jodhpur, India, Tuesday, Sept. 30, 2008. At least 80 people were killed and more than 150 injured when thousands of pilgrims stampeded Tuesday at a Hindu temple in the historic town of Jodhpur in western India, police said.[/caption] Each tragedy brings fresh debates, promises of inquiries, and vows for reform. Yet, the cycle repeats.

The Cultural Psychology of Devotion and Risk

Why do these tragedies keep happening? To the untrained eye, stampedes seem like spontaneous, uncontrollable acts of panic. The reality, however, is more complex. Psychologists studying crowd behavior argue that stampedes are not caused by irrationality but by systemic failures—by bottlenecks that force bodies into unnatural compression, by the lack of information that leads people to move against their best interest, by poorly trained personnel who react too late or too aggressively. [caption id="attachment_537674" align="alignnone" width="948"] On January 29, 2025, a stampede at the Triveni Sangam (confluence of three rivers) in Prayagraj, India, during the Maha Kumbh festival, resulted in over 30 deaths and 60 injuries as large crowds gathered for a holy dip on Mauni Amavasya.[/caption] And yet, the underlying issue is more than logistics—it is cultural. To understand why stampedes happen in India’s religious spaces, one must first understand the psyche of the Indian devotee. Faith, in this country, does not function as an abstract principle. It is embodied, it is physical. The act of bathing in the Ganges, of touching the feet of an idol, of reaching the sanctum of a temple is not symbolic; it is real, immediate, necessary. Devotees endure unimaginable hardship to complete their pilgrimages—fasting, walking barefoot for miles, sleeping in open spaces—because the reward is believed to be divine. [caption id="attachment_537676" align="alignnone" width="957"] A woman cries next to the body of a victim killed in the stampede at Ratangarh temple which killed 115 people on October 13, 2013.[/caption] Fatalism plays a significant role in these gatherings. In many parts of India, there is a deep-seated belief that one’s fate is preordained by karma. The presence of death, too, is not always a deterrent. “What better way to go than in God’s presence?” is a common sentiment among pilgrims. In this equation, risk is not merely tolerated; it is part of the sacred experience.

The Role of Ritual Urgency and Crowded Spaces

Time is another critical factor. Many of India’s deadliest stampedes occur at highly specific moments—during aarti (prayer rituals), before the closing of temple doors, or at the peak of auspicious bathing hours in the Kumbh. The belief that a particular window of time is spiritually superior leads to overwhelming surges. [caption id="attachment_537677" align="alignnone" width="953"] The death toll in the stampede at Allahabad railway station on Feb 11, 2013 reached 36.[/caption] The Vaishno Devi tragedy of 2022, for instance, happened on New Year’s Eve when devotees rushed to offer their prayers exactly at midnight. The 2013 Ratangarh temple disaster was exacerbated by a belief that performing rituals at a particular moment would yield greater divine blessings. The Kumbh Mela disasters occur during peak bathing days when millions believe that immersing in the Ganges at a precise moment can absolve them of sins. These beliefs, deeply ingrained in Hindu ritualism, create choke points that turn sacred gatherings into sites of mortal peril.

When Faith and State Collide

Authorities, caught between honoring devotion and ensuring safety, often err on the side of inaction. To impose strict crowd limits is to deny people their spiritual rights. To prioritize security over faith is to court backlash. The balance is a difficult one, but history shows that the cost of failing to find it is paid in human lives. There are solutions. Some are practical—better exit routes, stricter capacity controls, real-time crowd monitoring using AI. Others require a cultural shift—changing the way religious spaces are designed to accommodate faith without endangering lives. There is precedent for such shifts. In Mecca, where millions gather for the Hajj pilgrimage each year, a sophisticated crowd management system, complete with designated times for rituals and emergency protocols, has significantly reduced fatalities. India, with its ever-growing pilgrimage economy, must take similar steps.

Can India Break the Cycle?

How these tragedies are framed in public discourse matters. Often, news coverage of stampedes focuses on government lapses, but rarely does it explore the cultural mindset that contributes to them. Is it enough to blame the authorities without questioning the deeply held beliefs that prioritize faith over safety? Sensationalist headlines may drive viewership, but real change will come from deeper discussions—ones that bridge faith, policy, and public responsibility. But the question remains: will it? The past suggests that after each tragedy, the mourning is brief, and the changes are cosmetic. The sanctity of religious gatherings is held above reform, and another stampede lurks around the corner, waiting for its moment in history. In the days after the 2025 Mahakumbh disaster, authorities promised inquiries, new protocols, stricter monitoring. But on the banks of the Sangam, pilgrims still arrive, still push forward, still believe. For them, faith is worth any risk. The real question is: should it be? The intersection of devotion and danger in India’s religious spaces is not accidental; it is systemic. To change it will require more than better logistics—it will require a transformation of how faith, risk, and responsibility are understood. Until then, each stampede will not be an anomaly but an inevitability.

Kathakar International storytellers festival debuts in Shimla with global tales and musical legends

April 28, 2025, 8:20 pm

The Kathakar International Storytellers Festival took place at the historic Gothic Hall, Gaiety Theatre in Shimla. Organized by Nivesh, HHACH, and Babaji Music in collaboration with the Ministry of Culture, Ministry of Tourism (Government of India), the festival is curated and produced by the Gehlot sisters — Rachna, Prarthana, and Shaguna. The event featured performances by renowned international storytellers Usifu Jaloh (Sierra Leone) and Polina Tserkasova (Estonia). Alongside these performances, veteran musician Shantanu Moitra engaged in a lively conversation with singer Mohit Chauhan during the Kisse Kahaniyan aur Matargashti session, moderated by Prarthana Gahilote. The festival also showcased a musical performance by Satpal Wadali and Group from Punjab. Expressing her excitement about the festival, Estonian storyteller Polina Tserkasova shared a captivating folktale about a hunter who rescues a trapped white swan. The swan, later revealed to be a woman, secretly cares for the hunter in his absence. Upon discovering her true identity, the hunter gives her the choice to leave or stay as his wife. She chooses to stay, and they live happily, raising a son together. One day, as other swans call her to the clouds, she refuses, choosing to remain with her family forever. Usifu Jaloh began his performance with a song, captivating the audience with his storytelling. He then sang a Hindi and Punjabi song, including "Tujhe Dekha To Yeh Jaana Sanam," "Tum Paas Aaye," and "Kuch Kuch Hota Hai and many others" In his story he narrated, that a woman wanted to cook for her husband but struggled to pick vegetables from a tree. She asked her husband to cut the tree, and when he chopped a branch, it magically transformed into a man. Satpal Wadali started his performance with the first song “Sanson ki Mala pe simrun mein Pi ka Naam”, then “Tujhe Dekha to aisa laga jaise meri eed ho gayee, then he sung “Tu maane ya na maane, assan taan tenu yaar maneya”. Then he sung “Yeh jo halka halka suroor hai”, Lagan lagi tumse man ki lagan, Lal Meri bat rakhiyo bhala jhule lalan Mohit Chauhan, the festival's Chief Patron and Cultural Ambassador of Mongolia to India, expressed his joy at bringing the festival to his home state. "Himachal is my home, and it’s a wonderful experience to see the Kathakar Festival here. This festival is close to my heart as it revives traditional storytelling, allowing people to explore different cultures, values, and traditions. Through Kathakar, we not only tell stories but also discuss their significance in everyday life, cinema, and music." He also said that the Storytellers Festival has been organized for the past 15 years, but this is the first time it is being held in Shimla. He mentioned that storytelling is an art, just like how we used to listen to stories from our grandparents in childhood. Famous music composer Shantanu Moitra stated that storytelling encompasses numerous tales, and the mountains too hold many stories. These stories can be taken across the country and abroad. He added that emotions in stories are the same worldwide; only the language differs. During the discussion session, Mohit Chauhan shared that his journey began with superhit songs like Ab Ke Sawan and has led him to where he is today. He also mentioned that he hails from Himachal Pradesh, where many hidden stories exist, and music is the best medium to narrate these stories. Prarthana Gahilote, Director of Kathakar, highlighted the festival’s milestone: "Celebrating 15 glorious years, we are hosting the festival across four cities—Delhi, Shimla, Jodhpur, and Jaipur. Over 14 years and 18 editions, Kathakar has become synonymous with Indian and international storytelling, both in India and globally." She further added, "Shimla residents got to watch a unique treat of stories, music, and melodies. Two music legends, Shantanu Moitra and Mohit Chauhan, shared the stage, which is a treat for the audience, they offered insights into the evolution of music, storytelling, and adapting to changing times."

BAPS Hindu Mandir Abu Dhabi Welcomes More Than 10,000 visitors to Celebrate it’s First ‘Patotsav’

February 4, 2025, 4:58 pm

The BAPS Hindu Mandir Abu Dhabi marked its first Patotsav, the anniversary of its inauguration, with a series of grand celebrations, prayers, and cultural performances. This momentous occasion drew more than 10,000 devotees, volunteers, and well-wishers from across the region to commemorate a year of spiritual enlightenment and unity. The Patotsav is an auspicious date whereby sacred traditional rituals and ceremonies are invoked to honor and celebrate the anniversary of the Mandir’s Pran Pratishtha, the consecration of deities in the central shrine. This occasion is marked by devotional offerings, prayers, and spiritual gatherings, reaffirming faith and devotion. The day commenced before dawn as hundreds of devotees and volunteers arrived at 4:00 AM to prepare for the Mahapuja, a sacred ritual seeking peace and prosperity for all. As a sign of devotion, Jigisha Joshi explained her enthusiasm for offering service so early on her weekend: “I have been blessed with the opportunity to serve our community and offer devotion in this beautiful Mandir. By serving others, is my way of offering gratitude to God”. More than 1,100 participants took part in this divine ceremony at 6:00 AM, offering their prayers with deep devotion. This Mahapuja was a truly unique experience in that it blend of technology and spirituality, with special projections on the Mandir displaying various rituals, enhancing the devotional experience for all attendees. Adding to the vibrancy of the celebrations, the Nashik Dhol team from Maharashtra delivered a powerful performance. Their energetic drumming welcomed and accompanied the procession of Lord Swaminarayan from the Maha Abhishek Sthan to the central dome of the Mandir, filling the air with rhythmic beats and joyous fervor. From 9:00 AM to 11.30am, a special recitation ceremony was held in the grand Assembly Hall, where verses were chanted in praise the birth anniversary of His Holiness Shastriji Maharaj, the founder of BAPS, whose life was dedicated to spreading the message of social harmony and spiritual awakening. The congregation of more than 2,000 people also honored His Highness Sheikh Mohamed Bin Zayed Al Nahyan for his vision in fostering a land of love and harmony. Throughout the day, the celebration featured mesmerizing music and traditional dance performances, deeply rooted in the ancient art of Natya Shastra, captivating audiences. Every movement, rhythm, and expression served as a divine offering, embodying the profound spiritual essence of Indian classical dance. The event showcased 19 different performances, with troupes comprising of an impressive 224 participants. Spectators were enthralled by renditions of Madhurashtakam, Mohiniyattam, Kuchipudi, alongside traditional Marathi, Odissi, Bengali and Bharatanatyam dances, making it a truly immersive and unifying cultural experience. As the sun set, the Swaminarayan Ghaat transformed into a vibrant stage for an evening of cultural splendor. Adding to the sanctity of the occasion, Aartis (devotional prayers) were performed at 6:00 PM, 7:00 PM, and 8:00 PM, filling the Mandir with an atmosphere of devotion and gratitude. This first Patotsav not only celebrated the milestone anniversary of the BAPS Hindu Mandir Abu Dhabi but also reaffirmed its role as a beacon of peace, faith, and cultural unity in the region. The Mandir continues to serve as a center for spiritual enlightenment, social service, and cultural exchange, bringing together people from diverse backgrounds in the spirit of harmony. Pujya Brahmvihari Swami, the Head of the BAPS Hindu Mandir Abu Dhabi concluded the day with special blessings “The BAPS Hindu Mandir has witnessed its first year filled will love, hope and unity. It has won awards for its architectural splendor but its most impressive achievement is that it continues to bring people of all backgrounds together inspiring an inclusive and harmonious society. May one and all also fill their lives with love and unity for all that is around them”. In his concluding blessings, Pujya Brahmvihari Swami expressed heartfelt gratitude to His Highness Sheikh Mohamed Bin Zayed Al Nahyan, acknowledging his generosity and unwavering support. He further extended appreciation to everyone who contributed to making the BAPS Hindu Mandir Abu Dhabi a reality, emphasizing the collective efforts that brought this spiritual landmark to life.

Gallery Art Incept Brings India’s Soul to London Art Fair 2025

April 28, 2025, 8:20 pm

Art Incept, a purpose-driven gallery based in Gurugram, is all set to mark its international debut at the London Art Fair 2025, slated to take place from January 22 to 26, 2025. Founded in November 2020, Art Incept has quickly established itself as a platform dedicated to nurturing and showcasing emerging contemporary South Asian talent in the visual arts.

For its debut, the gallery will participate in the PLATFORM 2025 Section, focusing on the theme MOTHER EARTH. The exhibition explores the importance of living in harmony with nature and fostering emotional connections with the world around us.

“Today for you, tomorrow for me is an invitation to live in harmony with Mother Earth and with each other. If we start with giving, rather than taking, everything might look different. The artists exhibiting here explore themes of the earth, nature, spirituality, and emotional connections, ultimately seeking to understand what love for all beings looks like.”, explains Becca Pelly-Fry, curator of PLATFORM 2025.

Art Incept’s presentation, titled “Songs from My Homeland – A Memoir of Life and Rituals”, showcases three talented emerging artists: Ram Dongre, Gavara Satyanarayana, and Viswanath Kuttum. The collection, curated by Virginia Damtsa, consulting curator and artist mentor in the UK, celebrates the vibrant narratives of heritage, community, and resilience deeply rooted in India.

Each of the featured artists brings a distinctive perspective. Ram Dongre explores the intersection of tradition and modernity, inspired by fading frescoes and the essence of rural landscapes. Gavara Satyanarayana uses intricate woodblock prints to depict the struggles faced by India’s agrarian communities, drawing from his personal experiences with food scarcity and inequity. Viswanath Kuttum creates textured monochromatic paintings that pay homage to tribal rituals and the fragile beauty of life in the Andaman Islands, highlighting the profound connection between land and memory.

“What makes this presentation particularly distinctive is not just its thematic resonance but also the use of unique mediums—engraved woodblocks, layered oil paintings, and innovative materials like beeswax, paraffin, and linseed oil. These elements amplify the emotional depth of the stories, transcending regional boundaries and offering universal reflections on resilience, identity, and our connection to place” shares Virginia Damtsa.

“This is our debut at the London Art Fair, and we are thrilled to bring these voices to a global audience, spotlighting narratives that are both intimate and profoundly relevant. This exhibition reflects our commitment to nurturing talent and creating pathways for South Asian artists to thrive on the world stage.” Says Gayatri Singh, Founder, Art Incept.

While this marks Art Incept's first showcase outside India, the gallery has already made significant strides with initiatives like its Art in Residence program, organized in collaboration with the German Ambassador in India, now gearing up for its 4th edition in January 2025.

As the gallery steps onto this global platform, its debut promises to celebrate the enduring connection between art, identity, and community, spotlighting the rich cultural tapestry of South Asia.

Mahakumbh 2025: A Global Celebration Of Faith, Culture, And Unity

December 27, 2024, 4:18 am

The Mahakumbh Mela, one of India’s most iconic religious events, will take center stage in Prayagraj from January 13 (Paush Poornima) to February 26 (Maha Shivratri) in 2025. Beyond being a spiritual congregation, the festival serves as a profound cultural, social, and spiritual phenomenon that embodies India’s rich heritage.

A Spiritual Pilgrimage to Attain Liberation

At the heart of the Mahakumbh Mela lies its spiritual essence. Rooted in Hindu mythology, the festival celebrates the belief that bathing in one of the sacred rivers, particularly the Ganges, cleanses sins and frees the soul from the cycle of birth and death. This pursuit of moksha (liberation) draws millions of devotees and spiritual seekers, creating a profound sense of inner peace and enlightenment. Pilgrims of diverse faiths join this journey, making it a truly global event.

Celestial Alignments and Astronomical Significance

The Kumbh Mela is also a marvel of astronomy and science. Its timing hinges on the auspicious alignment of the Sun, Moon, and Jupiter, which holds spiritual significance. This celestial phenomenon adds an intellectual dimension to the event, captivating astrologers, scholars, and enthusiasts worldwide.

A Hub of Knowledge and Spiritual Learning

The Mahakumbh Mela is more than a religious gathering; it is a platform for knowledge exchange. Saints, sadhus, and spiritual leaders disseminate wisdom through teachings rooted in ancient scriptures and oral traditions. This educational aspect attracts not just pilgrims but also international tourists and academics eager to understand India’s spiritual legacy.

A Cultural Tapestry of Unity

The festival is a vivid celebration of India’s cultural diversity. Though predominantly Hindu, it welcomes people of all faiths, showcasing the inclusive nature of Indian spirituality. Ascetics, saints, and visitors converge at ashrams and akhadas, engaging in cultural and spiritual activities that highlight the nation’s unity in diversity.

Harmony in the World’s Largest Gathering

Despite hosting millions, the Mahakumbh Mela is renowned for its peaceful environment. The discipline and mutual respect displayed by attendees make it a symbol of harmony. At a time when the world often grapples with conflict and division, this event stands as a beacon of hope, promoting unity and coexistence.

Global Recognition and Tourism Impact

Over the years, the Mahakumbh Mela has garnered significant international attention. It attracts tourists, scholars, and spiritual seekers eager to witness its grandeur. The presence of global media and the growing influx of international visitors have amplified its reputation as a global event that champions peace and spirituality.

Modern Technology Meets Tradition

Recent technological advancements have revolutionized the organization of the Kumbh Mela. Satellite mapping, efficient transportation systems, and digital communication tools ensure seamless management of crowds and safety. This fusion of tradition with modern infrastructure underscores the event’s adaptability in the contemporary world. As Prayagraj prepares to host the 2025 Mahakumbh Mela, this monumental gathering promises to unite millions in a celebration of faith, culture, and humanity, spreading a message of peace and harmony across the globe.

Cochin Airport: Air India Express Flight Returns After Tyre Trouble, Passengers Safe

April 28, 2025, 8:20 pm

A Bahrain-bound Air India Express flight was forced to return to Cochin International Airport on Tuesday after experiencing suspected tyre trouble shortly after takeoff. According to a Cochin Airport spokesperson, the technical concern was identified moments after the aircraft became airborne, prompting the flight crew to receive instructions to return to the airport as a safety precaution.

Safety Precautions Taken, Passengers Unharmed

The airport authorities took necessary measures to ensure the safe landing of the aircraft, the official told media. The incident is currently under investigation, and further details are awaited.

Recent Hoax Calls at Mumbai International Airport

In a separate incident, a helpline at Mumbai International Airport received two consecutive calls from a woman on Sunday, warning of a "major problem" and urging the cancellation of a Mumbai-Delhi flight. The Sahar Police were notified, and an FIR was registered. The calls, which appeared to be a hoax, were traced to a location in Andheri East, but the caller could not be located. The authorities are investigating both incidents to determine the cause of the technical issue with the Air India Express flight and to identify the person responsible for the hoax calls at Mumbai International Airport.

Shivshakti: A spiritual kathak journey by ‘Shambhavi’ a kathak dance academy

April 28, 2025, 8:20 pm

Shambhavi A Kathak Dance Academy invites you to an evening of divine artistry with "Shivshakti"—a Kathak masterpiece that seamlessly blends mythology and spirituality. This enchanting production narrates the eternal tales of Shiva, the destroyer of illusions, and Parvati, the epitome of love and devotion, through the expressive elegance of Kathak. Under the visionary guidance of Damini Rajput, Director of Shambhavi A Kathak Dance Academy, skilled disciples bring these celestial characters to life. With intricate footwork, eloquent hand gestures, and evocative expressions, the dancers depict the cosmic union of Shiva and Parvati, a harmony symbolizing balance between masculine and feminine energies. "Shivshakti" transcends the boundaries of traditional dance, offering an immersive spiritual journey. Accompanied by the rhythmic beats of the tabla and melodic classical instruments, the performance creates a captivating confluence of reality and myth. As the stage transforms into a sacred space, the audience is transported beyond time and space, feeling the divine aura of these revered deities. This production stands as a testament to the academy’s dedication to preserving and innovating Kathak. Vibrant costumes, soulful choreography, and powerful storytelling come together to evoke a profound sense of awe and inspiration, touching hearts on a deeply spiritual level. Mark your calendar for 1st December 2024, as "Shivshakti" graces the stage at Chinmaya Mission Auditorium, Lodhi Road, New Delhi, at 6:30 PM. This transformative performance is a must-see for art lovers seeking an extraordinary blend of music, dance, and spirituality. For tickets and inquiries:

Contact: 7532987279
Email: daminirajput97@gmail.com

Experience the timeless legacy of Kathak in its most divine form. Don’t miss this magical evening!

Global Women’s Forum Dubai 2024: Empowering Women, Shaping Futures

April 28, 2025, 8:20 pm

Her Highness Sheikha Manal bint Mohammed bin Rashid Al Maktoum praised the UAE’s leadership for supporting women. She acknowledged their commitment to enhancing women’s roles in development and nation-building.

UAE’s Leadership in Gender Equality

The UAE has made remarkable strides in gender balance. It ranks first in the region and seventh globally in the 2024 Gender Equality Index by the United Nations Development Programme (UNDP). Sheikha Manal credited this success to visionary leadership and global partnerships. She stated, "As the Global Women's Forum convenes for its third edition in Dubai, it continues to fulfil its founding mission set eight years ago, aiming to galvanise international efforts in women's empowerment and advance gender balance. This underscores the UAE's distinguished position in this area, highlighted by its remarkable progress in global competitiveness indicators. The UAE remains committed to furthering these achievements. It strives to reach the highest levels of excellence by reinforcing women's influential and pivotal role in society."

Focus Areas of the Forum

The Global Women’s Forum Dubai 2024 will take place on November 26–27 at Madinat Jumeirah. It will focus on three key themes:

Future Economies, Future Societies – This will highlight women’s roles in driving economic and societal progress.
Collective Engagements, Collective Actions – Discussions will share strategies to enhance women’s participation.
Impactful Technologies, Impactful Innovations – Sessions will examine how technology fosters development.

The event aligns with Sheikha Manal’s vision to empower women and boost their contributions to society.

High-Profile Speakers and Sessions

The Forum will host over 130 sessions, featuring more than 250 speakers from 65 countries. Notable participants include:

H.H. Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, who will speak on cultural diplomacy.
H.H. Sheikha Hissa bint Hamdan bin Rashid Al Maktoum, who will share insights from her equestrian journey.
Emine Erdogan, First Lady of Turkiye.
Saida Mirziyoyeva, Assistant to the President of Uzbekistan.

Partnerships and Collaborations

The Forum boasts support from prestigious global partners like the World Bank Group, UNDP, and OECD. These organizations will host workshops on entrepreneurship, gender balance, and policy-making. Local sponsors include DEWA, Emirates Airlines, and Dubai Culture and Arts Authority, among others. Media partners such as CNN Business, Sky News Arabia, and Forbes Middle East will cover the event.

UAE’s Commitment to Women

The Forum will also showcase UAE initiatives that promote gender balance and empower women. It highlights how the UAE continues to lead in creating opportunities for women both locally and globally. By fostering collaboration and knowledge sharing, the UAE reinforces its position as a leader in women’s empowerment.

Samantha Harvey Wins 2024 Booker Prize For Space-Themed Novel “Orbital”

November 13, 2024, 10:28 pm

Samantha Harvey has claimed the prestigious 2024 Booker Prize for her novel Orbital. Spanning just 136 pages, it’s the second-shortest book ever to win the award and the first set in space.

A Cosmic Perspective on Earth

Orbital follows six astronauts from different nations as they observe Earth from the International Space Station. The novel delves into themes of mourning, desire, and the climate crisis, offering a unique vantage point on humanity's relationship with the planet.

Harvey's Journey to Booker Glory

This win marks a significant milestone for Harvey, whose debut novel The Wilderness was longlisted for the Booker 15 years ago. In her acceptance speech, she dedicated the prize to those advocating for peace and the dignity of life on Earth.

Praise from the Judges

Edmund de Waal, chair of the judges, called Orbital “a book about a wounded world.” He highlighted Harvey’s ability to make readers see the familiar in a new light with her lyrical prose.

Record-Breaking Shortlist

This year’s Booker shortlist featured a historic five women among the six finalists, including Rachel Kushner, Anne Michaels, and Charlotte Wood. While Everett and Kushner were the favorites, Harvey's Orbital emerged victorious.

A Novel Like No Other

Harvey described Orbital as a “space pastoral,” blending the awe of space exploration with the intimacy of nature writing. Her work offers a fresh take on humanity's role in the cosmos, grounding sci-fi elements in realism. Stay tuned for more updates on the 2024 Booker Prize and its impact on the literary world.

Bihar Muslim Women Craft Earthen Stoves for Chhath Puja Devotees

April 28, 2025, 8:20 pm

Chhath Puja, known as aastha ka mahaparv (the great festival of faith), is not only a celebration honoring the rising and setting sun but also a symbol of inter-religious harmony. This revered festival crosses religious and caste lines, uniting people in shared devotion. In the Kotwali area of Patna, along Veerchandra Patel Path, Muslim women have set up stalls, selling earthen stoves meticulously crafted for Chhath Puja devotees.

These women take pride in preparing these traditional clay stove

These women take pride in preparing these traditional clay stoves, paying close attention to the religious significance they hold for their Hindu customers, who use them to cook sacred offerings. Generations of Muslim families have been involved in this practice, making the stoves a cherished part of the Chhath Puja preparations. Speaking with ANI, these women explained that their work is grounded in respect for the festival and its customs. "We've been making these stoves for Chhath Puja for years. My mother taught me this craft, and I've been following her footsteps," said Seema Khatim, one of the women. "We start working after Durga Puja, crafting each stove with care and respect. It takes us around two hours to make a single piece, and we sell them for Rs. 50 to Rs. 100-150." For Seema and others, the process is deeply spiritual. They observe specific rituals, like refraining from eating while crafting the stoves and maintaining a state of cleanliness. "Once a stove is made, we ensure it isn’t touched further to respect its sanctity," shared another woman who has been part of this tradition for six years. The Chhath Puja festival, believed to have originated in Nepal’s hilly regions after the country’s transition to democracy in 1990, is observed primarily in Bihar, Jharkhand, Uttar Pradesh, and parts of Nepal. It is also celebrated by diaspora communities worldwide. Devotees believe the festival brings blessings, with the four-day celebration involving rigorous fasting, prayers, and rituals to honor the Sun God for sustaining life. This tradition brings high participation, particularly from women, who see it as a time for spiritual renewal. During the period of fasting, only pure foods are consumed, and cleanliness is paramount. As they purchase these earthen stoves, devotees express appreciation for the craftsmanship and dedication of the Muslim artisans who contribute to making Chhath Puja a truly inclusive celebration.

This Durga puja, visit these must-see pandals in Delhi

April 28, 2025, 8:20 pm

Durga Puja, the grand celebration of Goddess Durga’s victory over the buffalo demon Mahishasura, is one of the most awaited festivals in India. Delhi, with its rich blend of cultures, transforms into a vibrant hub of celebrations with stunningly decorated pandals. If you’re in the city this festive season, don’t miss out on visiting these iconic pandals that capture the true essence of the festival. 1. CR Park Often referred to as “Mini Kolkata,” Chittaranjan Park (CR Park) is the heart of Durga Puja in Delhi. The area is home to several big and small pandals, each competing to showcase the most beautifully crafted idols and unique themes. The CR Park Kali Mandir Society Puja, Mela Ground Puja, and B Block Puja are among the must-visit pandals here. The festive energy, cultural performances, and traditional Bengali cuisine served in the food stalls make CR Park the go-to destination during Durga Puja. 2. Minto Road The Minto Road Durga Puja Samiti is one of the oldest and most prominent pandals in Delhi, with a history dating back more than 70 years. Known for its traditional approach, this pandal features intricately designed idols and hosts cultural programs, traditional dance performances, and religious ceremonies throughout the festival. The blend of tradition and devotion draws large crowds every year. 3. Kashmiri Gate One of the oldest Durga Puja celebrations in Delhi, the Kashmiri Gate Puja Samiti dates back to 1910, making it over a century old. The grandeur of this pandal lies in its simplicity and adherence to the traditional ways of conducting rituals. Located in the historic part of the city, this pandal offers an old-world charm and is a great place to experience the traditional rituals of Durga Puja, along with cultural events. 4. Arambagh Known for its artistic representation, the Arambagh Durga Puja attracts thousands of visitors every year. The pandal is renowned for its elaborate and creative themes, often replicating famous temples or historical monuments. The cultural performances, including dances, music, and dramas, add a distinct charm to the celebrations. 5. Timarpur & Civil Lines Puja This pandal stands out for its extensive cultural programs and community participation. From dhunuchi naach to conch-blowing competitions, the traditional practices are performed with much enthusiasm. The vibrant cultural display and food stalls featuring Bengali delicacies make this a popular spot for locals and tourists alike. 6. Matri Mandir Safdarjung Enclave The Safdarjung Enclave Puja, organized by Matri Mandir, is another prominent celebration in the city. Known for its peaceful ambiance, this pandal emphasizes the spiritual aspects of the festival. The beautifully crafted idol, serene atmosphere, and evening aartis create a space for quiet reflection and devotion. 7. Dwarka Though a relatively new entrant, the Dwarka Durga Puja Samiti has quickly gained popularity for its grand arrangements and elaborate cultural performances. The pandal here focuses on contemporary themes while staying rooted in tradition. It’s an ideal spot for families looking to enjoy the festivities in a modern setting.

Broadway Ramlila: A Theatrical Spectacle of Devotion and Innovation

April 28, 2025, 8:20 pm

The Aryan Heritage Foundation presents the much-awaited Broadway Ramlila, an event that promises to be bigger and better than ever before. Set to take place from October 6th to 11th, 2024, at Netaji Subhash Place, New Delhi, this production is a striking fusion of dramatic theatre, music, and awe-inspiring visuals. With cutting-edge 3D stage design, elaborate set pieces, and stunning costumes, this Ramlila has emerged as a trendsetter in the theatre circuit, offering an immersive experience like no other. Based on the authentic versions of the Ramayana by Valmiki and Tulsidas, Broadway Ramlila preserves the sacred essence of Lord Ram’s story. In a time where cinematic depictions often deviate from tradition, this production stays true to the epic’s narrative, embodying the timeless values and teachings of Lord Ram. Within its three-hour runtime, audiences witness the journey of Lord Ram, from his divine birth to his heroic battles, all presented with immense reverence and dramatic flair. The music, directed by Chandra Kamal and Bharat Kamal, enhances the epic narrative with 18 original tracks performed by celebrated artists like Udit Narayan, Kailash Kher, and Jeetender Singh. Narration by the legendary Mukesh Khanna adds a deeper layer of gravitas to the production. With a cast of over 100 actors and dancers, the grandeur of Broadway Ramlila rivals some of the finest productions, offering a truly immersive and unforgettable experience. Rajender Mittal, the visionary behind this theatrical masterpiece, continues to elevate the experience each year. This year’s production has undergone a complete transformation, with redesigned sets, updated costumes, and a fresh cast. Audience convenience is a top priority, with the introduction of air-conditioned luxury lounges, exclusive theatre-like boxes, and a branded food court, enhancing the overall viewing experience. Mittal highlights the widespread influence of Broadway Ramlila, as Ramlila committees across Delhi have adopted similar three-hour Ramayana concepts, following the success of this production. Once known as Sampurn Ramayana, the show has since rebranded itself as Broadway Ramlila to stand out in this growing landscape. The leadership at Aryan Heritage Foundation is proud of what the production has achieved. Chairman Ishwar Bansal praises its innovation and the way it has revolutionized the traditional Ramlila experience in India. Anil Garg, General Secretary, ensures that all permissions and arrangements have been meticulously planned for a smooth and grand performance. Treasurer Ajay Gupta adds that the generous support of donors has helped make this year’s chapter grander than ever. Looking ahead, Saurabh Mittal, Senior Vice President, envisions Broadway Ramlila as a travelling show that will take the inspiring story of Lord Ram to cities across India. Since its inception in 2015, the production has made history as the first Ramlila to be screened in cinemas and continues to gain recognition as a cultural treasure, embraced by the citizens of Delhi and beyond.

Shrungaram: Dance ensemble showcasing works of celebrated poets of ancient India

April 28, 2025, 8:20 pm

On the 29th of September, Rasa School of Odissi presented Shrungaram ( Rutu Kavya )at Triveni Kala Kendra. Conceived and directed by Subrata Tripathy, this dance ensemble is a poetic exploration of the seasons through the works of celebrated poets of ancient India. It delved deep into the impact of seasons on human consciousness, a theme cherished by romantic poets across eras. From time immemorial, seasons have not only been a reason for the celebration of nature and its bounty but also a reflection of the soul. “Ritu Kavya,” with its nuances, explored these connections, illustrating not only the typical essence of the seasons but also the rich emotional dualities they evoke. For instance, the scorching summer can feel like fleeting youth when seen through the verses of Kalidasa’s Ritu Samhara, while the verdant, resplendent monsoon evokes the poignance of a pining Nayika in Vidyapati’s verse. This theme provided the framework for the choreography, which bloomed into a mesmerizing performance by some of today’s finest dancers, namely Subrata Tripathy, Lipsa Sathpathy, Geetanjali Acharya, Sudarshan Shaoo, Santosh Kumar Swain, and Samarjeet Deo. The music was composed and rendered by Jatin Kumar Sahoo, accompanied by Rohan Dahale, Vijay Tambe, and Aparna Deodhar. The narrative was written and narrated by Soumi Duttagupta.

F.N. Souza: Celebrating the life and legacy of a modern art pioneer

April 28, 2025, 8:20 pm

Dhoomimal Art Centre is set to commemorate the centenary of one of Modern Indian Art’s most iconic figures, Francis Newton Souza, with an exclusive exhibition. Running from October 8th to 27th, 2024, this exhibition promises a rare and intimate glimpse into the life, philosophy, and enduring influence of Souza. A special preview will take place on October 7th, 2024, from 6 pm to 9 pm, at Dhoomimal Art Centre, New Delhi. A co-founder of the Progressive Artists’ Group, Souza emerged as a pioneering force in post-independence Indian art. His audacious experimentation with form and content earned him recognition in India and across Europe, making him one of the first Indian artists to achieve international fame. Known for his raw, often provocative works, Souza tackled themes of religion, sexuality, and the human condition with unparalleled intensity. The upcoming centenary exhibition will showcase works spanning from the 1950s to the 1980s, offering an unprecedented opportunity to explore Souza’s artistic evolution. Many of these pieces, drawn from the personal collection of Mahender and Sushma Jain, will be exhibited for the first time. The exhibition is a tribute not only to Souza’s artistic genius but also to his long-standing relationship with the Jain family and the Dhoomimal Art Centre. In addition to the exhibition, a limited-edition book will be launched, capturing Souza’s powerful legacy. Shankar Tripathi’s essay, “Whose Monster? The Sensation(al) in Francis Newton Souza Today,” explores the relevance of Souza’s bold, subversive works in contemporary art. Tripathi writes, “In the centennial year of his birth—and this exhibition—Souza’s raw, expressive energy continues to reverberate through his subversive canvases, leaving little doubt of his enduring significance.” Reflecting on the exhibition, Mohit Jain, Director of Dhoomimal Art Centre, shared his personal experiences with Souza. Jain recalled a memorable encounter in 2000, when Souza was hospitalized in Delhi: “Despite being in the hospital, Souza’s spirits were high. He joked that it was his first-ever hospital stay and credited his long life to ‘the three Ws’—Wealth, Wine, and Women. His humor, charm, and wit were as memorable as his art.” The exhibition offers viewers a chance to witness Souza’s artistic journey, from his early expressive works to his later, more contemplative pieces. His fearless approach to confronting societal norms and his unapologetic exploration of controversial themes solidified his place as a revolutionary figure in post-colonial art. His works are celebrated in prestigious collections worldwide, and his contributions remain central to discussions about Modern Indian Art. Founded in 1936, Dhoomimal Art Centre holds a unique place in India’s art history. It has played a significant role in nurturing and promoting the works of Indian masters like M.F. Husain, S.H. Raza, and Jamini Roy. The gallery’s deep connection with F.N. Souza, as well as its legacy in modern and contemporary art, ensures that this centenary exhibition will be a milestone in the appreciation of Souza’s enduring influence on the world of art.

Urban Punjabi Star D Cali catchy wedding anthem ‘I Love You’

April 28, 2025, 8:20 pm

Urban Punjabi music is gaining significant traction, and one of its rising stars, D Cali, is making waves with his latest release, “I Love You.” Originally from India and now based in California, D Cali has been captivating audiences with his upbeat, catchy tracks that blend traditional Punjabi sounds with modern urban beats. His latest track is perfectly timed for the upcoming wedding season. “I Love You” is a proposal song that combines romantic lyrics with an infectious dance beat, making it a versatile addition to any celebration. The song, with lyrics like “I love you, kar le tu mera naal viah” (I love you, marry me), delivers the perfect balance of heartfelt emotion and vibrant energy. It’s designed to be enjoyed not just at weddings but also in clubs, cars, and other festive gatherings, bringing the spirit of celebration to life. In India, where weddings are grand and emotionally charged, music is a key element that enhances the festive atmosphere. From folk classics to contemporary dance hits, the right playlist can transform any wedding moment into an unforgettable memory. D Cali’s “I Love You” promises to do just that, with its upbeat rhythm and warm, romantic vibe. As wedding season approaches, this track is set to become a must-have on playlists, whether it’s for a marriage proposal, a lively sangeet night, or simply to get everyone on the dance floor. With its fusion of romance and high-energy beats, “I Love You” is poised to become a wedding anthem, adding the perfect Urban Punjabi flair to celebrations everywhere.

Master stroke 2024: A celebration of artistry & imagination

April 28, 2025, 8:20 pm

Kishore Labar is set to present and curate a group art exhibition of Master Stroke 2024. Art enthusiasts and connoisseurs are set for an unparalleled visual treat as Master Stroke 2024 returns for its 6th edition. The exhibition, showcasing works by 27 renowned artists from across India, will be held at the Visual Arts Gallery, India Habitat Centre, from 6th October to 10th October 2024. The 6th edition of Master Stroke will bring together a distinguished group of artists from various regions and disciplines to celebrate the vibrancy and authenticity of art. With the theme "Art is Real," this year's exhibition is set to explore the profound connection between the artist and their creation, offering viewers an immersive experience of originality and creativity. Among the celebrated names exhibiting this year are Aashima Mehrotra, Bishwaranjan Bhunia, Bhavana Sagar, Chhutan Lal Meena, Dr. C.K.Bakshi, Dr. Suryasnata Mohanty, Deepshikha Gupta, Jatin Chaudhary, Hilda Kathuri, Kumud Grover, Kamal Devnath, Kuldeep Tiwari, Manju Narain, Madhulika Jha, Mahinder Rai, Madhusudan khandekar, Mohini Narain, Monica Wadhwa, Mukul Mathur, Navodit Mehra, Prem Lata, Padmani Mehta, Poornima Dayal, Pooja K. Gehani, Roop Chand, Rajesh Sharma, Sapna Anand, Shipra Bhatia, Simple Mohanty, Shashi Lata, Sunil Kumar Suryavanshi, Suneeta Neetu Mulick, Tapati Singha, Tanuskha Singha. Aashima Mehrotra –Aashima’s painting captures the essence of transformation through the fusion of layers, where each application reveals a new depth and complexity. The interplay of translucent pigments and textured surfaces creates a sense of timelessness, inviting viewers to explore the subtleties hidden within the layers. Kumud Grover – Known for her innovative and abstract sculptures, blending the realistic with the symbolic. Madhulika Jha – An expert in capturing the human spirit through bronze and fiberglass sculptures. Prem Lata – Renowned for her fusionative sculptures that reflect deep emotional resonance. Sonali draws her inspiration from 'ode to a woman’. They are a tribute to women and celebrate the inner and outer beauty of a woman. Poornima Dayal's paintings are part of my Resonance series of artworks. With a fascination for doing conceptual, abstract cityscapes and art Rio de Janeiro represents the gorgeous Brazilian city in a textured art style. Mukul’s preferred medium is water colour and oil through which he expresses his endless stories of nature, love and harmony. He loves the sheer simplicity of the medium of water colours which allows him to capture the delicate narratives of nature, love, and harmony. Kamal has been painting since childhood and is a happy go lucky man. He does art as an extension of himself and believes it does not need an explanation or give out a message; rather it should talk directly to its audience and touch the heart.

The timeless impact of Hemraj’s abstract masterpieces

April 28, 2025, 8:20 pm

In the ever-evolving landscape of Indian contemporary art, few names shine as brightly as Hemraj. Living and working in the bustling metropolis of New Delhi, Hemraj has cemented his place as one of the most renowned artists of our time, known for his monumental abstract oil paintings that transcend the boundaries of traditional artistic expression. Hemraj’s works are distinctive not merely for their sheer size but for the profound impact they have on those who encounter them. His canvases are not intended to serve as a mirror reflecting social realities or political messages. Unlike many of his contemporaries, Hemraj’s intent is not to raise awareness about societal issues or provoke thought on current events. Instead, his paintings occupy an entirely different realm—one that delves deep into the spiritual and emotional core of the individual. His compositions possess a unique and almost mystical quality that allows them to touch the innermost recesses of the human soul. When a viewer stands before one of his paintings, there is a sense that the work itself begins to envelop them. The vast expanses of color and form create an experience that is not confined to the visual plane; rather, it becomes immersive. The painting seems to reach beyond its physical frame, wrapping itself around the viewer, not just from the outside but from within, engaging with their inner world. This effect, which Hemraj’s art so effortlessly achieves, evokes a sense of timelessness. Viewers often describe the sensation as being suspended in a moment, where the external world fades away, and they are left in a state of quiet contemplation. It is in this stillness that Hemraj’s true genius lies: his ability to create works that invite the viewer into a space of introspection, a space where time seems irrelevant, and where one’s inner self can be transformed. Hemraj does not seek to communicate any particular message through his work. There is no prescribed meaning, no clear narrative, and no overt symbolism. And yet, this absence of defined meaning is precisely what gives his paintings their power. They allow the viewer to bring their own emotions, thoughts, and experiences into the interaction, making each encounter deeply personal and unique. In a world where art is often burdened with the responsibility of speaking to social or political causes, Hemraj’s work stands apart as a reminder of the capacity of art to transcend words and ideas. His paintings speak in a language of their own—one that resonates with the deepest aspects of human consciousness, drawing the viewer into an internal dialogue that is as transformative as it is profound. It is this rare ability to transform the inner being that makes Hemraj one of India’s most influential contemporary artists. His work serves as a testament to the power of abstract art to go beyond mere aesthetic beauty and touch the very core of what it means to be human. Through his vast, abstract compositions, Hemraj creates not just paintings but experiences—experiences that remind us of the timeless, transformative power of art.

Pleasant performances regales audience in 25th Quarterly Baithak of Pracheen Kala Kendra

April 28, 2025, 8:20 pm

Pracheen Kala Kendra, a renowned cultural organization dedicated to promoting art and culture, successfully hosted its 25th Quarterly Baithak under the series “Legends of Tomorrow”. This spectacular event featured distinguished artists Suhel Saeed Khan (Sitar) and Shrabani Mitra & troupe (Odissi dance), who captivated the audience with their mesmerizing performances. The event began with Secretary Sajal Koser, Guest of Honor Sanjay Gehlot, and other dignitaries lighting the traditional lamp. Shrabani Mitra commenced her program with “Rudrastakam”, followed by “Ashtapadi Dhire Samire”, a beautiful representation of the eternal bond between Radha and Krishna. This solo performance was highly acclaimed by the audience. Shrabani then presented “Madhurashtakam” with her troupe, including Mallika Mitra, Namita Sahoo, Bhaktilata Rama, and Ankita Das. The grand finale was “Dasavatar”, a magnificent composition from Sri Jayadev’s “Geet Govinda”, depicting Lord Vishnu’s ten incarnations to establish peace on earth. Suhel Saeed Khan took center stage, enthralling the audience with his Sitar recital in Raga Rageshree. His mesmerizing performance included traditional aalap, Jod, Jhala, Vilambit Gat in Teen taal, and Drut Gat in Ek taal. Monish Zameer accompanied him on the tabla, adding charm to the program. The event concluded with Secretary Sajal Koser and dignitaries honoring the artists with mementos and the PKK scroll of honor, celebrating their outstanding contributions to the world of art and culture.

Guru Shishya Sanman Festival held to promote and encourage Indian Classical Arts

April 28, 2025, 8:20 pm

The ‘Guru Shishya Sanman’ festival, organized by Debadhara at Triveni Kala Sangam recently honored the Guru-Shishya Parampara, showcasing Indian classical dance and music. Day 1 Highlights: The festival began with a welcome from Debadhara founder Guru Dr Binayak Panda, who acknowledged sponsors including Life Insurance Corporation of India and Punjab National Bank. The evening featured a captivating Ganesh Vandana by the Kala Shakti group, followed by performances from renowned artists such as Guru Rakesh Kumar Pathak and Dr Puspashree Mishra, as well as Ms Bagmishree in Odissi and Guru Kanaka Sudhakar in Bharatanatyam. The day concluded with an exhilarating Kathak performance by Guru Harish Gangani and his group. Day 2 Highlights: The second day opened with Debadhara’s group performing “Lakshya Sindoor” and “Mahakali Dhyaan,” followed by the honoring of esteemed guests including Srikanta Panda. Notable performances included Odissi by Guru Jyoti Rout, Bharatanatyam by Guru Indira Murugesan, Kathak by Guru Rani Khanam, and Seraikella Chhau by Guru Sapan Acharya. The festival closed with a vibrant presentation of “Yogini Yogarupa” by the Debadhara Senior Group. The festival expressed gratitude to the artists, sponsors, and organizers, celebrating the essence of the Guru-Shishya tradition and Indian cultural heritage.

Echoes of Her Truth: Rashmi Khurana’s Artistic Exploration of Memory, Identity, and Materiality

September 30, 2024, 2:53 am

Rashmi Khurana’s latest solo exhibition, Echoes of Her Truth, presented by Art Konsult Gallery and curated by Rahul Bhattacharya, offers viewers an evocative exploration of memory, identity, and the materiality of art. The exhibition, held at Living Tradition Centre, Bikaner House, New Delhi, from September 26 to October 1, 2024, and later at Hauz Khas Village from October 4 to 14, 2024, challenges conventional distinctions between painting and sculpture, merging the two forms through her innovative use of paper mache and gestural abstraction. Khurana’s artistic journey has evolved over the years, with her work becoming an intricate dance between personal memory and collective identity. In an exclusive conversation with the artist, she shared insights into how her practice has shifted from a focus on individual memories to a broader exploration of cultural and historical narratives. “During the initial years of my art practice, I focused on memory to paint my personal narratives,” she explains. “Over time, I began to incorporate cultural and historical contexts, examining collective memory and its impact on identity formation.” This evolution is reflected in Echoes of Her Truth, a series that uses both traditional and innovative materials like paper mache to create tactile, textured pieces. Khurana’s choice of material is far from arbitrary. It is, in fact, central to her artistic process. “I use shredded paper and laboriously convert it into paper pulp, spreading the paper mache onto canvas using my hands,” she says. This hands-on approach echoes the themes of memory and identity in her work, embodying the idea that our experiences and identities are shaped and reshaped over time, just like the paper she works with.”The material embodies the themes of growth and transformation,” she reflects. “It invites viewers to engage not only visually but also emotionally, fostering a deeper connection.” The textures she creates evoke feelings of nostalgia and complexity, reflecting the layered nature of human experience. Her creative process, which she describes as meditative, also plays a significant role in shaping her final pieces. “The act of layering colors and building textures mirrors the repetition found in chants,” Khurana explains. This ritualistic approach allows her to enter a flow state, where distractions fade and intention takes over. “It’s like continuous holy chants, inviting exploration and contemplation on multiple levels,” she says. This sense of mindfulness is evident in the finished works, which seem to invite viewers into a space of shared introspection and emotional depth. Rahul Bhattacharya, the curator of Echoes of Her Truth, highlights the personal and emotional dimensions of Khurana’s work. “Rashmi’s practice engages with the physicality of the medium in ways that speak to deeper emotional truths,” he says. “Her works invite viewers to not only look but to feel, to engage with the work physically and emotionally.” The exhibition features four interconnected series: Roots, Invocations, Fantasies, and UnSplashes. Each series reflects different aspects of identity, from the deep, earthy tones of Roots, which evoke the sedimentation of memory and cultural inheritance, to the playful, fluid forms of Fantasies, which explore the realm of imagination and possibility. Together, these works challenge traditional distinctions between painting and sculpture, offering a dynamic exploration of how personal and collective narratives shape our understanding of self. Echoes of Her Truth is an invitation to explore the layers of self, to engage with art not just as a visual experience, but as an emotional and psychological journey. Through her innovative use of materials and abstraction, Khurana’s work speaks to the universal human experience of memory, identity, and transformation, offering viewers a space for reflection and discovery.

‘Boondan Phuhaar’: A Musical Tribute To The Monsoon

April 28, 2025, 8:20 pm

Vidushi Sunanda Sharma, the renowned vocalist of the Banaras Gharana, captivated audiences with her performance at ‘Boondan Phuhaar,’ held at the Stein Auditorium, India Habitat Centre, New Delhi. Organized by the Girija Darshan Trust, the concert celebrated the beauty of the monsoon season through the melodies of Indian classical music. Sunanda Sharma, accompanied by an exceptional ensemble including Pt. Vinay Mishra on the harmonium, Pt. Mithilesh Kumar Jha on the tabla, and U. Ghulam Ali on the sarangi, created a deeply immersive musical experience. Their performance vividly captured the essence of the rains, transporting the audience into a serene and soulful world. Manoj Sinha, Lieutenant Governor of Jammu & Kashmir, lauded the event, describing it as a “beautiful celebration of Indian classical music.” He praised Varanasi’s role in preserving India’s cultural heritage and commended Sunanda Sharma for continuing the rich traditions of the Banaras Gharana. Similarly, Kusum Awasthi, former Chief Commissioner of Income Tax, expressed her admiration, calling the event a “beautiful journey” and praising Sharma’s commitment to keeping the legacy alive. A disciple of the legendary Padma Vibhushan Smt. Girija Devi, Sunanda Sharma shared her reflections on the concert, stating, “Celebrating nature with music is a blissful opportunity.” Her dedication to the Guru-Shishya Parampara has made her an internationally acclaimed artist, known for her soul-stirring renditions. The Girija Darshan Trust, founded by Sunanda Sharma in memory of her Gurus, is committed to nurturing young talent while promoting and preserving the rich traditions of Indian classical music. The concert was another milestone in its mission of showcasing the brilliance of this heritage.

Neville Tuli’s Poster Art Exhibition Celebrates Cinematic Heritage

April 28, 2025, 8:20 pm

“Cinema is the single greatest cultural discipline of India”- Neville Tuli, Founder & President -The Tuli Research Centre for India Studies (T.R.I.S.) tells Namrata Kohli in an exclusive conversation in the backdrop of his recent exhibition “The World’s Greatest Mela – Respecting India’s Cinematic Heritage” at India Habitat Centre, New Delhi. A curated collection of 400,000 items from Indian cinema including rare film posters, vintage booklets, hand painted artworks, promotional material, original publications were showcased on themes ranging from The Silent Era, The Kapoors- First Family of Cinema, The Devdas Legacy – From Barua to Bimal to Bhansali, Mughal-e-Azam, Cinematic-Chemistry- from Raj-Nargis to Hema-Dharmendra. Student groups from various educational institutions visited the exhibition and enjoyed learning about history of Indian cinema. Excerpts How do you look at Indian cinema and its impact on Indian culture? Cinema is the single greatest cultural discipline of India which has taken on the role of entertainment, art, box office, glamour, intellectual debate. But it hasn’t yet taken on the role as the source of education. And if you can be learning with text, visual, audio- all moving together, you will see the energy change. Cinema gives you a multisensory experience. And when your emotional intelligence merges with the aesthetic, the intellectual, the literary, you’ve the best chance to learn. Every subject in the world must allow cinema’s voice to be part of their educational framework. Everything that India has tried to tackle in the last 120 years, cinema has been encapsulated here in some form or the other. Your cine-exhibition is all about posters of films of the yore. How do these capture the essence of those movies and convey that slice of history? The films are gone and frankly no one has the patience to sit through 3 hours of a 1950s film, but these artworks capture the moment and the energy of that moment. For example, when students come to Mughal-e-azam wall and I put on that great Qawwali, and start my narration, it has huge impact. Over fifteen schools and colleges have come and I find the children transformed after the experience. Today we have

From Kashmir’s Peaks To Delhi’s Streets: Music And Food Reign Supreme

April 28, 2025, 8:20 pm

This September, India’s vibrant cultural scene is set to explode with unique events catering to diverse tastes. For the discerning foodie and music lover, White Fox is bringing back The Grub Fest - Autumn Bliss 2024 to Delhi’s Jawaharlal Nehru Stadium on September 28th and 29th, promising a tantalizing fusion of flavors and rhythms. The Grub Fest, a beloved institution since 2015, is known for its diverse culinary offerings, showcasing both local and global cuisines. This year, expect an even bigger and better selection of delectable dishes, accompanied by electrifying performances from a lineup of popular artists. “We are thrilled to bring back The Grub Fest Delhi Edition September 2024, an event that celebrates the rich culinary and musical heritage of our city,” says Aman Kumar, Founder The Grub Fest. The month kick-started with a remarkable celebration that seamlessly blended luxury, community and house music culture in India with AVA Experience. Held on September 7th and 8th at the majestic Khyber, Himalayan Resort & Spa in Gulmarg, Kashmir, this opulent festival curated by White Fox and Sueno events showcased an impressive lineup of both international and local artists. “AVA Experience brought our vision to reality of redefining the music festival landscape in India. With a focus on introducing house music to the audience & making that happen in the stunning backdrop of Kashmir, we aim to create an unparalleled event that contributes to the community-led experiences while also pushing the boundaries of what’s possible in the live music space.” says Samir Sehgal, Co-Founder-AVA Experience September started in spectacular style with AVA Experience, and it’s set to wrap up with The Grub Fest, bringing a month full of music, magic, and celebration.

Ganesa Natyalaya Celebrates Golden Jubilee With Bharatanatyam Performance ‘NIMAGNA’

April 28, 2025, 8:20 pm

Ganesa Natyalaya, one of India’s most prestigious Bharatanatyam dance institutions, is marking its golden jubilee year with a special performance titled NIMAGNA. Scheduled for Thursday, 19th September 2024, at Kamani Auditorium, New Delhi, this event is part of Swarna Saroja, a year-long celebration commemorating 50 years of the institution’s rich legacy. The 75-minute performance, choreographed by Rama Vaidyanathan, will feature an ensemble of 25 dancers and serve as a tribute to Ganesa Natyalaya’s esteemed founder, Guru Dr. Saroja Vaidyanathan, on her birth anniversary. ‘NIMAGNA’ derives its name from a Sanskrit word meaning “immersed,” a concept central to the performance. It aims to immerse both the dancers and the audience in a state of spiritual elevation, tapping into the profound emotions or Rasa that form the foundation of Bharatanatyam. The performance aspires to take viewers on a transcendent journey, blending dance, devotion, and artistry to evoke an immersive experience that resonates deeply with the ancient Indian philosophy of dance as a spiritual practice. Indian texts often highlight dance as an art form capable of elevating the soul, and NIMAGNA beautifully embodies this principle. Rama Vaidyanathan, a leading Bharatanatyam exponent and the President of Ganesa Natyalaya, has meticulously crafted NIMAGNA to reflect both visual splendor and emotional depth. She describes the motivation behind the performance: “The inspiration has been to create an ensemble work in Bharatanatyam that can evoke both emotional and visual imagery. Since this Swarna Saroja event is dedicated to our Guru, who founded Ganesa Natyalaya 50 years ago, we wanted to start with a Guru Stotram as a mark of respect for the invaluable contribution of Guru Saroja Vaidyanathan.” The production will then shift focus to a tribute to the Goddess, Devi, through a Keerthanam, celebrating her virtues and divine power. Rama and the ensemble will next explore the spiritual essence of the sacred city of Kashi, often considered a place where negative and positive energies converge. This segment reflects how Kashi absorbs the burdens of devotees, providing them with spiritual solace and liberation. The grand finale of NIMAGNA will be the Raasa Leela, symbolizing the universal desire to unite with the Supreme Power, encapsulating the essence of devotion and surrender. Founded in 1974 by Guru Dr. Saroja Vaidyanathan, Ganesa Natyalaya began with a small student body. Over the decades, it has grown into an institution that is renowned not only in Delhi but across the world for its dedication to preserving and advancing the art of Bharatanatyam. Under the guidance of Guru Saroja and now her daughter-in-law Rama Vaidyanathan, the Natyalaya has trained over 2,000 students, with many alumni going on to become acclaimed performers and teachers in their own right. Several disciples of Ganesa Natyalaya have established their own Bharatanatyam schools, some in India and many internationally, further spreading the knowledge and practice of the art form. Half of these institutions are based overseas, contributing to the global recognition of Bharatanatyam and the institution’s influence on the cultural landscape. The golden jubilee celebration of Ganesa Natyalaya, embodied in NIMAGNA, is a testament to the enduring power of classical dance to transcend time, unite cultures, and elevate the human spirit. This event not only honors the profound legacy of Guru Saroja Vaidyanathan but also paves the way for future generations to continue her work, ensuring that the art of Bharatanatyam remains vibrant and relevant for years to come.

Shadows and Light: Ashwani Kumar’s Artistic Exploration of India’s Evolving Landscapes

April 28, 2025, 8:20 pm

An Exhibition That Merges Tradition with Modernity at Alliance Française, Delhi

In a remarkable convergence of tradition and modernity, Ashwani Kumar's latest exhibition, "Shadows and Light," will take center stage at Alliance Française, Delhi, from August 23rd to 25th, 2024. This exhibition is a visual journey through India’s evolving landscapes, brought to life by the masterful use of light and shadow. For Kumar, an architect turned painter, this exhibition represents more than just a showcase of his work—it is a narrative that captures the dynamic transformation of the nation's rural and urban environments. "Shadows and Light" is a celebration of India’s cultural evolution, expressed through a series of watercolors and oil paintings. The exhibition's theme revolves around the juxtaposition of ancient Indian monuments with contemporary structures, highlighting how the past and present coexist in both harmony and contrast. The curator of the exhibition, Preeti Harit, eloquently captures the essence of the show: “‘Shadows and Light’ is more than an art exhibition; it is a profound exploration of India’s cultural identity. Through Ashwani Kumar’s artistic vision, we witness how the past and present constantly engage in a dialogue, shaping the future of our nation. This exhibition captures the essence of a country that is evolving yet deeply rooted in its rich heritage.” During a conversation with Kumar, I asked him about the significance of light and shadow in his work. He explained, “Light and shadow are not just visual elements; they are metaphors for the constant interplay between tradition and modernity in India. Through these contrasts, I aim to capture the tension and harmony that define our evolving landscapes.” Curator Preeti Harit was asked how she sees the role of art in preserving cultural heritage while embracing modernity. She shared, “Art serves as a bridge between the past and the future. Exhibitions like ‘Shadows and Light’ remind us that while we progress and build new identities, our roots in heritage continue to influence and shape our journey forward. The dialogue between old and new is essential for a balanced cultural evolution.” Ashwani Kumar’s journey to becoming a full-time artist is as compelling as the art he creates. Having initially pursued a career in architecture, Kumar always harbored a deep passion for painting. Kumar’s decision to return to the canvas after years of practicing architecture was driven by an inner calling that he could no longer ignore. Reflecting on this transformative period in his life, Kumar says, “Art has always been my true calling, and ‘Shadows and Light’ is a culmination of my journey as both an architect and a painter. Through these paintings, I seek to capture the ever-changing landscapes of India, where tradition and modernity coexist, compete, and sometimes merge to create something entirely new. This exhibition is a tribute to the resilience and beauty of our cultural heritage.” The exhibition invites viewers to immerse themselves in this visual dialogue between past and present, offering a new perspective on India’s landscapes. "Shadows and Light" will be open to the public from 10 AM to 6 PM at Alliance Française, Delhi.

Future-ready HR: Preparing the hospitality workforce for technological advancement

April 28, 2025, 8:20 pm

The hospitality sector, traditionally reliant on personal touch and manual processes, is undergoing a significant transformation. In the past, hotel, restaurant, and travel operations were managed with limited technological intervention, relying heavily on human effort for everything from guest check-ins to room service. However, with the rapid emergence of new inventions and innovations, technology has become an integral part of daily life. The hospitality industry is now embracing automation, the Internet of Things (IoT), and Artificial Intelligence (AI) to revolutionize its operations. As technology continues to reshape the industry, Human Resources (HR) departments and leaders must proactively prepare the workforce for these changes to ensure seamless service delivery and enhanced guest experiences. The future of hospitality hinges on both technology adoption and empowering employees to thrive in this evolving landscape. HR plays a crucial role in this transformation, and here are key strategies to consider: Data Analytics Leveraging data analytics to drive HR initiatives and decisions is particularly beneficial in the hospitality industry, where assessing training ROI and effectiveness can lead to better guest services. Data can help in understanding workforce diversity, retention and attrition rates, and performance appraisals, thereby improving guest interactions. Identifying competencies and skill matrices allows for the prediction of talent needs, ensuring that the right staff is available at peak times. A data-driven strategy ensures efficient resource allocation and effective operations, ultimately enhancing the guest experience. Upskilling HR should prioritize developing comprehensive training programs focused on emerging technologies like AI, data analytics, and cybersecurity, which are increasingly important in hospitality. For instance, AI can personalize guest experiences, while data analytics can optimize operations and enhance customer service. Collaborating with educational institutions, online courses, and workshops can help employees stay ahead of the curve. Providing support and flexibility for employees pursuing further studies to enhance their specific skills can significantly boost performance, leading to more satisfied guests. Diversity and Inclusion A diverse workforce that reflects the variety of guests and communities brings unique perspectives, driving innovation and customer satisfaction in hospitality. Ensuring a multicultural workforce allows for better anticipation of guests' expectations and needs, fostering an inclusive and valued work culture. Embracing diversity and inclusion safeguards the company culture and promotes a welcoming environment for all guests, enhancing their overall experience. Culture of Innovation Recognizing and valuing the creativity of the workforce is essential in hospitality. Encouraging experimentation and calculated risk-taking help employees develop innovative solutions to industry challenges, such as improving service standards and reducing turnaround times. This cultural shift attracts top talent and drives business success, addressing service standards, turnaround times, and safety challenges through workforce-driven innovations, leading to superior guest experiences. Strategic Partnerships Staying aware of ever-changing industry standards and best practices requires strategic partnerships. In the hospitality industry, collaborating with technology providers, educational institutions, and industry peers keeps the company ahead of the curve and fosters the sharing of best practices. Site visits and peer communication are effective ways to maintain these partnerships, ensuring that the latest technological advancements and service improvements are implemented to enhance guest satisfaction. Talent Acquisition and Wellness Attracting candidates with skills in emerging technologies and supporting employees' physical and mental well-being are crucial in a technology-driven hospitality environment. Utilizing psychometric assessments as a talent acquisition tool ensures that new hires are well-suited for the demands of the industry. Conducting regular training sessions on mental wellness can help maintain a healthy, productive workforce, leading to better service delivery and happier guests. Change Management Developing clear transition plans and communicating the benefits and impact of technological changes to the workforce is essential in hospitality. Transparency minimizes disruption and ensures a smooth transition, which is crucial for maintaining high service standards. Employees should support each other, acting as buddies to help those who need constant support in adapting to new technology, ensuring that guest services are not compromised during periods of change. Conclusion The future of the hospitality industry relies heavily on technological advancements. By focusing on these key aspects, HR can prepare the hospitality workforce to excel in a technology-driven environment, staying ahead of the curve and driving business success. HR must lead this revolution, guiding the industry toward a future-ready state. The hospitality industry is uniquely positioned to benefit from technological advancements, enhancing guest experiences, optimizing operations, and fostering a dynamic, innovative work environment. By adopting these strategies, HR can ensure that the workforce is not only prepared for the future but also poised to lead the way in this exciting new era. The author is GM at Human Resources, Mayfair Elixir Hotels & Resorts.

Aditi Mangaldas On Kathak In Film: ‘Cinema Appropriates From The Stage, Medium And Costumes’

April 28, 2025, 8:20 pm

In ancient India, kathakars, or master storytellers, performed mythological tales through dance, known as “katha.” This art form, characterized by graceful movements, expressive mudras, intricate footwork called “Tatkar,” and dramatic spins, originally featured male dancers. Over time, especially during the Mughal era, Kathak evolved under the influence of Persian and Central Asian cultures. Women began to perform Kathak, and it gained a new dimension with tawaifs (courtesans) infusing it with sensuality. Today, Kathak has adapted to include contemporary themes and narratives. Aditi Mangaldas, a renowned Kathak artist, is a leading figure in the dance form. Before her upcoming performance titled Lost…in the Forest at the NCPA’s Jamshed Bhabha Theatre, indianexpress.com interviewed Mangaldas about her journey, her favorite performances, and her views on Kathak’s portrayal in Indian cinema.

Beginning Her Kathak Journey

Mangaldas first encountered Kathak at age five. “I would share my joys and apprehensions through movement. My parents noticed my artistic inclinations and enrolled me in various classes. I eventually realized that dance was my true calling,” she shared. Studying under legends like Kumudini Lakhia and Pt. Birju Maharaj was “magical” for Mangaldas. She follows the belief that “dance being your passion, life is your biggest guru.”

Pre-Performance Rituals

Mangaldas has her own pre-performance rituals. “They aren’t religious but a way to express gratitude to those who’ve supported my dance journey,” she explained. She prefers complete silence while warming up, has a specific routine for changing and preparing her costume, and approaches the stage with a sense of openness. “On stage, I’m completely emptied out, ready to receive,” she added.

Views on Kathak in Bollywood

Mangaldas noted that the portrayal of Kathak in cinema differs significantly from its stage performance. “Cinema appropriates elements from Kathak’s stage, costumes, and other aspects, but it can’t fully capture the depth of the dance form,” she said. Regarding Heeramandi, she expressed dissatisfaction with how it represents the art form. “The tawaifs were exceptional artists, but the exploration of art—riyaaz, dialogue, music, movement, literature, and poetry—is often overlooked. The sequences are beautiful but don’t match the performances of dancers who have dedicated years to mastering Kathak,” Mangaldas commented.

Favorite Performances

Mangaldas described her creative process as being “pregnant with production,” making it challenging to select a favorite piece. She mentioned some timeless performances from 1995 and more recent ones, including Female Sexual Desire and extracts from her classical solo Immersed.

Future of Kathak in India

Mangaldas believes that artists must reflect contemporary issues and engage with audiences beyond social media. “Artists have a significant role in connecting with those unfamiliar with Kathak. There’s a need for funding, more venues, and responsible artists who advocate for the dance form,” she said. She emphasized the importance of blending passion with respect for the dance form's history and geography. “Being inclusive, open-minded, and diverse is crucial for inspiring the youth to embrace Kathak,” Mangaldas concluded.

Paris Celebrates India’s Olympic History With Art And Embroidery Exhibition

April 28, 2025, 8:20 pm

While Indian athletes were competing in the Olympic Village in Paris on August 9, the 7th Arrondissement Town Hall hosted a special event celebrating Indian achievements in the Olympics, organized by the JSW Group. This event honored India's Olympic history, tracing back to 1920 when three Indian athletes traveled on the SS Mantua to participate in the Antwerp Summer Olympics. Paris-based Indian artist Sujata Bajaj contributed a striking canvas that intertwined the Indian flag with the Olympic rings. She described her work: “There is an explicit play on both flags (France and India) as strong hues of orange, green, blue, white, and red have a prevalent place. The universality of the Olympic message is mirrored within the fill of the circles themselves, where the fluidity of the colours suggests world maps as seen from distant outer space.” The event also featured three hand-embroidered artworks by artisans from the Chanakya School of Craft, created under the guidance of creative director Karishma Swali. [caption id="attachment_430211" align="alignleft" width="696"] Artwork describing Sakshi Malik’s bronze medal in wrestling at the 2016 Rio Olympics and Neeraj Chopra’s gold medal in javelin at the 2021 Tokyo Olympics.[/caption] These pieces, commissioned by Sangita Jindal, chairperson of the JSW Foundation, commemorate significant moments in Indian Olympic history, such as Sakshi Malik’s bronze medal in wrestling at the 2016 Rio Olympics (right) and Neeraj Chopra’s gold medal in javelin at the 2021 Tokyo Olympics (left). Swali commented on the artworks: “The fluid silhouettes and vibrant colours embody the dynamic energy and disciplined elegance of sports while also reflecting the nuanced, intricate beauty of the craft. This synthesis captures the spirit of movement and the delicate balance of artistry, conveying a deep appreciation for the human form and the stories of resilience it carries.” The hand-embroidered pieces used a variety of techniques, including couching, bullion knots, running stitch, crochet, and stem stitch, along with hand-knotting and hand-tufting, showcasing a rich blend of traditional and modern artistry.

IAF Deputy Chief inaugurates Solar Industries’ Chaff manufacturing plant in Nagpur

April 28, 2025, 8:20 pm

In a boost to the Make in India initiative, Indian Air Force Deputy Chief Air Marshal Ashutosh Dixit inaugurated a Chaff Plant at Economic Explosives Limited (EEL) in Nagpur on July 31, as reported by Solar Industries. EEL, a wholly-owned subsidiary of Solar Industries India Limited, now hosts the country's first fully indigenous, state-of-the-art chaff production facility. Chaff is a widely used expendable electronic countermeasure device that disrupts enemy radar by creating false targets. Until now, India relied entirely on imports for these devices. The new facility in Nagpur will produce various types of chaff, including Chaff 118, Chaff 50mm, and Chaff 26mm, along with impulse cartridges. These products are utilized in a range of aircraft, including the Jaguar D-II, D-III, MIG29, Mirage 2000, Bison, LCA, Apache, Chinook, Embraer, AWACS, Cth/Ctk, AHWSI, and LCH. The chaff payloads were developed by EEL with technological support from the Defence Laboratory in Jodhpur, under the Buy Indian-IDDM (Indigenously Designed, Developed, and Manufactured) category. The Air Force Inspecting Authorities have granted airworthiness certification for the in-house manufactured chaff payloads, allowing their use on various aircraft, helicopters, and other airborne platforms. Given the substantial demand for chaff by the Armed Forces, EEL is expanding its manufacturing capacity, expected to be completed within the next six months. This development marks the introduction of the first modern and advanced chaff production technology in India.

Hemraj: The Maestro of Contemporary Indian Art and His Spiritual Kinship with Buddha

April 28, 2025, 8:20 pm

Hemraj stands as a colossus in the domain of contemporary Indian art, revered for his monumental oil abstract paintings that encapsulate the quintessence of his unparalleled artistic vision. Esteemed for his expansive canvases, Hemraj’s oeuvre is a testament to his profound comprehension of abstraction and the intricacies of human emotion. His artistic journey, suffused with philosophical and spiritual undertones reminiscent of Buddha’s teachings, imbues his work with an ethereal depth. For Hemraj, abstraction transcends mere stylistic expression; it epitomizes a profound mode of existence. He avers that to engender abstract art, one must embody abstraction itself. This philosophy is a direct corollary of the Buddhist precept of inner emptiness and detachment from the corporeal. Hemraj frequently articulates his mental and emotional state as being "blank as the sky," a metaphor akin to the Buddhist notion of śūnyatā (emptiness). This state of pure receptivity permits him to channel his most intimate thoughts and emotions onto the canvas, unencumbered by preconceived notions or extraneous influences. Hemraj propounds a potent symbiosis between the artist and their creation, asserting that "painting is the reflection of the artist." This tenet resonates profoundly with the Buddhist teaching that the external world is a mirror of our inner state. Hemraj’s paintings act as reflective surfaces, mirroring his inner cosmos and personal experiences, analogous to how meditation unveils the inner consciousness. The deep interconnection between the artist and his art engenders a visceral resonance with the audience. Each brushstroke, chromatic choice, and compositional element is an unadulterated manifestation of his identity, convictions, and emotions, paralleling the way Buddhist art reflects the practitioner's inner serenity and enlightenment. Hemraj’s artistic journey is a relentless quest to explore the frontiers of abstract art, mirroring a spiritual pilgrimage towards enlightenment. His works, distinguished by their audacious use of color, dynamic forms, and intricate textures, beckon viewers into a realm where the tangible and the imaginative coalesce. Through his artistry, Hemraj challenges the orthodox perceptions of reality and beckons his audience to delve into their own abstract contemplations, much like Buddha’s exhortations to transcend superficial reality and apprehend deeper existential truths. Hemraj’s canvases are not merely visual spectacles; they are meditative landscapes inviting introspection and spiritual awakening. His ability to distill complex emotions and abstract thoughts into visual form creates a dialogue between the viewer and the painting, encouraging a profound engagement with the work. In the annals of contemporary Indian art, Hemraj's contributions are unparalleled. His large-scale oil abstract paintings not only exemplify his technical virtuosity but also encapsulate his profound philosophical and spiritual insights, drawing inspiration from the timeless wisdom of Buddha. For Hemraj, abstraction is more than a visual lexicon; it is a modus vivendi, a profound reflection of the artist's essence, and a spiritual odyssey towards enlightenment. As he continues to transcend the boundaries of abstract art, Hemraj remains a beacon of inspiration for both nascent artists and seasoned connoisseurs worldwide. His work, suffused with the essence of Buddhist philosophy, stands as a testament to the enduring power of art as a medium for spiritual and emotional expression. Hemraj’s legacy is one of artistic brilliance intertwined with spiritual profundity, a true maestro whose paintings are the sublime reflections of his innermost self.

19th Edition of ‘Saare Jahan Se ACHHA’ Classical Dance Festival Celebrates 37 Years

April 28, 2025, 8:20 pm

Odissi exponent and Padmashree awardee, Smt. Ranjana Gauhar, cordially invites you to the 19th edition of the ‘Saare Jahan Se ACHHA’ classical dance festival. This prestigious event marks its 37th anniversary and will be held on August 13th and 14th, 2024, at the Stein Auditorium, India Habitat Centre, New Delhi, starting at 7 PM. Reflecting on the journey, Smt. Ranjana Gauhar shares, “Looking back on 37 years with Utsav, it fills me with a deep sense of fulfillment. ‘Saare Jahan Se ACHHA’ is our way of keeping the flame of Indian classical dance burning bright. This year’s program promises an evening of captivating performances steeped in tradition, whereby senior established dancers and their disciples pay tribute and respect to the nation’s martyrs and achievers.” The festival begins on Tuesday, August 13th, 2024, with a performance titled “Ksheer Sagar: The Might of the Ocean.” This musical dance drama weaves together two Indian mythological narratives, ‘Chandrabhaga’ and ‘The Matsya Avatar.’ The performance will be executed by Utsav’s Repertory and directed by the Artistic Director, Guru Ranjana Gauhar. The evening will be graced by distinguished guests of honor, including Padma Vibhushan Dr. Sonal Mansingh, former Rajya Sabha member and renowned Odissi exponent, Padmashree and SNA Awardee Geeta Mahalik (Odissi), and Padmashree and SNA Awardee Shovana Narayan (Kathak). The second day of the festival, Wednesday, August 14th, 2024, will feature a series of performances showcasing various classical dance forms. The evening will start with an Odissi performance by the senior disciples of Guru Ranjana Gauhar, followed by Bharatanatyam by the disciples of Dr. Sandhya Purecha, an SNA Awardee and Chairperson of SNA. The event will also feature Kathak by Guru Sangita Chatterjee and her disciples, and Manipuri by Guru Shyam Singh and his disciples. The Chief Guest for the evening will be Amb. Bhaswati Mukherjee, President of India Habitat Centre, and the Guest of Honor will include Sunit Tandon, Director of India Habitat Centre, Padmashree and SNA Awardee Geeta Chandran (Bharatanatyam), Amarendra Khatua, and Pranaame Bhagawati. This two-day celebration is a tribute to the rich heritage of Indian classical dance, offering an opportunity to witness the dedication and artistry of both seasoned performers and their talented disciples. It serves as a platform to honor the nation’s martyrs and achievers through the powerful medium of dance. For those interested in a deeper engagement, there is an opportunity to interact with Smt. Ranjana Gauhar, the visionary behind this festival. If you wish to arrange an interaction with this eminent Odissi exponent, please express your interest, and coordination will be facilitated accordingly. Join us in celebrating 37 years of Utsav and the timeless beauty of Indian classical dance at the ‘Saare Jahan Se ACHHA’ festival. Experience the magic of tradition, the vibrancy of performances, and the profound tribute to India’s cultural legacy.

Daler Mehndi unveils ‘ANKHIYAN TE JA LADIYAN’

April 28, 2025, 8:20 pm

The legendary pop icon, Daler Mehndi, renowned for his powerful voice and electrifying stage presence, is set to release his latest single, “Ankhiyan Te Ja Ladiyan.” Mehndi, known for bridging the rich classical cultural past with today’s generation, collaborates with the doyens of Qawwali singers - Ustad Sher Ali, Ustad Mehr Ali, and the young virtuoso Ejaz Sher Ali. This extraordinary track promises to deliver a foot-tapping, rustic, and robust Bhangra Dhamaal infused with Balochi nuances and classical Dhamaal with Siraiki singing. “Ankhiyan Te Ja Ladiyan” is composed by Daler Mehndi himself, whose creative genius breathes life into the traditional lyrics. The song is a testament to Mehndi’s vision of blending diverse musical styles and traditions to create something truly extraordinary. The enchanting melody is brought to life by the legendary voices of Mehndi, Sher Ali, Mehr Ali Khan, and Ejaz Sher Ali. The video’s captivating concept, impeccable styling, and innovative ideation are the brainchildren of Taran Mehndi, whose artistic vision shines through every frame. Under the masterful direction of Taran Mehndi and Sumit Bhardwaj, the accompanying video transforms this auditory delight into a visual feast, making “Ankhiyan Te Ja Ladiyan” a true masterpiece of modern musical artistry. Choreographed by 23-year-old Kunwar Singh of Folking Desi, the video features robust Bhangra performances that create an audio-visual spectacle, captivating and enthralling the audience. Reflecting on the song, Daler Mehndi shares, “I have a very strong urge to leave behind a legacy of great words and beautiful music that brings forth the gaiki of the elders. One such duo that impacted me as a young music listener and learner were the Qawwali duo Sher Ali Khan and Mehr Ali Khan. When I became Daler Mehndi, my musical career gave me access to the legends I grew up listening to, and those I once yearned to hear became friends. It had been my desire to record them. When I composed ‘Ankhiyan Te Ja Ladiyan,’ I called and asked if they would like to sing. Much to my relief and pleasure, they readily agreed, and the song came to life. I owe a big thanks to technology, sitting here, having them send their vocals and then putting it all together. It was seeing the dream come to life. My daughter is 10, and it is my personal agenda to give her and her generation a flavor of the yesteryears’ richness served in a format they will enjoy. Bhangra takes center stage in this video of the song that narrates the pangs of the lovelorn. It’s a celebration where the yearning of a lover, the separation, and the cupid’s strike are danced to with all heart. The Dhamal features young, robust Delhi-based Bhangra crew Folking Desi, infusing energy with the truest form of Bhangra. With a prayer and lots of foot-tapping beats, I am pleased to present ‘Ankhiyan Te Ja Ladiyan,’ a Dhamal of love.” Taran Mehndi, the director of the song, adds, “Directing a luminary like Daler Ji is a privilege that transcends mere words. His enduring stardom is a rare phenomenon in the music world, and working with him has been nothing short of extraordinary. From the very first note of ‘Ankhiyan Te Ja Ladiyan,’ I envisioned an artistic narrative that had to be true to the sound he had created. It has the elders Sher Ali and Mehr Ali Sahab’s classical gaiki complimenting Daler Ji’s brilliant composition. Lyrically, the song is a sad song, a yearning of a beloved; however, the rhythm is highly compelling. The choreographers literally mapped the visions in my brain. I am proud and pleased to showcase a Balochi Bhangra Dhamal in its purest form. Sumit Bhardwaj, my co-director, assisted and supported my ideas and vision. I’m elated that our collective efforts materialized precisely as I had dreamed. The alignment of everyone’s creative energies was a triumph in itself.” “Raag Bhairavi, classical Dhamaal, Siraiki gaiki - visually, the song had to weave a narrative that complements the rich heritage flavor of the elders, the present with Daler Ji being the bridge, and the future with the young girls and boys dancing with all heart - the dance of a happy soul - the Bhangra. Again, Daler Ji took us by surprise on the sets by giving his fans a simple and catchy hook step.” "Raag Bhairavi, classical Dhamaal, Siraiki gaiki - visually, the song had to weave a narrative that complements the rich heritage flavor of the elders, the present with Daler Ji being the bridge, and the future with the young girls and boys dancing with all heart - the dance of a happy soul - the Bhangra. Again, Daler Ji took us by surprise on the sets by giving his fans a simple and catchy hook step.” Watch the song here: Ankhiyan Te Ja Ladiyan

‘All Together Now’: Artistic Fellowship as a Beacon in troubled times

April 28, 2025, 8:20 pm

In our rapidly imploding world, the only pockets of well-being and care are found within networks of friendship and alliance. Artistic communities have long served as refuges for change, contemplations of the past, and visions of the future. Now more than ever, these fellowships form the bedrock on which individuals can brace themselves, drawing strength to face the violent everyday. The artists in this exhibition present a diverse array of works and media, spanning journalistic reportage, analogue experiments in the darkroom, investigations of archival material, pedagogic presentations of form, and contemporary re-examinations of image practices. Despite their varied approaches, the artists share common bonds: their friendship, a growing unease with the country’s situation, and a shared trajectory through a studio and darkroom in Delhi. From informal gatherings and late-night discussions to collaborative studio sessions and the bridging of distances in their practices, they have created an osmosis of thoughts and ideas. This exhibition represents a conversation about the future, mediated by the fragile yet resilient bonds of community and friendship. Artists: Aditya Pande, Avani Tanya, Dhruv Malhotra, Hemant Sareen, Hylozoic/Desires (Himali Singh Soin & David Tappeser), Ishan Tankha, Kana Kitaoka, Kapil Das, Kaushik Ramaswamy, Pallavi Arora, Rahul Noble Singh, Sarnath Banerjee, Shirley Bhatnagar, Shoili Kanungo, Srinivas Kuruganti, Sudeep Chaudhuri, Sukanya Ghosh, Uzma Mohsin.

Ancient Strokes, Modern Mediums: How Women Artists Are Driving The Global Popularity Of Madhubani Paintings

April 28, 2025, 8:20 pm

“It happened in front of me,” recounts Padma Shri award-winning artist Manu Parekh to indianexpress.com, reflecting on the transformation of Madhubani paintings from traditional wall art to paper. This shift began in 1965 when Bhaskar Kulkarni, an Indian government aid worker, traveled from Delhi to the Mithila region in Bihar. Kulkarni proposed the innovative concept of transferring traditional wall paintings to paper. To support this transition, the government supplied artists with paper and colors at no cost. At that time, Parekh was working for Pupul Jayakar, an Indian cultural activist and art historian, at the All India Handicrafts Board (AIHB). Jayakar had directed Kulkarni to Mithila following a suggestion from then Prime Minister Indira Gandhi to “do some artwork in Bihar.” The resulting artwork was marketed and sold through government-run handicraft stores across India, thereby broadening the audience for Madhubani art, as noted by the Madhubani Art Centre. Today, Madhubani paintings have expanded beyond their traditional mediums to include canvas, paper, fabric, and digital formats. Predominantly created by women, this art form has not only endured over centuries but has also adapted to remain relevant in the modern art scene. “Madhubani art is not merely a form of expression but a crucial cultural asset of the Mithila region. It embodies the region’s rich traditions, folklore, and mythology, serving as a living repository of Mithila’s cultural heritage,” comments Madhubani artist Vidushini Prasad. By continuing this artistic tradition, artists ensure that these cultural narratives and practices are preserved for future generations. Madhubani painting plays a vital role in preserving and promoting the cultural heritage of the Mithila region. “Women have been the primary custodians of Madhubani painting since its inception. This art form was passed down from mothers to daughters, with each generation adding its unique touch while maintaining traditional techniques and motifs,” explains Manisha Jha Mishra, a national award-winning Mithila painter. Historically, Mithila women adorned the walls and floors of their homes with intricate designs for special occasions and festivals. Today, women continue to lead the field, earning national and international recognition and overcoming social barriers to establish themselves as prominent artists and entrepreneurs. Madhubani painter Ganga Devi is a notable example. “Ganga Devi became a celebrity,” says Mishra, particularly after Tokio Hasegawa, director of the Mithila Museum in Japan, visited India in 1972 and was impressed by one of her paintings. “Women artists like me promote Madhubani art through workshops, exhibitions, and social media, making it accessible to a global audience. I manage one of the largest Facebook communities dedicated to Madhubani art, with over 35,000 members, most of whom are women from India and abroad,” Prasad shares. She also notes, “Women have embraced technology, creating and sharing their paintings on social media. Many rural women are now also making reels, which has empowered them. During Covid, when events and exhibitions were halted, many artists used social media to sell their work and sustain themselves.” Balancing tradition and innovation is one of the key challenges for Madhubani artists today. According to Mishra, it is essential to understand both symbolism and cultural context to advance this art form. Many artists have successfully integrated traditional motifs and techniques with contemporary issues and aesthetic preferences. “The culture remains constant, but the world around us changes. My work reflects the connection between these two worlds,” Mishra explains. Some artists experiment with new color palettes and materials while retaining Madhubani art’s distinctive style and symbolism. Prasad highlights, “I preserve traditional themes and techniques while incorporating vibrant colors and modern designs to attract urban and global audiences.” Parekh offers a different view: “Madhubani art is folk art deeply rooted in tradition. There is no need for additional variety when a woman sees her mother’s work. They are not modern painters.” He emphasizes the importance of understanding cultural roots for artistic growth: “The more one comprehends their mother’s art, the greater their advancement. It’s individual-dependent, reflecting our profound cultural heritage.” Madhubani art faces several challenges in the contemporary art market, including a tendency to be undervalued compared to modern or contemporary art. “Most galleries don’t showcase folk art, making it difficult to display in galleries,” Prasad notes. Ridhima Srivastav, founder of Weave Hand, an online marketplace supporting artisans of handmade products, observes, “Balancing traditional methods with the demands of the commercial art market can be challenging. There is a risk of losing authenticity and cultural significance in the pursuit of profit.” “Segregation” is a significant issue, according to Mishra. “Outside India, Madhubani paintings aren’t categorized as folk art but as simply art. When viewed as art, they are appreciated for their artistic merit without labels or classifications.” Despite these challenges, there are significant opportunities. Madhubani art has evolved into a global phenomenon, transcending caste distinctions and geographic boundaries. “The increasing global interest in indigenous art forms has created new markets for Madhubani paintings. E-commerce platforms have facilitated direct connections between artists and global customers, bypassing traditional intermediaries,” says Srivastav. Exhibitions, workshops, and collaborations with international artists and institutions have enhanced awareness and appreciation of Madhubani art. This global presence has opened new markets and opportunities for Madhubani artists, as noted by Mithila painter Yanshika Priya.

Grass Statue of Shivaji Rivals Mona Lisa’s Fame

April 28, 2025, 8:20 pm

[embed]https://latest.thedailyguardian.com/wp-content/uploads/2024/07/WhatsApp-Video-2024-07-23-at-8.45.25-PM-1.mp4[/embed] Rajpura, a small city located in the state of Punjab, is renowned worldwide. Perhaps the soil here has Rajputana blood in it. Great grass artist Mr. Abhishek Kumar Chouhan, famous for his grass art, lives here and has been serving the heritage of historical grass art for the last decade. The statue of Shivaji Maharaj made of grass by him is becoming a topic of discussion all over the country. After all, why not? We Indians have the courage to make the impossible possible. This year, the whole of India is celebrating 350 years of Shivaji Maharaj's coronation. Prime Minister Modi also extended his best wishes to the country. Chhatrapati Shivaji Maharaj played a key role in awakening the spirit of Swaraj, uniting the country against the invading Mughals. This unique grass statue of Shivaji Maharaj is doubling the joy of the 350th year of his coronation, featuring facial expressions that change. Why and how do the expressions change? You must have heard about the Mona Lisa painting, which is the most valuable among all artworks today. It is said about this mysterious painting that its facial expressions change. After many years of research, the grass artist has created a face with a weaving pattern capable of changing the emotions on the statue's face. It can be said that this is the first statue in the world that shows three types of expressions. In normal light, when the statue is seen from the front, the expression of a calm king is seen. When light is thrown on the same statue, the expression of anger is revealed. When the statue is seen from both shoulders, the statue is seen smiling softly. How this art developed and the features of the statue Eleven years ago, someone addressed the grass artist as a basket weaver, which deeply hurt him. This motivated him to develop the grass art to the extent that making statues became possible. Light red color has been used as a tilak for the anointment of the statue, while no other colors have been used. The eyes, mustache, and hair of the statue have been woven from fine black grass fibers. Special attention has been given to the details of the entire statue, even the fingernails have been made from grass. The garland around the neck of the statue is also made of grass, and the thread used in it is also made of grass. The turban is designed in such a way that light is transmitted throughout the turban when a bright light is thrown from any angle. Complex mathematics and mother's love 1678 grass straws have been used in the making of the statue, with 7431 folds marked. The count of weaving done on the face and head is different. 8245 fine straw fibers have been used for the face, which have been folded 27921 times and woven together. The height of the statue is 13 inches and the width is 7 inches. Chouhan shared that his mother inspires him to do and develop his art. Due to her inspiration, this impossible task has become possible. He has also been inspired by his mother to set many world records, including several world records of grass art with blindfolded eyes.

In-Within’ Explores Themes Of Introspection Through Vibrant Artworks

April 28, 2025, 8:20 pm

Creativity Art Gallery is showcasing solo exhibition “In-Within” by acclaimed artist Tejinder Kanda, curated by Georgina Maddox from 22 July to 31 July. The exhibition will be held at the prestigious Shridharani Art Gallery, Triveni Kala Sangam. The exhibition showcases Tejinder Kanda’s latest works, exploring themes of introspection and self-discovery through vibrant and introspective artworks. Known for his unique style that blends traditional techniques with contemporary interpretations, Kanda invites viewers to delve into the depths of the human psyche and experience art in a profound new light. 32 artworks will be displayed in the exhibition. Artist has used Acrylic on Canvas for every artworks. Tejinder Kanda is a contemporary artist known for his evocative and thought-provoking artworks. His pieces are widely admired for their intricate details and profound emotional resonance, making him a prominent figure in the contemporary art scene. According to curator Georgina Maddox abstraction holds the power to transcend the physical realm, allowing the human mind to perceive and connect with the intangible essence of the world around us. This transformative quality of abstraction is beautifully embodied in the artistic journey of Tejinder Kanda, a versatile and acclaimed artist whose practice has evolved from a figurative style to a profound exploration of the abstract. Georgina Maddox said, “Kanda’s current series, titled “In-Within”, showcases his mastery of the abstract form, utilising impasto techniques and a vibrant palette of acrylics to create canvases that captivate the viewer and evoke a deep emotional response. Kanda’s artistic exploration delves into the uncharted territories of the self, as he seeks to uncover the “unidentified and unknown” within, translating this internal voyage into a dynamic and visually arresting series of paintings. Kanda’s artistic evolution exemplifies the paradoxical nature of abstract representation, where the artist utilises a non-representational language to convey profound ideas and emotions. Gerhard Richter’s mid-term paintings, for instance, demonstrate the artist’s transformation from photorealistic depiction to the deliberate obscuring and fragmentation of visual elements, ultimately constructing new forms of meaning.” The swirling, energetic strokes and the gradation of tones from light to dark in Kanda’s paintings evoke a sense of emotion and movement that draws the viewer into the artist’s internal experience. “Kanda is known as a versatile artist creating vibrant and dynamic artworks. He has an entire series of serigraph prints that he executed in the 1990s and he is currently working on a body of ceramic works alongside the large canvases that are abstract swirls of colour,” the curator added. The palette ranges from tertiary earth colours of reds, browns to a group of cool colours that include blue, purple, and green. He even allows himself to playfully explore pinks, pastels and yellows, from fuchsia to coral and orchid which denote calmness and conveys feelings of relaxation and contentment. Georgina Maddox said, “In-Within” series represents a profound and ambitious undertaking, as the artist delves into the depths of his own psyche, translating his internal journey into a visually stunning and emotive body of work. Through his masterful use of colour, texture, and gestural mark-making, Kanda invites the viewer to engage in a shared experience of self-discovery, where the boundaries between the physical and the metaphysical dissolve, and the true essence of the human experience is revealed in all its raw, unrestrained beauty.”

From Vision to Reality: Documenting the Journey of the Rani Ratnavati Girls’ School

April 28, 2025, 8:20 pm

Turning vision into reality often involves overcoming significant challenges, and the Rani Ratnavati Girls' School in Jaisalmer, India, exemplifies such a journey. This project long conceptualized and now realized, continues to redefine education in a remote desert region and serves as an example of sustainable, innovative design. Documenting this journey has shown its significant impact, both locally and beyond. Located in the Thar Desert, the school features sustainable architecture designed by Diana Kellogg, utilizing locally sourced stone and solar panels to withstand the harsh environment. It provides education to girls from families with limited access to schooling, offering them a chance to improve their lives and communities despite the challenges of early marriages and scarce educational opportunities in Jaisalmer. [caption id="attachment_406641" align="alignnone" width="300"] Rural Education[/caption] Documenting the school's journey involved capturing authentic aspects of the students' lives. Before filming, Michael Daube, founder of CITTA, and I visited students' homes 40 kilometers away to understand their daily routines, including the 40-minute bus ride to school, all of which are depicted in the documentary. The film also delves into daily life at the school, showcasing its sustainable architecture and the students' activities. Interviews with teachers provide insights into their daily routines and the experiences of the students. Our goal was to authentically capture these moments without influencing or directing the subjects. Shooting, executing, and editing the documentary was a profound learning experience. It involved advanced techniques such as multiple camera setups, drone footage, and interviews with board members like Mickey Boardman and dedicated teachers. Local stone craftsman Kareem Khan contributed to the architectural beauty, adding cultural depth to the project. Each step offered deep insights into the local culture and the lives of people in this remote area. [caption id="attachment_406642" align="alignnone" width="300"] Rural Education[/caption] One of the main challenges was maintaining authenticity. Rather than directing the subjects, our approach was to document their daily lives as they naturally unfolded. This ensured that the documentary remained true to its purpose—capturing the genuine and unfiltered experiences of the students and their families. The school has not only provided education but also created employment opportunities in the area, significantly impacting the local community. Beyond education, it empowers young female leaders and equips them with tools to enhance their futures. While I previously worked on a short documentary about Drag Queens at Harvard School in 2019, this project was more comprehensive, involving advanced techniques and a richer narrative. It has been a touching experience, highlighting the transformative power of education and the need to extend opportunities to those who need them most. The Rani Ratnavati Girls' School stands as a testament to how innovative design and a commitment to education can drive lasting change. Documenting its journey has been inspiring, showcasing the power of education to transform lives and communities through dedication, innovation, and a clear vision. The author is the creative director.

Laxmi Gupta’s art exhibition: The Flower Always Sheds Its Fragrance

April 28, 2025, 8:20 pm

Renowned artist Laxmi Gupta is set to open her latest exhibition, "The Flower Always Sheds Its Fragrance," at Triveni Kala Sangam on 12th July 2024 at 5:30 PM. This exhibition highlights her intricate depictions of nature and the impact of flowers on our environment and well-being. A self-trained artist, Laxmi Gupta began showcasing her work in 2002, exploring various mediums such as pen and ink, watercolor, acrylic, and wax. Her journey from creating faces to embracing abstraction showcases her evolution as a colorist, using colors to influence mood and perception. [caption id="attachment_406630" align="alignnone" width="300"] Nature Art[/caption] Laxmi’s love for nature inspires her work, especially evident during the COVID-19 lockdown when she dreamt of nature walks and wildflowers. Her series, "A Flower Always Sheds Its Fragrance," symbolizes the selfless beauty of flowers. The exhibition emphasizes the importance of trees and flowering plants, reflecting her environmental commitment. [caption id="attachment_406632" align="alignnone" width="300"] Nature Art[/caption] Running from 12th to 21st July, 11 AM to 7 PM, the exhibition invites visitors to experience Laxmi's unique blend of media, textures, and techniques. Her art not only celebrates nature’s beauty but also highlights its crucial ecological role.

Geeta Chandran honoured with NRITYA CHOODAMANI title by Krishna Gana Sabha

April 28, 2025, 8:20 pm

Krishna Gana Sabha, a premier cultural organization in Chennai, has conferred its highest honor, the NRITYA CHOODAMANI, on Delhi-based dancer Vidushi (Padmashri) Geeta Chandran. The award recognizes an exemplary artist who has dedicated her life to promoting and preserving her chosen art form and contributing significantly to society through her performances and sustained commitment. The award ceremony will take place on December 13, 2024, during the inaugural event of the 68th Marghazi Mela at the Krishna Gana Sabha’s auditorium in Chennai. The NRITYA CHOODAMANI symbolizes the pinnacle of recognition for Geeta Chandran’s lifelong dedication to Bharatanatyam and her impact on the art world. [caption id="attachment_406621" align="alignnone" width="300"] Indian Classical Dance[/caption] Geeta Chandran is celebrated as one of the leading figures in Indian classical dance globally. She is not only a distinguished dancer but also an accomplished Dance Guru, Scholar, Choreographer, Media Personality, and Carnatic Vocalist. Through her multi-faceted talents, she enriches the universe with Bharatanatyam. As the Founder-President of NATYA VRIKSHA in New Delhi, established in 1991, she has nurtured art education, mentorship, and the development of young artists. Her holistic teaching approach integrates classical dance learning with diverse disciplines and values, championing tradition while transcending linguistic barriers to create meaningful choreographies that contribute to broader societal dialogue. [caption id="attachment_406622" align="alignnone" width="300"] Indian Classical Dance[/caption] Beyond her role as a performer and educator, Geeta Chandran is an arts administrator, mentor, and philanthropist. She is committed to integrating arts education into formal curricula and supports various social causes. Her dynamic performances reflect her vision of an interconnected, inclusive, and transformative cultural experience. Geeta Chandran’s illustrious career spans five decades, marking 50 years of engagement with Bharatanatyam since her arangetram in 1974. Throughout her career, she has received numerous accolades, including the Padmashri in 2007, the Central Sangeet Natak Akademi Award in 2016, and the Tagore National Fellowship for 2017-2018. She curated Dance at the prestigious Serendipity Arts Festival in 2022 and 2023 and continues in this role in 2024. Geeta Chandran’s contributions to the arts have left an indelible mark, and the NRITYA CHOODAMANI honor underscores her exceptional contributions and unwavering commitment to Bharatanatyam and cultural enrichment.

Watercolor Maestro Dr Sushma Mahajan Paints ‘This Beautiful World’

April 28, 2025, 8:20 pm

Art enthusiasts in the capital are in for a visual treat as self-taught watercolor artist Dr Sushma Mahajan presents her much-anticipated solo exhibition "This Beautiful World," curated by renowned art historian and consultant Dr Alka Pande. The exhibition, set to take place at the Visual Arts Gallery, India Habitat Centre from August 2 to August 5, 2024, promises to captivate viewers with 40 exquisite watercolor paintings that celebrate the beauty of our surroundings. [caption id="attachment_406615" align="alignnone" width="300"] Dr Sushma Mahajan[/caption] Dr Mahajan's inimitable style and mastery of the medium bring to life a diverse range of subjects, from the enchanting innocence of a rabbit to the elegant charm of horses and the ferocity of a wild cat. The collection also includes serene autumn landscapes, vibrant floral compositions, and architectural wonders inspired by the grandeur of Konarak, Hoysalas, and Cholas. Interestingly, the exhibition also features European and Cuban influences, including scenes of Bavarian castles, London pubs, the Adriatic coast, and Cuban streets, as well as a captivating display of vintage cars. On her latest artwork display, Dr Mahajan adds "I am quite excited to showcase my latest collection of watercolor paintings at IHC, Delhi once again after a year and a quarter. The exhibition theme is ‘This Beautiful World' and my endeavor as an artist is to make you appreciate the abundant beauty all around us, hidden and obvious, through my compositions. All in all, 36 artworks which I have painstakingly crafted in the last year or so will be on display at my forthcoming exhibition.” "This Beautiful World" marks the artist's second solo exhibition at the prestigious Visual Arts Gallery, following the success of her previous show "Curious Charms, The Magic of Aquarelle" last year. Curator Dr Alka Pande eloquently captures the essence of Dr Mahajan's artistic expression, stating, "Sushma's internal landscapes represent a reality of life where there is Ikaam Satya" – a testament to the artist's ability to find beauty even in the darkest moments.

Solo exhibition “In-Within” explores themes of introspection through vibrant and introspective artworks

April 28, 2025, 8:20 pm

Creativity Art Gallery is showcasing solo exhibition "In-Within" by acclaimed artist Tejinder Kanda, curated by Georgina Maddox from 22 July to 31 July. The exhibition will be held at the prestigious Shridharani Art Gallery, Triveni Kala Sangam. The exhibition showcases Tejinder Kanda's latest works, exploring themes of introspection and self-discovery through vibrant and introspective artworks. Known for his unique style that blends traditional techniques with contemporary interpretations, Kanda invites viewers to delve into the depths of the human psyche and experience art in a profound new light. 32 artworks will be displayed in the exhibition. Artist has used Acrylic on Canvas for every artworks. Tejinder Kanda is a contemporary artist known for his evocative and thought-provoking artworks. His pieces are widely admired for their intricate details and profound emotional resonance, making him a prominent figure in the contemporary art scene. According to curator Georgina Maddox abstraction holds the power to transcend the physical realm, allowing the human mind to perceive and connect with the intangible essence of the world around us. This transformative quality of abstraction is beautifully embodied in the artistic journey of Tejinder Kanda, a versatile and acclaimed artist whose practice has evolved from a figurative style to a profound exploration of the abstract. Georgina Maddox said, “Kanda’s current series, titled “In-Within”, showcases his mastery of the abstract form, utilising impasto techniques and a vibrant palette of acrylics to create canvases that captivate the viewer and evoke a deep emotional response. Kanda’s artistic exploration delves into the uncharted territories of the self, as he seeks to uncover the “unidentified and unknown” within, translating this internal voyage into a dynamic and visually arresting series of paintings. Kanda's artistic evolution exemplifies the paradoxical nature of abstract representation, where the artist utilises a non-representational language to convey profound ideas and emotions. Gerhard Richter’s mid-term paintings, for instance, demonstrate the artist’s transformation from photorealistic depiction to the deliberate obscuring and fragmentation of visual elements, ultimately constructing new forms of meaning.” The swirling, energetic strokes and the gradation of tones from light to dark in Kanda’s paintings evoke a sense of emotion and movement that draws the viewer into the artist's internal experience. “Kanda is known as a versatile artist creating vibrant and dynamic artworks. He has an entire series of serigraph prints that he executed in the 1990s and he is currently working on a body of ceramic works alongside the large canvases that are abstract swirls of colour,” the curator added. The palette ranges from tertiary earth colours of reds, browns to a group of cool colours that include blue, purple, and green. He even allows himself to playfully explore pinks, pastels and yellows, from fuchsia to coral and orchid which denote calmness and conveys feelings of relaxation and contentment. Georgina Maddox said, “In-Within” series represents a profound and ambitious undertaking, as the artist delves into the depths of his own psyche, translating his internal journey into a visually stunning and emotive body of work. Through his masterful use of colour, texture, and gestural mark-making, Kanda invites the viewer to engage in a shared experience of self-discovery, where the boundaries between the physical and the metaphysical dissolve, and the true essence of the human experience is revealed in all its raw, unrestrained beauty.”

Solo art exhibition by Seema Pandey showcases visual journey of tranquillity and contemplation

April 28, 2025, 8:20 pm

Artist Seema Pandey is showcasing a solo art exhibition at Shridharani Art Gallery, Triveni Kala Sangam titled “Between These Lines: In this Space I Root and Grow” from 12th to 21st July. She is presenting almost 100 artworks, a culmination of two years of meticulous artistry. She has used different mediums like Acrylic and ink on canvas, Ink on Paper, Ink on canvas, Ink and Gouache on Paper. The exhibition explores the subtleties of black and white contrasts, threaded with personal and environmental landscapes. It presents a visual journey of tranquillity and contemplation, where each artwork speaks volumes about resilience and the human spirit. Through these lines she weaves moments, memories and dreams. Featuring a mix of miniature size and larger artworks, this collection embodies Pandey's keen observations and creative exploration of diverse surroundings, memories and imaginations, that have shaped her holistic and free-spirited approach to art. The rather intriguing title carries within it the bones of a carefully curated art project by Seema Pandey that has been two years in the making. Numerically, it comprises over 100 miniature sizes as well as larger artworks that carry in their DNA the aroma of an art conversation. They identify with a holistic and purposeful side of its maker, and yet remain free spirited enough to tell their individual stories through their locales, their materials, their forms and more. Indeed, the concept behind this art undertaking reflects the artist's keen observation and awareness of everything around her—whether during her travels, drives around the city, or her immediate surrounding at her workplace or home, from her experiences or imagination—and traces back in time to a two-year incubation period within a mental womb. Thereafter, the actual execution occupied a two-month hiatus, encompassing an astonishing set of locales, ranging from coffee shops, to observation of weather changes in the outdoors, the home surroundings, all of which created a trail of linkages that led back to the studio where this collective portfolio of mind images were thereafter retrofitted, so to speak, into artistic adaptations. The final outcome, on view at this showing, is thus spliced with techniques, such as angles of placement, autobiographical inputs, the glories of inclemency as observed in weather fluctuations, or even the lingering memory of a whiff of conversation! Hence the visual cohesion before viewers of these clinging memories have been collated around an art-narrated offering by the artist with herself, Seema’s fascination for experimentation with her material picks, and the exploitation of the tremendous potential of geometrical machinations. The exhibition is an eye opener not because it makes its ideations loud and clear, but because it subsumes the charm of black and white into a new angle of contrasts. Whether they are born of her keen observation of the outdoors, or contextualized with the workings of her inner vibrations, the final product is a visual delight of soul-searching tranquillity.

Intresting Facts About Tibetan Culture

April 28, 2025, 8:20 pm

Tibetan culture is a rich and diverse tapestry woven from the threads of Buddhism, art, festivals, music, dance, architecture, cuisine, language, and script. This article delves into the fascinating aspects of Tibetan culture, highlighting its unique features and contributions to the world.

Buddhism in Tibetan Culture

Buddhism is the cornerstone of Tibetan culture, deeply ingrained in every aspect of life. Tibetan Buddhism, also known as Vajrayana Buddhism, is a distinct form that evolved from the teachings of Buddha Shakyamuni. The Dalai Lama, the spiritual leader of Tibet, is a prominent figure in Tibetan Buddhism. The religion emphasizes the importance of compassion, wisdom, and spiritual growth. Monasteries and temples are central to Tibetan Buddhist practice, serving as hubs for meditation, prayer, and spiritual guidance. [caption id="attachment_396670" align="alignnone" width="696"] Thangka Art[/caption]

Thangka Art

Thangka art is a significant aspect of Tibetan culture, originating in the 11th century. Thangkas are portable, silk or cotton fabric scrolls depicting Buddhist deities, scenes, or mandalas. These intricate paintings are used for meditation, instruction, and decoration. Thangkas often feature the Eight Auspicious Symbols, such as lotus flowers, banners, and fish, which symbolize enlightenment and spiritual purity. The creation of thangkas requires years of training and adherence to strict rules, ensuring the accurate depiction of deities and their attributes. Thangkas are highly valued and can be found in monasteries, temples, and private collections worldwide [caption id="attachment_396666" align="alignnone" width="696"] Thangka Painting[/caption]

Festivals

Tibetan festivals are vibrant celebrations of their cultural heritage. One of the most significant festivals is Losar, the Tibetan New Year. This festival is marked by elaborate rituals, prayers, and feasting. During Losar, Tibetans engage in traditional activities like making butter sculptures, performing sacred dances, and offering prayers to the gods. The festival time is utilized by people for family gatherings and community bonding.

Traditional Music and Dance

Tibetan music and dance are integral parts of their cultural heritage. Traditional music features instruments like the dranyen (a stringed instrument), the damaru (a drum), and the gyaling (a wind instrument). These instruments are used in various forms of music, including sacred and secular compositions. Tibetan dance is characterized by intricate movements and costumes, often performed during festivals and rituals. The dances are meant to evoke spiritual energies and convey stories from Buddhist mythology. [caption id="attachment_396674" align="alignnone" width="696"] Tibetan Music[/caption]

Architecture

Tibetan architecture is characterized by its unique blend of Buddhist and traditional styles. Monasteries and temples are built with intricate wood carvings, vibrant colors, and intricate designs. The Potala Palace in Lhasa is a prime example of Tibetan architecture, featuring a mix of Buddhist and traditional elements. The palace once served as the Dalai Lama's winter residence and is currently recognized as a UNESCO World Heritage Site. Additional prominent landmarks in the area encompass the Jokhang Temple and the Norbulingka Palace.

Cuisine

Tibetan cuisine is known for its hearty, spicy, and flavorful dishes. Popular dishes include momos (steamed dumplings), thukpa (noodle soup), and tsampa (barley flour). Meat dishes like yak meat and beef are common, often served with traditional spices and vegetables. Tibetan cuisine is influenced by the region's harsh climate, with dishes designed to provide warmth and sustenance. Traditional Tibetan tea, made from butter tea and salt, is a staple beverage.

Language and Script

The Tibetan language is written using the Tibetan script, which evolved from the Indian Brahmi script. It is a complex writing system with numerous letters and diacritical marks. Spoken by over 6 million people worldwide, Tibetan is an official language in Tibet and is renowned for its rich literary tradition, encompassing sacred texts and historical documents. The Tibetan script is also employed in other regional languages like Ladakhi and Sherpa, serving as a vital component of Tibetan culture, essential for religious texts, literature, and everyday communication. In conclusion, Tibetan culture is a rich and multifaceted tapestry that combines Buddhism, art, festivals, music, dance, architecture, cuisine, language, and script. Each of these elements contributes to the unique identity and heritage of the Tibetan people. From the intricate thangkas to the vibrant festivals, Tibetan culture is a treasure trove of spiritual, artistic, and cultural riches.

Jalore’s Camel Cart Wedding: A Captivating Blend Of Heritage And Celebration

April 28, 2025, 8:20 pm

In a departure from the usual opulence of modern wedding processions, the town of Jalore, Rajasthan, recently witnessed a charming and traditional celebration. The groom, belonging to the Dewasi community, arrived at the wedding venue in a distinctive manner—not atop a horse or in a luxurious car, but on a beautifully decorated camel cart. Accompanied by a procession of over 40 camels, the sight was a delightful surprise for the locals expecting a more conventional arrival. Wagata Ram Dewasi, the groom's father, revealed that the bride's family had anticipated a modern entrance with grand cars, aligning with current urban wedding trends. However, Vikram Dewasi, the groom, chose to honor his community's customs and cultural heritage by opting for the camel-drawn cart. Vikram, son of Wagata Ram Dewasi from Bhawatra village, was marrying Choparam, daughter of Paras Dewasi from Valera. The camel-drawn procession, adorned in vibrant decorations, arrived at the venue in the evening, becoming an instant attraction. This unique celebration not only delighted onlookers but also underscored the resilience and pride of the Dewasi community in preserving their traditions amidst evolving wedding customs across India.

Economic Impact of Lambani Art on the Lambani Community

April 28, 2025, 8:20 pm

The Banjara community, traditionally nomadic and spread across various Indian states, possesses a rich history potentially linked to the ancient Indus Valley civilizations of Mohenjodaro and Harappa. Historically engaged in agriculture and cattle herding, the community today is designated as a Scheduled Tribe in states such as Karnataka, Delhi, and Punjab, while other states recognize them under the Other Backward Class category. With the onset of rapid globalization, along with large-scale migration, the Banjara community’s cultural heritage has significantly weakened in recent decades. The traditionally close-knit communities today are at risk of dissolving with mass migrations for better opportunities endangering the ancient community and their culture. Women who once proudly wore traditional garments have now switched to less expensive, synthetic modern clothing which is easier to maintain, signifying a massive loss of a once-important symbol of Banjara’s identity. Additionally, similar to many tribal groups, Banjara women face significant neglect: limited access to education, financial dependence on male family heads, and frequent domestic violence restrict their agency. They are often seen solely as homemakers with minimal influence on household decisions. Recognizing these hardships, several organisations collaborate with local artisans – especially Banjara women – to rediscover their cultural identity via Lambani art and preserve it by promoting Lambani art goods, while simultaneously reviving the slowly-dying art form of the community. These organizations take a multi-faceted approach to empower the community and revitalize cultural heritage by providing access to healthcare and education and enhancing financial inclusion, granting them greater financial independence. Government support, non-governmental organizations, and social enterprises play a crucial role in providing training, access to markets, and promoting sustainable practices within the Lambani artisan community. These initiatives have not just empowered the Lambani community economically but also positioned them – especially the women in the community – as leaders in reviving, preserving, and safeguarding their age-old cultural heritage. Moreover, these concerted efforts at all levels focus on not only preserving the Lambani embroidery but also breathing a new life into them in the modern age by incorporating contemporary design elements – catering to the new-age masses without losing their essence. This balanced blend of tradition and innovation not only sustains market relevance but also strengthens the economic resilience of Lambani artisans amidst changing consumer preferences. Additionally, the recent surge in global appreciation for ethically sourced, handcrafted products has opened new avenues for the Lambani artisans, allowing them to demonstrate their artistry on a global stage. Furthermore, organizations that promote fair trade and ethical practices elevate the marketability of Lambani art, ensuring that artisans receive fair compensation for their work, and creating a sustainable economic model. The economic impact of Lambani art extends far beyond simple commerce: it fosters a powerful link between cultural preservation and the community economically. By carrying the torch of their vibrant artistic legacy, Lambani artisans not only enrich their own lives but also strengthen their communities. Their creativity, resilience, and unwavering dedication to their heritage fuel this remarkable revitalization. The author is the founder of Banjara Kasuti.

Rafique: A Painter of Silence

April 28, 2025, 8:20 pm

Rafique, a young painter from the small village of Satwas in Madhya Pradesh, went to the Indore School of Art to study arts. This was when I first met him. A brilliant boy, he was interested in poetry and literature, loved music, and was trying to find his relationship with this unknown world, which seemed as far away as the shining stars. He was a good listener and an observant person. These two qualities helped him significantly in forming a strong relationship with the world unknown to him. He remembers his readings from those days, although he was not sure which path to follow. He was a good landscape artist and enjoyed doing portraits, which his classmates often neglected. Coming from a Sufi faqir family, he listened to Qawwalis sung by Nusrat Fateh Ali Khan and tried to understand the meaning of nothingness. Humble, polite, and down-to-earth, Rafique completed his studies and entered the world of art. He used to draw a lot and somehow got influenced by geometry. He absorbed the colors that exist in nature and appreciated their purity and freshness. The relationship and co-existence of these colors inspired him. Later, he discovered that these combinations worked well with geometry. During his studies, he happened to see works by a French artist named Garibo, which helped him understand the language of his own work. Rafique paints with love and affection—love for painting and affection for the colors. One can feel that the juxtaposition of colors in his work is neither simple nor administrative. They invite you to come and travel with the lines to experience the unfolding relationship between two seemingly opposite color tones. These tones never reveal their mystery. They become more silent, allowing you to become part of them. You cannot feel the simplicity and complex construction of these beginnings of a labyrinth. It’s a kind of netting that exists in Rafique’s imagination. His work is not about representation but revelation. I believe that his purity of Sufi thinking is the core of these paintings. He paints as he loves nature. He expresses himself like the silent walk of a faqir. He is present without any claim and is there for everyone who cares for and loves this existential world, yet he doesn’t belong to it.

Nisschal Zaveri mesmerizes Audiences with Soulful Ghazals and Mesmerizing Nazms

April 28, 2025, 8:20 pm

Spanning two ghazal evenings, ‘Shaam-e-Izhar’ and ‘Humsafar,’ Renowned ghazal singer, composer, and producer Nisschal Zaveri recently concluded two shows. Captivating audiences with his heartfelt poetry and soulful renditions. Shaam-e-Izhar, held at Depot48 in GK2, Delhi, celebrated the art of expression through music and poetry. In a world where fast-paced life often overshadows culture’s deeper, soulful aspects, the evening helped attendees reconnect with themselves through Indian classical music and fusion ragas. The evening featured original compositions by Nisschal Zaveri, including fresh melodies in various ragas that resonated with contemporary audiences. Attendees were treated to various Nazms—a form of poetry that tells a story set to a tune. Paying homage to the timeless words of poets such as Daagh Dehlvi, Shamim Jaipuri, Ahmed Faraz, and Faiz Ahmed Faiz, the event honored the soulful melodies of ghazal legends like Farida Khanum, Jagjit Singh, Mehdi Hassan, and Begum Akhtar. The following evening, Nisschal Zaveri performed at the Museo Camera in Gurgaon. The event, Humsafar, explored themes of companionship, love, and longing through the timeless allure of ghazals and poetry. The audience immersed themselves in Zaveri’s original compositions, crafted in diverse ragas, bolstered by heartfelt tributes to ghazal legends like Daagh Dehlvi, Ahmed Faraz, and Shamim Jaipuri. ‘Humsafar’ celebrated the bond that transcends time and space, delving into the melancholic beauty of lost love and the ache of longing hearts through poignant renditions of soul-stirring ragas. Reflecting on the weekend, Nisschal Zaveri said, “It was such a privilege to connect with the audience on such a profound level and share my original compositions. Music can transcend boundaries and make us feel the deepest of emotions and that was the aim of these two evenings — to help audiences connect with their deepest emotions.”

9th Bharat Utsav celebrates Indian Dance Heritage in New Delhi

April 28, 2025, 8:20 pm

The 9th Bharat Utsav, organized by Debadhara and supported by the Ministry of Culture, concluded successfully at the C. D. Deshmukh Auditorium, IIC, New Delhi. The two-day event, held on July 6th and 7th, showcased the rich cultural diversity of Indian classical dance forms and marked a significant milestone for Debadhara as it celebrated its 20th anniversary and 35th cultural festival. The festival honored the artists with the ‘Bharat Gaurav Nritya Sanman’ for their significant contribution in their respective art forms. The inaugural day of Bharat Utsav saw an overwhelming response from dance enthusiasts and dignitaries. The evening began with a ceremonial lamp lighting by esteemed guests, including Ajay Kumar Kanoujia, Additional Secretary of the Central Vigilance Commission, and Col. Rantumani Thakuria from the Ministry of Defence. Guru Dr Binayak Panda, the founder of Debadhara, escorted the guests to the stage. The event opened with a mesmerizing Odissi performance by Ankita Kumari, a senior disciple of Guru Dr Binayak Panda. Ankita performed the ‘Aadishankaracharya Krit Shivashtak’ in Raag Bhairavi and Ektaal, a tribute to Lord Shiva. Her performance was a perfect blend of dedication and excellence, reflecting her rigorous training and numerous accolades, including the Remarkable Youngest Artist of the Year award. Following Ankita’s performance, the audience was treated to a Bharatanatyam presentation by Roopa Kiran from Hong Kong. Roopa, a distinguished dancer and cultural ambassador, captivated the audience with ‘Ambastuti’ and ‘Meera Bhajan,’ showcasing her exceptional talent and dedication to spreading Indian culture globally. The evening continued with a Kuchipudi performance by the acclaimed artist Yamini Reddy, who enthralled the audience with her graceful movements and intricate expressions. Yamini’s performance highlighted her innovative approach to traditional compositions, solidifying her status as one of the most sought-after Kuchipudi dancers. Shinjini Kulkarni, granddaughter of the Kathak Maestro Pt. Birju Maharaj, followed with a captivating Kathak performance. Shinjini’s intricate footwork and expressive storytelling left the audience spellbound, showcasing her lineage and dedication to the art form. The day concluded with ‘Gananayak Panchakam’ by the Debadhara group, a dance piece dedicated to Lord Ganesha. The performance, choreographed by Guru Dr. Gajendra Panda, was a fitting end to the evening, celebrating the deity of wisdom and auspicious beginnings. The concluding day of Bharat Utsav began with an Odissi group performance by Debadhara, featuring Manglacharan and Sthai. The students paid homage to Lord Ganesha, setting a respectful tone for the evening with their graceful movements and devotion. The evening’s performances included an Odissi duet by Eishita Ojha and Nischita Paikaray, presenting ‘Kalavati Pallavi.’ Their synchronized movements and expressive gestures demonstrated their deep understanding and mastery of the dance form. Gururaju, a renowned Kuchipudi artist, captivated the audience with his solo performance. Trained under Vyjayanthi Kashi, Gururaju’s command over the dance form and graceful movements mesmerized the attendees. A Bharatanatyam duet by Bhadra Sinha and Gayathri Sharma followed, depicting the ancient story of Lord Aiyappa. Their performance, choreographed by Guru Dr Ratheesh Babu, featured intricate jathis and eye-catching choreography, leaving a lasting impression on the audience. Deepti Gupta concluded the evening with two pieces, ‘Chaturni Khandita Nayika’ and ‘Trivet,’ showcasing her exceptional talent and dedication to the art form.

The Exhibition explored Humanity’s Celestial Harmony

April 28, 2025, 8:20 pm

Following the resounding success of “The Divine Elements Volume One,” acclaimed artist Divyaman Singh returned with the anticipated sequel, his solo show “The Divine Elements Volume Two,” which took the audience on an evocative journey, exploring the intricate coexistence of humanity with the celestial elements of the universe. Building on the foundation set by Volume One, which served as a visual symphony where the cosmos and earthly elements converged, Volume Two delved deeper into the profound connections between human existence and the vast cosmos, taking inspiration from Samāveśa – a profound exploration of contact and coexistence with the divine elements. This exhibition invited viewers to contemplate their place in the universe, merging astronomy with spirituality to reveal the symbiotic relationship between humanity and the stars. “The Divine Elements Volume Two” was an immersive experience, blending art and astronomy to showcase how humanity coexists and interacts with celestial bodies. Each piece in the collection was a testament to the beauty and mystery of the universe, encouraging a sense of wonder and introspection. The show garnered attention from eminent personalities in the art and culture industry, marking a landmark event in the contemporary art scene. Visitors experienced a diverse range of artworks that blended scientific wonder with spiritual depth, making for a thought-provoking and visually stunning display. Thrilled to showcase his brilliant artworks, Artist Divyaman Singh exclaimed, “As an artist, my work has always been driven by the desire to explore and illuminate the intricate connections between the tangible and the ethereal. In Volume 2, I delved deep into the concept of contact and coexistence with the divine elements. This collection represented a journey towards understanding how the sacred and the everyday intertwine.” He further added, “Through diverse mediums and forms, I aimed to capture the essence of Samāveśa – the harmonious interplay between human existence and the divine. Each piece invited the viewer to contemplate their own relationship with the transcendent, encouraging a deeper awareness and appreciation of the unseen forces that shape our lives.” Curator Shahzada Khurram shared, “This exhibition was a tribute to the harmony between mankind and the universe. It was an exploration of our place within the cosmos, illustrating how celestial elements influence and shape our spiritual and physical existence. We aimed to inspire a deeper connection and understanding of the universe’s role in our daily lives.”

Must have for this Monsoon Season

April 28, 2025, 8:20 pm

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Valley Queen Heritage Train Transitions To PPP Mode, But Why?

April 28, 2025, 8:20 pm

The Valley Queen heritage train service launched by the North Western Railways (NWR) in October 2023 aimed to offer passengers a scenic and memorable journey through Marwar. However, the initiative did not meet expectations, leading to multiple trip cancellations due to lack of bookings. Consequently, NWR has decided to operate the train under a Public Private Partnership (PPP) model. Starting its route from Marwar Junction in Pali district to Khamlighat in Rajsamand district, the Valley Queen was approved by Prime Minister Narendra Modi as the sixth heritage train in the country. Priced at Rs 1,800 per person, the train was designed to showcase the natural beauty of Marwar. According to NWR, only 400 passengers have taken the journey in the past nine months. Shashi Kiran, NWR's chief PRO, emphasized the scenic richness of the train route, featuring green pastures, historic tunnels, and 172 water stream bridges. Kiran expressed optimism about increased footfall during the monsoon, highlighting it as the optimal time for travel. To enhance service and revenue generation, NWR opted for private sector involvement, citing the ability of private contractors to offer superior catering and additional onboard activities compared to governmental capabilities. The decision aims to unlock the full potential of the Valley Queen heritage train. The Marwar-Khamlighat rail section, established before Independence in the picturesque Aravali hills, maintains its meter gauge to preserve its heritage value. The train itself features an air-conditioned chair car coach and a diesel engine stylized to resemble a steam engine. During the journey, passengers enjoy breathtaking vistas of lush valleys, hills, rare flora, and local fauna, with regular announcements provided via onboard TV screens. Operating five days a week (excluding Tuesdays and Fridays), the train offers group booking options on weekends, departing from Marwar Junction at 9:45 am and returning from Khamlighat at 2:30 pm, completing the round trip by late afternoon.

Marvel In Stone: The Amazing Balancing Rock Of Jabalpur

April 28, 2025, 8:20 pm

Madhya Pradesh is famous for its rich culture and beautiful natural places. In Jabalpur, there's a special rock called the Balancing Rock that amazes people. It sits near the historic Madan Mahal and draws visitors from all over because of its incredible balance and interesting history. The Balancing Rock looks like nature playing a trick — a huge granite rock balancing perfectly on another rock of the same size. Despite its weight and the challenges of time and earthquakes, this rock stays steady and cannot be moved easily. Scientists say it stays balanced because of gravity, but it still surprises everyone with how strong and stable it is. This rock is in Jabalpur, known for its granite rocks and cultural history. Locals say it connects to the city's ancient times, watching over centuries of changes. The Balancing Rock is a rare sight globally, a special wonder that has stood for ages. The name "Jabalpur" comes from a Persian word meaning stone, which fits well for a city with lots of rocky places. Stories say erosion around the rock over many years might have helped it balance. Despite its popularity, the Balancing Rock faced danger in recent years when people wanted to change it because it's on private land. But thanks to it's supporters, the court has handed over the land to the Archaeological Department and the rock was preserved, it's now protected and will stay a wonder for future generations.

Today, tourists and locals enjoy seeing this rock and thinking about nature's mysteries. It reminds us of the powerful forces that shape our world and invites us to wonder about its secrets hidden in the granite.

From Cocoa to Confection: Evolution of Chocolate from Ancient Beans to Modern Bars

April 28, 2025, 8:20 pm

Story of chocolate as we know it today begins with the word "conche" and its verb form, "conching." This process was a closely guarded secret in the valleys of Switzerland long before it revolutionized the world with melt-in-the-mouth chocolate bars. Rodolphe Lindt kept the conching process to himself for 20 years until 1899, when he sold it to Johann Rudolf Sprüngli-Schifferli, a fellow chocolate manufacturer. Where did Chocolate’s journey start? Chocolate’s journey starts with cocoa, a bean with a history dating back to the 4th millennium BC in the Ecuadorian rainforests. By the 2nd millennium BC, the word "kakawa" had gained prominence in Mexico, where the Aztecs enjoyed a spicy drink called "Xocolatl." However, it wasn’t until European explorers "discovered" it that chocolate began its global ascent. In 1528, the conquistador Hernán Cortés brought cocoa to Europe. By 1544, chocolate had reached the Spanish court and was enjoyed as a drink. Centuries later, the cocoa tree was scientifically named Theobroma Cacao L. by Carl von Linné, meaning "food of the gods" in Greek. Since then, chocolate has continued to captivate people worldwide. Solid chocolate, as we know it, was still centuries away from being perfected. The Italian "cioccolatieri," or traveling craftsmen, began showcasing their chocolate-making skills at fairs across Europe. Chocolate making was a labour-intensive process requiring significant skill and patience. One of the first Swiss individuals to master this art was François-Louis Cailler, who opened Switzerland’s first chocolate factory in Corsier-sur-Vevey in 1819. Cailler’s brand remains the oldest existing chocolate brand in the world today, though chocolate bars were yet to be invented. In the 19th century, young chocolate producers in Switzerland, France, and England spent years experimenting, facing many failures, and striving for success. France was home to the first single-bar manufacturing plant in 1846, but the chocolate was still bitter, hard, grainy, and left an unpleasant taste. It wasn’t until 1847 that England produced the first palatable chocolate bar, although it was still rough and gritty. These early attempts were far from the smooth, delectable chocolate we enjoy today. Yet, these innovations laid the groundwork for future developments. Switzerland's contribution to Chocolate making? Switzerland's contribution came a few decades later when the process of conching was perfected by Rodolphe Lindt, which significantly improved the texture and flavour of chocolate. This marked the beginning of the modern chocolate era, transforming chocolate from a coarse, bitter treat into a smooth, luxurious confection that continues to delight people around the globe.

Healing Through Creativity in Mental Health Treatment

April 28, 2025, 8:20 pm

Art has long been recognized as a powerful medium for expression and communication. For centuries, humans have used various forms of art to convey emotions, tell stories, and connect with others. In recent years, there has been a growing interest in the therapeutic benefits of art, particularly in the realm of mental health treatment. As an artist, I have witnessed firsthand how engaging in creative activities can lead to profound healing and personal growth.Art therapy is a form of expressive therapy that utilizes the creative process of making art to improve a person’s physical, mental, and emotional well-being. It is based on the belief that the creative act can foster healing and mental well-being. Unlike traditional talk therapy, art therapy allows individuals to explore their thoughts and feelings through a visual medium, which can sometimes reveal insights that are difficult to articulate with words alone. One of the key benefits of art therapy is its ability to provide a safe outlet for expressing emotions. Many people struggle with verbalizing their feelings, especially when dealing with trauma, anxiety, or depression. Art offers an alternative means of expression, enabling individuals to communicate their inner experiences in a non-verbal way. This process can be incredibly cathartic, helping to release pent-up emotions and reduce stress. For instance, at PGI Chandigarh, we worked on a project themed “Eternal Tree of Life.” The artworks not only made the entrance lobby vibrant but also conveyed a positive message about life. This atmosphere provided relief to individuals stressed by the hospital environment. The colorful, uplifting imagery helped create a space where patients and visitors could find a moment of peace and calm, allowing them to cope better with their circumstances. Furthermore, engaging in creative activities can boost self-esteem and confidence. When individuals create something beautiful or meaningful, it can instill a sense of accomplishment and pride. This positive reinforcement can be particularly beneficial for those struggling with low self-esteem or self-worth. By participating in art therapy, individuals can discover new strengths and talents, which can translate into other areas of their lives. Art also has the unique ability to connect people. Group art therapy sessions can foster a sense of community and support, as participants share their creations and experiences. This communal aspect can be especially helpful for those who feel isolated or misunderstood. By engaging in art together, individuals can build bonds, offer mutual support, and develop a sense of belonging. Moreover, the process of creating art can be a meditative experience. Focusing on the act of drawing, painting, or sculpting can help individuals enter a state of flow, where they are fully absorbed in the activity at hand. This mindfulness aspect of art therapy can promote relaxation and reduce symptoms of anxiety and depression. It encourages individuals to stay present in the moment, which can be incredibly grounding and calming. Incorporating art into mental health treatment is not about producing masterpieces; it’s about the process and the journey of creation. The goal is not to create a perfect piece of art but to use the creative process as a means of exploring and understanding oneself. Whether it’s through painting, drawing, sculpting, or any other form of artistic expression, art can be a powerful tool for healing. As an artist, I am passionate about advocating for the therapeutic benefits of creativity. I have seen how art can transform lives, providing individuals with a new way to understand and cope with their emotions. In a world where mental health challenges are increasingly common, art offers a beacon of hope and a path to healing. By embracing creativity, we can unlock new avenues for personal growth and emotional well-being, ultimately leading to a healthier, more fulfilling life. The author is the Director & Principal Artist at East Craft Design Pvt. Ltd.

Flower as expression of transcendence

April 28, 2025, 8:20 pm

Monami passed BVA (Bachelor of Visual Art) from Indian College of Arts & Draftsmanship, Kolkata in applied arts in the year 2002, MVA in Graphics (Print Making) from Rabindra Bharati University, Kolkata in 2006. She was interested in art making since her childhood. After completing Higher Secondary she took admission in Academy of Fine Arts and had her initial training there. After one year of study there she joined Indian Art College and simultaneously took lesson from a well known artist Ashok Roy from 1997 to 2002. Roy could realise her interest in flower and inspired her to carry on with this subject. It is from his guidane that Monami earned her perfection in applying thick colour with spatula. She mostly prefers oil based colour than acrylic. After completing MVA she engaged herself completely to he own practices. But she made her first solo show at Academy of Fine Arts, Kolkata in 2002, the year she completed her graduation. Her second solo was held in the same gallery in the year 2008. After that her solo and participation in various group shows continued, which extended her identity a promising painter to the art lovers and connoisseurs. Her third solo was held during 2009 at Chemould Art Gallery, Kolkata, fourth at Master Collection Art Gallery, Kolkata. During 2013 and 2016 she exhibited at Taj Bengal, Kolkata. From 2003 till date her participation in different group shows are manifolds. She received certificate of merit from Academy of Fine Arts in 2006. These are success her success stories. She earned it by dint of her commitment to creativity. The present show at Academy of Fine Arts is her seventh solo. Through flowers Monami enters into the beauty and mysticism of nature. Vincent Van Gogh once said: ‘If you truly love nature, you will find beauty everywhere’. Monami’s endeavours prove the truth of this assertion of the great artist. Flower is the emblem of beauty, so symbol of truth. It is self sufficient in itself. It is firm in its own identity. The well known American author Marianne Williamson (b. 1952) said: ‘A tulip doesn’t strive to impress anyone. It doesn’t struggle to be different than a rose. It doesn’t have to.’ The flower has no complaint against the world or anything. It thinks itself blessed to have the existence, as we listen to the song of Rabindranath: ‘Phul bale dhanya ami matir pare’. (The flower says, blessed I am to have the existence on earth). With all these characteristics the flower may be considered as the ideal creation of nature. This may be one of the reasons that most of the artists throughout the world have painted flower on some occasions or during some part of their life. Monami says, ‘the light and shade of flower attracts me very much’. This statement reminds us of the flower paintings by Dutch baroque woman painter Rachel Ruysch (1664-1750), who was famous for her still life paintings with flowers. Creation of a mystic environment with chiaroscuro or contrast of light and shade was a special characteristic of baroque painting. In Rembrandt’s paintings we find the supreme development of this. However in such a painting of 1700 titled ‘Flowerpiece’ by Rachel Ruysch we find a bouquet of jubilant colourful flowers in a vase against a deep dark background. Even there is darkness within the blank spaces between the flowers. This contrast of light and shade brings a different vision rather than mere beauty of the flowers. This is how an artist tries to enter into the existential truth of the life. Monami’s rendition is far from the baroque sensibility, yet she too in her own way expresses her world outlook though her flower paintings. Despite serious rebelliousness and discontent in expressions there are artists, who yield to flower to have a glimpse of glory. The Mexican artist Freda Kahlo (1907-1954) may be an example. Her paintings are mostly expressions of severe pain and unrest, yet when in some of her self-portraits she decorates herself with flowers, it hints at her vision of light. Flower may often appear as a symbol of terrific agony and torment. A painting by our Delhi based contemporary artist Arpita singh (b. 1937) titled ‘Girl on a Lotus Leaf’ of 1995 shows a nude woman seated on a wooden stool holding a bloomed lotus covering her vagina. Monami’s flowers do not express rebellion or discontent. She is positive in her world outlook and approach towards life. There is, however, presence of shadow. She plays with the contrast of light and shade. But through that chiaroscuro she endeavours to bring the essential transcendence of her inner feelings. Her basic formal structure is naturalistic, the trend in which she was trained in her art college especially during her graduation. During her post-graduation, where she practiced graphics, particularly the technique of etching, she had to undergo process of fragmentation or disintegration of form. That experience might have instilled in her the trend of breaking up the natural. So through distortion in the process of post-impressionist trend she brings out an orchestration of shapes and hues. Through this orchestration she brings the glamour and glory of her expressions. The textures created by application of pigment in thick layer by spatula add a notable dimension to her creativity. Through enlightened application of colours like alizarin crimson and purple and contrasting it with white she brings a flavour that is soothing and agitating at the same fold. Through this contrast she surpasses naturalness and creates a reality of her own. A painting always creates its own reality surpassing the naturalistic one. Monami appeared to the field of creativity during the first decade of twenty-first century, when conceptualism was a primary trend. But she remained faithful to the modernist approaches and utilising all its essential qualities brought out equity in her thoughts and applications and has been able to create a spirit of transcendence.

Shaam-e-Izhar: An Evening of Expression

April 28, 2025, 8:20 pm

Step into a night where emotions flow freely and expressions come to life. ’Shaam-e-Izhaar’ by ghazal singer, composer and producer Nisschal Zaveri is an evening of celebration of the art of expression through music and poetry, where each moment is a journey into the soul. In today’s fast-paced, rhythm-oriented life, we often lose touch with the deeper, more soulful aspects of our culture. ‘Shaam-e-Izhaar’ aims to slow down the pace and take us back to the actual love for poetry, Indian classical music, fusion, ragas, and the soul. This evening will be a retreat into the timeless beauty of these art forms, allowing us to reconnect with their profound essence. The evening will be dedicated to the myriad expressions of the heart from love and joy to sorrow, longing, and hope. Through soulful ghazals and heartfelt poetry, the event will explore the depths of these emotions, bringing them to life with every note and word. Music and poetry have always symbolized the purest forms of expression. ‘Shaam-e-Izhaar’ is set to feature original compositions in various ragas by Nisschal Zaveri, offering fresh and newer melodies that resonate with contemporary audiences. The event will also include Nazms, a form of poetry that tells a story, composed to a tune. The event aims to create a tapestry of sounds and words that touch the deepest corners of hearts. While the focus will be on original compositions, it will also pay homage to the timeless words of poets like Daagh Dehlvi, Shamim Jaipuri, Ahmed Faraz, Faiz Ahmed Faiz, and more and will honor soulful melodies of ghazal legends like Farida Khanum, Jagjit Singh, Mehdi Hassan, Begum Akhtar, etc. whose work has shaped the art of expression and will celebrate their legacy through heart-touching renditions. ‘Shaam-e-Izhar’ promises to be an unforgettable night where we immerse ourselves in the beauty of expression, connecting with each other through the universal language of music, poetry, and Nazm. Event Details: Event: Shaam-e-Izhaar: An Evening of Expression Date: Friday, June 28th, 2024 Time: 9:00 PM onwards Location: Depot48, GK1, Delhi Ticket Pricing: ₹499 Book Tickets From: Townscript

Omkara Dance Festival and Parivartan Seminar Celebrate Generational Change in Dance

April 28, 2025, 8:20 pm

Manasa-Art Without Frontier presented a unique dance festival at the India International Centre, New Delhi. The event brought together two distinguished dance troupes from Odisha and Jharkhand, featuring Padmashri and Sangeet Natak Akademi Awardees, marking their debut performances in Delhi. The festival, conceived and curated by Guru Sharon Lowen, offered free entry to the public. The Omkara Dance Festival showcased Seraikella Chhau by the ‘Trinetra’ Chhau Dance Centre from Seraikella, founded by the late Guru Pt. Gopal Dubey, a Padmashree and SNA Awardee. The event also highlighted Odissi performances by Guru Kelucharan Mohapatra’s senior disciple, Guru Kumkum Mohanty, and her disciples. Additionally, there were Odissi performances by Guru Sharon Lowen’s Manasa-Art Without Frontiers dance troupe and by the disciples of Guru Ranjana Gauhar, also a Padmashree and SNA Awardee. In conjunction with the festival, the “Parivartan-Generational Change in Dance” seminar was held on Saturday, June 1st, from 10 am to 1 pm at the IIC Annexe Lecture Room, India International Centre. The seminar featured prominent figures in the dance world. Smt. Kumkum Mohanty, the legendary senior disciple of Padmabhushan Guru Kelucharan Mohapatra, shared her extensive knowledge of Odissi over the past 70 years. Sunil Dubey, Director of the Trinetra Dance Centre, provided insights into the legacy of Padmashri and SNA Awardee Gopal Dubey. Navtej Johar, an SNA awardee and Bharatnatyam exponent trained at Kalakshetra and NY University Performance Studies, and current faculty at Ashoka University, also contributed his expertise. Guru Sharon Lowen moderated the seminar, fostering a rich discussion on the generational changes in dance. The festival was held in collaboration with the Aalekh Foundation, Dhoomimal Art Gallery, and the India International Centre. It highlighted the importance of preserving and promoting India’s cultural heritage, bringing traditional dance forms to new audiences. Manasa-Art Without Frontiers, since its inception in 1995 by Bharat Ratna Pt. Ravi Shankar, has strived to facilitate the intersections between visual and performing arts, both traditional and contemporary. The organization aims to acquaint the younger generation and the general public with India’s harmonious cultural heritage, fostering the development of future artists. Founded by Sharon Lowen along with Kamalini Dutt and Naresh Kapuria, Manasa-Art Without Frontiers has continually worked to build bridges between various art forms and generations. Overall, the Omkara Dance Festival and Parivartan seminar were successful in celebrating and exploring the evolution and generational shifts in Indian dance. The events provided a platform for distinguished artists to share their craft and knowledge, ensuring the continuity and growth of India’s rich dance traditions.

Padma Shri Awardee Applauds Varanasi’s Wooden Toy Industry Surpassing Rs 40 Crore Mark

April 28, 2025, 8:20 pm

Godavari Singh, a well-known artisan, and recipient of the Padma Shri award, emphasized the extensive historical origins of Varanasi's wooden toy sector, tracing its origins back millennia. This sector provides significant employment opportunities for numerous craftsmen. Previously facing near collapse, the wooden toy sector in Varanasi is now experiencing substantial expansion. Generating an annual revenue of around Rs 45 crore, this industry has become a significant source of employment, particularly for women, and is enhancing households globally with its intricately designed toys and decorative pieces. Singh said, "Nearly thousands of people are involved in it. Its publicity has increased, sales have increased, and the turnover of this business is about Rs 40 crore in a year. We have exporters from Mumbai, Delhi, Madras and Varanasi. They take these wooden toys and decorative items to all places including Canada, France, America, and Japan. Now it has gone online, this business has increased due to going online, there is some problem at the moment because eucalyptus wood is not available. Those who make ply are taking away the wood, so we are not able to get the eucalyptus wood.” Krishna Gupta, a youthful entrepreneur in the wooden toy industry, recognized the historical roots of the business and the evolution it has experienced. He attributed the industry's enhanced reputation to the Geographical Indication (GI) tag acquired as part of Modi's initiative. "We do the business of wooden toys. This has been going on since ancient times. Many items were made in it. There have been changes in it over time. Children's toys and other items are available all over the world. Propaganda happened after the Modi ji initiative, this business got a GI tag. Krishna said that there are some facilities required due to which we are not able to expand our business much like weavers get electricity facility, we do not have that facility and there are some middlemen because of them we face problems, we are also struggling for this," Gupta said. He emphasized three primary categories of work within the wooden toy industry: wood carving, sculpture, and general woodworking. The business has experienced substantial growth due to enhanced visibility and online sales, leading to increased exports to markets like Canada, France, the United States, and Japan. Local businessmen advocate for electricity at weavers' rates, access to mill and eucalyptus saplings, and addressing health risks from wood dust exposure. Meeting these needs can bolster Varanasi's wooden toy industry, preserving its heritage and fostering growth.

From Floors To Fabrics

April 28, 2025, 8:20 pm

Unexpected Ways to Integrate Checkerboard into Your Décor As designers, our quest for injecting personality and visual intrigue into spaces is perpetual. While classic design elements like florals and stripes always have their place, there’s something undeniably playful and sophisticated about the checkered pattern. Often associated with game boards and race tracks, the checkerboard transcends these playful origins to become a surprisingly versatile design tool. In this article, Ar. Sharmin Wade, Founder of Mumbai’s budding interior firm, Studio SB unveils the potential of integrating checkerboard patterns into your decor and ways of incorporating them to elevate your living spaces to new heights of charm. Flooring Foundations Let’s start with the most common application – the floor. Here, you can experiment with different scales and materials. Opt for classic black and white vinyl tiles for a retro diner vibe in your kitchen. For a more contemporary look, consider large-format porcelain tiles in contrasting neutral shades like grey and cream. If bold is your preference, a checkerboard floor in jewel tones like emerald green and sapphire blue can be a stunning statement piece in a living room! Wall Wonders A checkerboard pattern need not have to be restricted to the floor. It can be a wonderful way to add a touch of whimsy to the plain walls. One can try thinking beyond mere paint and explore options like wallpaper or even stenciling. A checkerboard wallpaper with a metallic finish can add glamour to a powder room. Alternatively, a pastel checkerboard pattern on an accent wall can create a playful atmosphere in a nursery. Furnishing Flair Upholstery is another fantastic way to introduce the checkerboard. Imagine a statement armchair in a bold black and white check, adding a graphic punch to a neutral living room. For a more subtle approach, consider throw pillows with a checkerboard pattern in complementary colours that tie in with the rest of the room decor. Don’t refrain from experimenting with different textures too! A velvet checkerboard cushion can add a touch of luxury, while a woven checkerboard rug can bring a touch of rustic charm. Lighting Luminosity Lighting fixtures are often overlooked when incorporating patterns into a space. Why not introduce a pendant lamp with a checkerboard shade that can be a conversation starter in a dining room? For a touch of vintage charm, consider a wall sconce with a checkerboard backplate. Beyond the Basics The beauty of the checkerboard design truly lies in its versatility! It can extend beyond traditional furnishings into unexpected elements. A checkerboard-patterned coffee table tray adds a playful touch to your living room. Checkerboard-patterned coasters can protect surfaces while adding a touch of personality. For the truly adventurous, bring in a statement piece like a checkerboard-patterned area rug with a fringe detail. Colour Considerations While the classic black and white checkerboard is timeless, don’t be afraid to explore color. Pastels are perfect for creating a whimsical atmosphere in a child’s room. Deep jewel tones like emerald green and navy blue can create a sophisticated and dramatic effect. For a modern look, consider unexpected color combinations like mustard yellow, and grey. Scale and Balance When incorporating the checkerboard pattern, one has to be mindful of scale and balance. A large-scale checkerboard floor might be overwhelming in a small room, while a very small-scale checkerboard might appear busy on a large wall. Consider the size of the space and choose a checkerboard pattern that complements the overall proportions. Mixing and Matching The checkerboard is surprisingly versatile and can be mixed with other patterns. For a classic look, pair the checkerboard with stripes. For a touch of whimsy, consider mixing checkerboard with polka dots. The key is to ensure that the patterns share similar colors or a common thread to create a cohesive look. Bringing it All Together In summation, the key to successfully incorporating a checkerboard into your decor is choosing the right application for the space. However, make sure to not overdo it! A few well-placed checkerboard elements can create a statement without overwhelming the eye. Consider the overall style of your space and let the checkerboard pattern enhance your existing design aesthetic. From floors to fabrics, the checkerboard pattern offers a surprising design potential. With a little creativity, you can incorporate this timeless pattern into your decor and create a space that is playful and sophisticated. After all, your home should reflect your unique personality, and the checkerboard might be the perfect way to add a touch of your personal style!

The Essence of Landscape Architecture in Luxury Hotel Design

April 28, 2025, 8:20 pm

Landscape architecture in luxury hotels is one the essential elements apart from interiors and spatial design that craft experiences with its visual and tactile splendour. Through the strategic placement of terraced gardens, pathways, and courtyards, one can embellish the space with natural beauty and functional elegance. This approach encourages an organic progression, inviting visitors to explore a series of delightful moments. In this article, Ar. Hartmut Wurster, Principal Architect at Blocher Partners India, shares his insights on how innovative landscaping can enhance the luxury hospitality experience by enriching guest interaction with the natural world. Seasonal Landscaping By selecting various plants that flourish in different seasons, designers can provide a constantly evolving display of colours and textures. For example, spring brings bright cherry blossoms whereas in winter, the presence of evergreens or plumeria plants with their graceful white flower keeps the landscape visually engaging. Incorporate these plants in the foyer area with a backdrop of the enchanting facade or add them in lobbies that are exposed to natural light. This kind thoughtful selection and placement of plants will ensure a pleasant environment in the hotel throughout the year. Sensory Experience Creating a landscape that appeals to all five senses transforms an outdoor space into an immersive experience. In landscape design, visual appeal is the key, with colourful flower beds, lawns, and strategically placed lighting, one can unwind and feel refreshed in this organic environment. By adding auditory elements like the soothing sounds of water features and creating small streams inside the garden area or adding fountains in multiple zones of the hotel elevates the user experience. Aromatic planting choices such as jasmine, or roses infuse the air with pleasant scents subtly lift the mood, while tangible experiences are enriched through the incorporation of pebbles and rough barks. Additionally, the inclusion of edible gardens with herbs, and fruit-bearing plants encourages interaction and creates a full sensory journey that changes the perception of how people experience and interact with the open-air environments. Lighting Design Effective lighting plays a crucial role in landscape design, enhancing both aesthetics and functionality. Illuminating pathways with ambient warm white lights add tranquillity and introduce a dramatic flair to the environment, creating an inviting and safe walkway for evening strolls. Additionally, the strategic placement of lighting around trees and water features preserves the visibility and beauty of these natural elements into the night, ensuring that the landscape maintains its charm and functionality even without natural daylight. This lighting approach transforms outdoor spaces into 24-hour retreats, allowing guests to enjoy the serene ambiance at any hour. Seating and Gathering Areas Creating plush and welcoming lounge spots is essential for upscale outdoor environments. Therefore, designers should create nooks made up of bamboo or mud that are equipped with ergonomically designed furniture and are shaded by nature. Rather than imposing rigid, geometric structures, one should include curvilinear forms that mimic the organic patterns. Use benches and chairs that are crafted from natural materials like untreated wood or stone that retain their natural shape, enhancing the feeling of being part of the landscape. In conclusion, by integrating these elements, designers can significantly enhance the appeal of the hospitality properties, ensuring guests have memorable a stay.

Tips for how to refresh your living room this summer

April 28, 2025, 8:20 pm

The living room hosts the most conversations—their design dialogues too speak for overall aesthetic of the house, extending an invitation for the seasonal styles to come make a statement. The summer of 2024 calls for something between sustainability of the past and quiet luxury trends of the present—an eco chic style that has a refined take on natural elements. Interior designer Punam Kalra Creative Director of I’m the Centre for applied Arts says Linear furniture pieces like sectional sofas and tuxedos can keep up with that refinery and be staged in the liveliest part of the living, perhaps in the centre, while the futons and recaimers can be tucked in some quite corner besides the window to create a recreational hideout. The statement pieces can be paired with footrests, poufs or a bunch of throws to become a seating space that our tired torso can sink into. In the upholstery, the breathable fabrics like linen, cotton and chambray are found ideal, befitting the sunbathed spaces and creating a lasting sense of comfort. The newfound love for rattan can be celebrated by introducing it in the panels of the consoles or the tabletops of the coffee tables to give a touch of character to the space. A similar, millennial-modern aesthetic can be brought by playing with different textures of wood—fluted wood in the feature walls, planks in the floors, slits in the partitions and other sophisticated yet cozy adaptations are sure to be a summer favourite for everyone. The summer readiness of the living room can be summarized with the leafy elements—as fresh greens sitting in the ceramic or terracotta planters or as foliage patterns in the wallpapers or artworks. The green character can also come in with its hue, as sage, moss or olive whose tints are traced back to the nature. While the neutrals like walnut, tan, parchment and taupe voice out both eco and chic in their looks, the exotic colours too stand a chance—try a peachy pink on a wall niche or a rusty orange on a floor carpet to hold onto to the love of colours while holding on to the chic balance. As a space, the living can host simpler furnishings with finer finishes and subtler colour experiments to set the tone for a peaceful abode all season round. The author is the Creative Director of I’m the Centre for applied Arts.

GD Goenka Public School unveils cutting-edge sports arena

April 28, 2025, 8:20 pm

GD Goenka Public School, Vasant Kunj, a prestigious educational institution renowned for its commitment to holistic development, has launched the GD Goenka Sports Arena in collaboration with leading sports and event management companies ITMagia and Push Sports. This state-of-the-art facility, nestled within the school’s expansive campus, spans over an acre and boasts top-of-the-line amenities aimed at fostering athletic excellence and promoting overall well-being. The GD Goenka Sports Arena represents a groundbreaking initiative aimed at enhancing the fitness and athletic capabilities of students. With a remarkable 9v9 FIFA-approved artificial turf for football, four cricket pitches equipped with bowling machines, courts for padel and pickleball, an indoor facility catering to basketball and badminton enthusiasts, a covered swimming pool with heating, and a dedicated volleyball court, the arena offers a diverse range of sporting options to cater to the interests and aspirations of every student. Recognizing the pivotal role of sports in fostering personal growth, teamwork, and leadership skills, GD Goenka Public School aims to provide a conducive environment for nurturing well-rounded individuals poised for success. The GD Goenka Sports Arena is designed to accommodate up to 3000 students, empowering them to prioritize their physical fitness and well-being. Additionally, the academy will remain operational during post-school hours, allowing students to engage in sporting activities beyond regular school hours. Mr. Nipun Goenka, Director of GD Goenka Group, expressed his enthusiasm for the inauguration of the sports facility, emphasizing its significance in enhancing students’ overall well-being. By offering world-class infrastructure, the school aims to instill values of discipline, teamwork, and responsibility, thereby shaping students into not just athletes but also individuals prepared to excel in various facets of life. The inaugural event witnessed the presence of distinguished personalities such as actor and TV personality Mr. Rannvijay Singha and Mr. Abhinandan Sekhri, Co-Founder and CEO of Newslaundry, underscoring GD Goenka Public School’s commitment to promoting excellence in sports and nurturing the holistic development of students. Mr. Rannvijay Singha commended the school’s efforts to diversify sporting opportunities beyond cricket, emphasizing the importance of offering a wide spectrum of athletic avenues for students to explore and excel in. Mr. Abhinandan Sekhri hailed the collaboration between schools and sports management companies as a commendable initiative, highlighting the transformative impact of sports in fostering teamwork, emotional growth, and inclusivity among children. India’s commitment to revitalizing its sports culture at grassroots levels is underscored by ambitious initiatives such as the Khelo India program and the FIT India Movement. By promoting indigenous sports, raising awareness, and providing accessible platforms for fitness, India aims to cultivate a nation where every citizen embraces a physically active lifestyle, contributing to a healthier and more vibrant society. The GD Goenka Sports Arena is a testament to ITMagia and Push Sports’ dedication to investing in the holistic development of youth. By providing cutting-edge sports facilities, the collaboration aims to empower young athletes to realize their full potential both on and off the field, thereby contributing to India’s aspirations of becoming a sporting powerhouse. In conclusion, the GD Goenka Sports Arena stands as a beacon of excellence in youth sports development, symbolizing GD Goenka Public School’s unwavering commitment to nurturing the next generation of athletes and leaders. Through strategic partnerships and state-of-the-art infrastructure, the arena promises to revolutionize youth fitness and athletic development, paving the way for a healthier, more vibrant future.

Vocalist Som Datt Battu Receives Padma Shri Award

April 28, 2025, 8:20 pm

Classical vocalist Som Datt Battu received the Padma Shri award from the Government of India on Thursday. President Droupadi Murmu presented the prestigious honour in the presence of Prime Minister Narendra Modi and Union Home Minister Amit Shah at Rashtrapati Bhavan in Delhi. Battu, based in Shimla, was recognized for his significant contributions to classical music, as announced by the Chief Minister's office. Chief Minister Sukhvinder Singh Sukhu expressed pride in Battu's achievement, highlighting its importance for the state on Republic Day. In addition to Battu, Jordan Lepcha was also honoured with the Padma Shri for his contributions to the field of art. The Padma Awards, among India's highest civilian honours, are bestowed in three categories: Padma Vibhushan, Padma Bhushan, and Padma Shri. These awards acknowledge outstanding individuals across various fields, including art, social work, science, literature, sports, and civil service. Padma Vibhushan is awarded for exceptional service, Padma Bhushan for distinguished service, and Padma Shri for notable contributions in any field. The recipients are announced annually on Republic Day. The recognition of Battu and Lepcha underscores their exemplary dedication and impact in their respective fields, reflecting the diverse talents and contributions that enrich India's cultural landscape.

Embassy of France in India unveils second edition of the Villa Swagatam

April 28, 2025, 8:20 pm

The Embassy of France in India announced the launch of the second edition of the Villa Swagatam residency programme, a holistic network of residencies aimed at fostering cultural exchanges between France, India and South Asia at large as Villa Swagatam has now expanded to include Bangladesh in its network. Commenting on the second edition of Villa Swagatam, H.E. Mr Thierry Mathou, Ambassador of France to India, said, “India is a key player in shaping the world of tomorrow, with culturally engaged and innovative stakeholders who are inventing new ways of creating and engaging in dialogue. Villa Swagatam, a flagship initiative of our cultural cooperation with India, helps bring talents from both countries closer together and build lasting bridges between our communities of artists.” Launched in March 2023 with 16 Indian residency partners, Villa Swagatam encompasses a diverse array of artistic disciplines, with a strong focus on literature and arts and crafts. In its second it not only enables French creators to go to South Asia (India and Bangladesh) but also Indian creators to go to France. After the resounding success in its inaugural year, Villa Swagatam proudly celebrates the achievements of 17 distinguished laureates, whose impactful work continues to resonate internationally. From Yassine Balbzioui’s artwork showcased at the 1-54 Art Fair in Marrakech to Martha-Maria le Bars’s textile display presented to President Emmanuel Macron during his visit to Jaipur in January 2024, and several books in the making delving into the rich traditions and environment of India, our laureates exemplify the programme’s commitment to fostering artistic and literary excellence. This year, Villa Swagatam returns with greater ambition, forging partnerships with almost 30 prestigious residencies across France, India and Bangladesh, offering a unique platform for creativity to flourish, fostering mutual understanding and dialogue across various disciplines. Villa Swagatam is proud to welcome 4 new residency partners in India and 1 in Bangladesh, as well as 10 new residencies in France for Indian artists and writers, facilitating a mutual exchange of influences and ideas among France, India and Bangladesh. Applications for the Villa Swagatam residencies are officially open from 11th April to 31st May, inviting all creative talents to take part in this unique journey. The selection process will run through the month of June, and the laureates will be announced in mid-July. Every candidate is invited to have a close look at the description and requirements of each residency before applying and can submit a maximum of 3 choices, ranked in order of preference. Find out more about the various residencies and what they have to offer: The Arts & Crafts residencies in India: =Kalhath Institute (Lucknow, Uttar Pradesh) =Khoj International Residency (Delhi) =Nila House (Jaipur, Rajasthan) =Public Arts Trust of India (Jodhpur, Rajasthan) =Vastrakala Craft Residency (Gudapakkam, Tamil Nadu) =Katkatha Puppet Art Trust (Delhi and Mussoorie, Uttarakhand) =Serendipity Arts Foundation (Delhi) =Hampi Art Labs (Hampi, Karnataka) =Jaipur Rugs – International Artist Village Residency (Jaipur, Rajasthan) =Brihatta Art Foundation (Dhaka, Bangladesh) The Literary residencies in India: =The Himalayan Writing Retreat (Satkhol, Uttarakhand) =The Rachna Books Writers Residency (Gangtok, Sikkim) =Tara Books (Auroville, Tamil Nadu) =Sangam House (Bangalore, Karnataka) =MAD Salon+Lab (Bangalore, Karnataka) =Alice Boner Institute (Varanasi, Uttar Pradesh) =Eklavya Foundation (Bhopal, Madhya Pradesh) =Prakriti Foundation Residency (Chennai, Tamil Nadu) =Sunaparanta Goa Centre for the Arts (Panjim, Goa) On the French front, renowned residencies participating in Villa Swagatam include: =Centre National de la Danse (Pantin, Ile de France) =Biennale de Lyon, Jeune Création Internationale (Villeurbanne, Auvergne Rhône-Alpes) =La Napoule Art Foundation x Prameya Art Foundation - Art Scribes Award (Mandelieu-La Napoule, Provence-Alpes-Côte d’Azur) =La Napoule Art Foundation - International collective residency (Mandelieu-La Napoule, Provence-Alpes-Côte d’Azur) =Mobilier National x Sèvres-Manufacture and National Museum(Paris and Sèvres, Ile-de-France) =La Maison de la Poésie de Nantes (Nantes, Pays de la Loire) =La Villa Gillet (Lyon, Auvergne Rhône-Alpes) =La Maison des Auteurs - Cité Internationale de la Bande Dessinée et de l’Image (Angoulême, Nouvelle-Aquitaine) =La Marelle (La Ciotat,Provence-Alpes-Côte d’Azur ) =La Maison Julien Gracq (Saint-Florent-Le-Vieil, Pays de la Loire)

Art exhibition offering enthusiasts to immerse themselves in diverse range of printmaking styles

April 28, 2025, 8:20 pm

The upcoming art exhibition, Members of Multiple Encounters present the art show “Rupantar Panch Dashak: Five Decades of Printmaking.” It promises to be a captivating showcase of talent from Anandamoy Banerjee, Kavita Nayar, Moti Zharotia, Dattatreya Apte, and Sushanta Guha. The Visual Art Gallery in New Delhi will host this event from May 7th to May 14th, offering art enthusiasts a chance to immerse themselves in a diverse range of printmaking styles and expressions. The exhibition is curated by Alka Pandey. Contemporary Printmaking in India and the works of the printmakers living in India scrutinize the living reality, which is diverse, but direct and different position of art confront the viewer in an overwhelming and dizzying fashion-exciting that it contrasts the work of major printmakers with widely disparate styles. This is the moment of aesthetic distance that provides the narrative a double edge. Printmaking is meditative, explorative, and creative and can incorporate carving, painting, drawing and using one’s full artistic potential to create a work of art. The staging of the otherness and alteration that constitutes in these prints, for us serve the essential aspects of a fictional universe. The beauty and ideas of these works in this exhibition titled ‘Rupantara- Five Decades (1980-2024), an exhibition of works by Multiple Encounters’ curated by Dr Alka Pande are extreme promises of post independent nation. Anandamoy Banerjee, Kavita Nayar, Moti Zharotia, Dattatreya Apte, Sushanta Guha of Multiple Encounters that came later after the eminent Printmakers Guild speak from the depths of the soul and reaches out to us to a world of infinitely rich theatre of their soul that weave and re- weave a potent spell for all of who dare to share in the drama. It also reiterates the contribution of Prof. Jagmohan Chopra and Group 8 in Delhi, and their mentors Somnath Hore. Sanat Kar, Anupam Sud, Jai Zharotia. It is truly refreshing to come upon such deep enduring work of Kavita Nayar in the ‘up to the minute’ climate of the present, her aim has been to inhabit, and share with the viewer, a pictorial space that is ever-renewed to the rumbling of her soul. It helps her to undergo some changes deep inside her and ripen by solitude extended by a vivid repertoire of that resonates with multi-layered images and abstract forms mostly done in oil pastels on paper and multilayered etchings. She is a reliable and clear sighted guide to that exploration of our innermost mind as well. The impact is immense. Dattatreya Apte never allows the visual text to become inactive. A founding member of the Indian Printmakers Guild, there is an element in him that makes his work both resistant to categorization yet intellectually irresistible. From the late 80s to the present his personality expressed through drawing, painting, and printmaking has presented a challenging conundrum to the viewer. Regarding his photogravures he made earlier, the light which falls on the body belongs to the light, shadows cast by the body in response to light is absence of light thus reinventing the art and space. It gives us a feeling of catharsis, purification of soul. In Sushant Guha’s compelling drawings, and lithographs there is a faithful bonding to expressionistic- figurative markers, he vitalizes them with strong rendering of lines, seemingly innocuous portrayals and at times a mingling of both on a single stone sometimes a space is not to be viewed simplistically as work of an incurable romanticist that yields several possibilities, in turn giving rise to polemical queries that demands a sort of substantiation. Anandamoy Banerji consciously lives in his times and wishes to engage with events rather than withdrawn or detached from them, the times are fraught with new as well as abiding traumas. The quality of his attention, the unlikely subtlety and boldness, the harmony created of tensions, ambiguities, volume, light, elusive moments speaks of an alienation, a simulacra. He depicts them with extreme sensitivity. Swinging between distance and intimacy, his works deal with the politics of identity, sexual subjugation and gender. There has been of late, a gentle transition in Moti Zharotia’s oeuvre. A search for a lustre suffused with a meditative, dynamic equilibrium of forms and a measured progression, he craves for the depth of the ocean.

‘Paradise Regained’ celebrates Earth Day to savour the beauty of nature’s rhythms

April 28, 2025, 8:20 pm

Palette Art Gallery celebrates Earth Day with an exhibition Paradise Regained that opens on April 24th 2024. In the stunning show are landscapes that have been mined and re-envisioned as the memoirs of experience as well as fantasy in creating compulsively-detailed, meticulously-painted, and emotionally-potent works. We have artists such as the brilliant landscape artist Paramjit Singh who has done landscapes for more than 60 years to the younger talented lot from Kerala. The exhibition will be featured till June 1, 2024. Curator and critic Uma Nair states, “Here are a suite of paintings that have been created in the solitude of artist studios, they reflect robust imagination as well as the beauty of nature’s rhythms according to a specific time, climate and season. These intricate paintings speak to the most pressing themes of contemporary life: beauty and kindness, cruelty and loneliness, contentment, and even loss. But they also call attention to the quiet moments of life and the knowledge that all disturbances eventually calm.” All these artists create a conversation between form and content all cradled in the crucible of earth studies as envisioned by the artists themselves. While the treatment of each landscape is distinct and different we can see that the making of stimulating landscapes becomes important when the landscapes become an important memory and wraps itself around our senses. While Paramjit creates images that unwind like an album of memories in its many vistas, KP Prasad creates surreal drama in his intricate detailing that harks back to his native town in Kerala. The veteran Shaji Appukuttan uses overview landscape studies and perspectives in the depiction of cinematic indices, which he laces with light in phantomic fragments. Sumesh Kumballur has a deepened gravitas in the way he creates moody embers of tree studies that look like a dream sequence that comes alive in the nocturnes of life. For KP Pradeep Kumar we see the glimpses of lighter intensities of the native sojourn. Sanam Narayanan has a running thread of philosophy in his work that laces multiple literary references to create a dialogue between the mythical and fantastical. Sanket Viramgami captures contemporary miniature emblems of modernist moorings in landscapes while Jayashree Chakravarty’s study is a fine symbolism of the orchestration of a landscape as a branched tree that is both fragile as well as evocative. Joydip Acharjee brings in a fragmented counterpoint to speak of urban discomfort and commercial gains. In its own melody of the many perspectives we see in Paradise Regained, Palette Art Gallery creates a show that tells us that we must preserve as well as savour the beauty of the earth and all that is therein. Then this Earth Day these landscapes reaffirm the essential notes and registers of landscapes all over the world and the underlying message is that amongst its many rhythms it is landscapes such as this that create canticles that breathe like earth songs in a world torn by the rifts of war.

Kumar Vikas Saxena’s ‘It Makes Me Wonder’ Art Exhibition Captivates Art Enthusiasts

April 28, 2025, 8:20 pm

The preview party for Kumar Vikas Saxena’s Art Exhibition, titled “It Makes Me Wonder,” was a vibrant celebration of creativity and cultural fusion. Saxena, President of NGO Empowerment and an accomplished painter, showcased his unique blend of dreams and reality through his art. Saxena’s art is all about blending dreams with reality. He paints pictures of grand buildings like monuments and temples but adds a modern twist. His goal is to make people ponder the connections between the past, present, and future. The event was attended by many of Saxena’s friends, art enthusiasts, and fellow artists, as well as diplomats. Notable attendees included Nupur Kundu, Anadmoy Banerjee, Kanchan Chandra, Shampa Das, Curator Prayag Shukol, and Nidhi Jain. Saxena’s art is influenced by his surroundings and where he lives. While he loves to showcase India’s rich history in his paintings, he also wants his art to resonate with everyone, not just a select few. He has made 12 paintings for this show, all done with acrylic paint on canvas. He hopes his art will make people think about how humans are all connected across time. Saxena has been honored by people like the Princess of Thailand and the Ministry of Culture in China. From big art camps to living in different countries to make art, his paintings show how people from all over the world are connected. Yellow acts as a catalyst for Vikas’s original thoughts and curiosity. He yearns to immerse in history, wishing to live among ancient buildings and temples. With “It Makes Me Wonder,” Kumar Vikas Saxena continues to weave stories that transcend time, inviting viewers to explore the beauty and complexity of life through his energetic and determined strokes. The preview party for Kumar Vikas Saxena’s Art Exhibition, titled “It Makes Me Wonder,” was a vibrant celebration of creativity and cultural fusion. Saxena, President of NGO Empowerment and an accomplished painter, showcased his unique blend of dreams and reality through his art. Saxena’s art is all about blending dreams with reality. He paints pictures of grand buildings like monuments and temples but adds a modern twist. His goal is to make people ponder the connections between the past, present, and future. The event was attended by many of Saxena’s friends, art enthusiasts, and fellow artists, as well as diplomats. Notable attendees included Nupur Kundu, Anadmoy Banerjee, Kanchan Chandra, Shampa Das, Curator Prayag Shukol, and Nidhi Jain. Saxena’s art is influenced by his surroundings and where he lives. While he loves to showcase India’s rich history in his paintings, he also wants his art to resonate with everyone, not just a select few. He has made 12 paintings for this show, all done with acrylic paint on canvas. He hopes his art will make people think about how humans are all connected across time. Saxena has been honored by people like the Princess of Thailand and the Ministry of Culture in China. From big art camps to living in different countries to make art, his paintings show how people from all over the world are connected. Yellow acts as a catalyst for Vikas’s original thoughts and curiosity. He yearns to immerse in history, wishing to live among ancient buildings and temples. With “It Makes Me Wonder,” Kumar Vikas Saxena continues to weave stories that transcend time, inviting viewers to explore the beauty and complexity of life through his energetic and determined strokes.

Experience the splendor of Indian Dance Dramas at Shriram Bharatiya Kala Kendra

April 28, 2025, 8:20 pm

Shriram Bharatiya Kala Kendra’s “Kendra Dance Festival” promises an enchanting odyssey through the realms of Indian dance dramas, featuring three spellbinding productions - ‘PARIKRAMA’, ‘KARNA’, and ‘MEERA’. This cultural extravaganza, scheduled for May 3rd, 4th, and 5th, 2024, at the iconic Kamani Auditorium in New Delhi, is set to captivate audiences with its mesmerizing portrayal of Indian history and mythology. Under the visionary leadership of Padmashri Smt. Shobha Deepak Singh, Vice Chairperson of Shriram Bharatiya Kala Kendra, the institution stands as a beacon of cultural preservation and propagation. With a rich legacy rooted in the ethos of the Shriram family, the Kendra epitomizes a steadfast commitment to nurturing India’s performing arts heritage. The festival promises to be a spectacle of unparalleled grandeur, showcasing the artistic brilliance of the Kendra’s Dance Company. Choreographed by the acclaimed Shashidharan Nair and meticulously produced and directed by Padmashri Shobha Deepak Singh, each production unfolds with finesse, offering audiences a transcendent experience. Opening the festival on May 3rd is ‘PARIKRAMA’, a philosophical exploration of the human journey from birth to liberation, drawing inspiration from the Katha Upanishad. Through innovative choreography and a thought-provoking narrative, this production delves into abstract concepts with clarity, inviting viewers on a profound theatrical voyage. On May 4th, ‘KARNA’ takes center stage, delving into the complexities of human existence through the lens of the Mahabharata. The portrayal of Karna’s life as a relentless struggle against fate resonates deeply, highlighting timeless virtues amidst adversity and underscoring morality’s triumph in the face of challenges. Concluding the festival on May 5th is ‘MEERA’, a poignant depiction of the life and legacy of the revered saint poetess. Meera’s defiance of societal norms and her pursuit of spiritual liberation serve as a beacon of inspiration, offering a compelling narrative of female empowerment and resilience. In the words of Padmashri Smt. Shobha Deepak Singh, these productions transcend mere performances, serving as reflections of India’s cultural essence and timeless wisdom. Amidst a world marred by violence and discrimination, the Kendra Dance Festival celebrates the enduring beauty of Indian culture, offering profound insights and relevance to contemporary society. As patrons embark on this journey of enlightenment and artistic expression, they are invited to immerse themselves in the rich tapestry of Indian heritage at the Kendra Dance Festival 2024, where tradition meets innovation in a celebration of the human spirit.

Gallery West End Presents: ‘Détente: A Haven of Artistic Rhapsody’

April 28, 2025, 8:20 pm

1st May- Travancore Palace, KG Marg, New Delhi 6th May- Gallery West End, New Delhi Gallery West End, founded by Mr. Sumer Raj Chadha, a third-generation art collector and entrepreneur, is pleased to announce its upcoming art show, “Détente: A Haven of Artistic Rhapsody” show is set to debut at Travancore Palace, KG Marg, New Delhi, opening on May 1st, 2024, and will continue at Gallery West End from May 6th till 15th May 2024. The gallery, located in New Delhi, has established itself as a venue that showcases modern and contemporary, Indian and International art by master artists, as well as senior contemporary, and emerging artists. ‘Détente’ aspires to steward as a conduit for the spectators to traverse through the exhibit and experience a diverse array of artistic themes, where the fixtures and frames emanate with vibrant hues of creativity and echoes of diverse narratives. Each artist and their work reflects a unique perspective on evolution, the living world complexion, sum and substance, culture, societal constructs, social cloth, and beyond. Marvel at surreal landscapes that transport you to distant realms, creative interpretations on folklore, primal instincts, cultural heritage, personal and archival experiences, emotions, and the subconscious mind. Each of these influences offer immersive insights into the awe-inspiring macrocosm that is the creative universe. Here, reality merges with fantasy, inviting you to ponder the mysteries of the mind’s eye. The exhibition offers interactive elements that enable the audience to directly engage with select artworks by the artists in focus. Invitees will not only have the opportunity to observe the artistic process up close but also have the choice to acquire the works to adorn their personal spaces, alongside the chance to interact directly with some of our guest artists. Sumer Raj Chadha, the propelling founder of Gallery West End expresses “This exhibit is a tribute to a true art aficionado and a fervent connoisseur of beauty, our vanguard, late Santosh Raj Chadha, my beloved grandmother. She sowed the seed of love for art and has been a custodian of creative curiosity in our family. I endeavour to honour her legacy and to carry forward her ignited artistic discernments” The exhibit unfolds as an immersive experience, inviting spectators to delve into realms of exploration, connection, and inspiration. Whether you’re a seasoned art enthusiast or appreciative of visual art and aesthetics, we warmly invite you to join us on May 1st at Gallery West End for an unparalleled journey into the depths of artistic wonder. The exhibition will feature works by renowned master artists such as M F Hussain, S H Raza, G R Santosh, B Prabha,Satish Gujral,alongside senior contemporaries such as Manu Parikh, Lalu Prasad Shaw,M Narayan, Ashok Bhowmick and modern artists likeShyamal Mukherjee, Bahaar Dhawan Rohatgi, Anup Kumar Chand,Aditee Garg. About Sumer Raj Chadha Sumer Raj Chadha, a true partisan of the creative crafts, grew up appreciating artworks that was acquired over the years by his grandmother, the late Santosh Raj Chadha, who started collecting art in the late 1960s. In the later years, his parents continued to add art to their growing collection and eventually, he converted his lifelong love for art into a business venture. An anecdote from his childhood that still resonates with him is his grandmother’s words on their flight back from an art show in Paris “Every Child Is an Artist”, she quoted the Great Pablo Picasso. She encouraged him to expand his artistic capabilities and interests with confidence. Growing up under the warm guidance of his family, he inculcated the ethics, appreciation and flairfor the ebullient world of artistry. About Gallery West End: Gallery West End is a leading contemporary art gallery located in the heart of Delhi. Committed to promoting exceptional artistic talent, the gallery showcases a diverse range of works across various mediums and styles. With a focus on fostering creativity and cultural exchange, Gallery West End serves as a hub for art enthusiasts, collectors and art-investors. Beyond an exhibition space, Gallery West End takes pride in offering a holistic artistic experience by offering consultancy and advisory services to our clients for acquiring timeless artworks. Our private sales channel allows our clients to have access to assets that are acquired by us through reputed art foundations and art galleries as well as artworks that are off the market and only available through our network of private art collectors who have been collecting art for decades. With a profound understanding of the art market dynamics, and backed by extensive research we assist our clients in building their art portfolio to facilitate their astute investment goals. Whether our clients are driven by their sheer passion for the arts or are seeking to make strategic investments, our expert advisors ensure a seamless journey. Show Details- Travancore Palace Date -1st-3rd May, 2024 Venue - Travancore Palace, KG Marg, New Delhi- 110001 Timings - 1st May - 7 pm onwards || 2nd - 3rd May - 11 am to 7pm Show Details- Gallery West End Date: 6th May- 15th May Venue- Gallery West End Timings - 11 am to 7 pm

Reimagining Traditions: Art inspired by heritage by Siddhartha Das

April 28, 2025, 8:20 pm

On view: 20 - 30 April, 11am - 7pm. Venue: Art Gallery, Kamaladevi Complex, India International Centre, Max Mueller Marg, Lodhi Estate, New Delhi Programmes: - Guided walk-through with Siddhartha Das, daily at 6pm. - Illustrated Lecture by Siddhartha Das, 20 April and 27 April, 5pm. Reimagining Traditions exhibits a journey through two decades of collaboration with traditional artists and artisans and reinterpreting cultural heritage through art. From concept sketches to finished pieces, the art pieces are accompanied by short animations and documentary films exploring the process behind their making, ‘a way of seeing’ the creation of the pieces. Exhibition Details Pieces created on paper, textiles, stone, wood, metal amongst other materials, and craft products in bamboo, stone, lacquer, brass, and wood, ‘Reimagining Traditions’ presents a series of art pieces conceived by Siddhartha Das. Among the highlights are a scaled architectural model of a 4,000 sqft stone mural on a façade of a building; a step well rendered in marble; a model of Lingaraj Temple crafted from teak wood; an architectural frieze of the Jagannath Temple in Puri; and a mural wall installation depicting the historic garden scenes of Rajasthan. Additionally, the exhibition features a series of black-and-white and colour photographs on makers and landscapes from 35mm negatives and slides; botanical paintings and prints showcasing India’s diverse flowering plants, alongside a curated selection of craft products born from workshops conducted with artisans nationwide. Siddhartha Das is a Curator, Designer, Visual Artist, Educator.

Rediscovering Sita: Aayam’s ‘Vaidehi’ brings a new perspective to Ramayana through Bharatanatyam

April 28, 2025, 8:20 pm

Aayam presents “Vaidehi,” offering a new voice to Sita. Aayam, a dedicated institute promoting the age-old tradition of Bharatanatyam, based in Delhi, will showcase a unique presentation of the magnum opus of Saint Tulsidas – Ramcharitmanas. Conceived and choreographed by Guru Sindhu Mishra, the aim is to bring out a creative spin on the Ramayana and explore the love and virtue of Sita. Shruti Verma, a senior disciple of Guru Sindhu Mishra, will present this unique storytelling through her honed skills within the vocabulary of Bharatanatyam. The performance, scheduled for 6 pm on April 20th at LTG Auditorium in New Delhi, will mark Shruti’s debut solo performance. It promises to be a fine blend of talent, tradition, and artistic innovation. The performance will include a distinguished live orchestra, with G Elangovan on Carnatic vocals and flute, Nitin Sharma on Hindustani vocals, Sachin Sharma on the tabla, and Dr Ramamurthy Kesavan on the mridangam. Nattuvangam will be by Guru Sindhu Mishra. Shruti Verma, a committed dancer and an undergraduate in computer science, has been performing with her troupe at major festivals and stages, promising to be a passionate and bright dancer. She will portray the myriad perspectives and emotions of Sita, all culminating in her undying, steadfast love for Lord Rama, bringing out colors from the Ramcharitmanas that were previously unknown. Guru Mishra distinguished herself as a performer in the classical milieu under the guidance of Gurus KN Dakshinamoorthy, KJ Govindarajan, and Kamalini Dutt. She emerged as a choreographer with a unique and compelling style and played a vital role in conceiving, organizing, and choreographing high-profile events and festivals across the country. The recipient of awards and fellowships from the central and state governments, she is also the founder of Aayam, a cultural society that has nurtured a new generation of not just dancers but artists.

Hues & Scapes: Solo Exhibition by Nupur Kundu

April 28, 2025, 8:20 pm

Nupur Kundu’s “Hues & Scapes” exhibition at the Dhoomimal Art Gallery promises a captivating journey through the artist’s vibrant and multidimensional creations. Scheduled for preview on April 25, 2024, this solo exhibition invites art enthusiasts to immerse themselves in a world of color, texture, and imagination. Kundu’s adept use of oil pigments allows her to explore thick textured applications, resulting in layers of depth and complexity on the canvas. Running until May 24, 2024, “Hues & Scapes” offers guests the opportunity to closely follow the artist’s journey of discovery as they explore the indescribable beauty of Kundu’s artistic endeavors. As a colorist for her entire life and a master of the Impasto technique, Kundu’s exhibition showcases her talent for creating mysterious forms on canvas surfaces. She aims to embody the ineffable in her work, allowing colors to flow, move, and dialogue with each other. For Kundu, colors themselves, known primarily as ‘Colourscapes’, share their purity and intensity without bearing thematic burdens. Uday Jain, Curator & Director of Dhoomimal Art Gallery, praises Nupur Kundu’s dedication and talent, recognizing her as an artist renowned for her breathtaking abstract expressions. Over the past three decades, Kundu’s pieces have been cherished worldwide, revealing her enduring talent and universal appeal. Eminent personalities, including Sushma K. Bahl, Jyoti A Kathpalia, Uma Nair, and Suneet Chopra, have provided critical insights into Kundu’s work. Sushma K. Bahl commends Kundu’s vibrant palette of chromatic hues, showcasing her multifaceted persona and making her work impactful across generations and geographical boundaries. Nupur Kundu shares her vision for the exhibition, expressing her desire to transport viewers to the landscapes that inspire her and evoke a sense of wonder and beauty. Each collection narrates a tale, inviting viewers to explore the world through her eyes. The exhibition, set to take place at Dhoomimal Art Gallery in Connaught Place, New Delhi, promises an immersive experience that defies description. With its preview on April 25, 2024, and running until May 24, 2024, it offers art enthusiasts a unique opportunity to witness the magic unfold before their eyes. A sneak peek into the exhibition reveals Kundu’s representation of Earth as a metaphorical language, conveying her perception of its beauty, fragility, and resilience. The Earth Scape Series utilizes earthy tones and round canvases to create a globe-like feel, inviting viewers to connect with the earth intuitively. In the Red Scape Series, Kundu employs red as a symbol of passion, life, and femininity, creating a visual symphony that evokes vitality and warmth. The series celebrates the powerful and visceral emotions embodied by the color red, capturing the essence of passion and fervor in the artist’s work. Kundu’s experimentation with mixed media in the Mosaic Scape Series combines abstract oil paintings with intricate ceramic mosaic tiles, resulting in a harmonious composition of colors and patterns. The meticulous arrangement of fragments forms a meditative whole, enriching the viewer’s experience. Nupur Kundu, a renowned Indian artist with a background in Fine Arts and Indian Classical Dance, has been a prominent figure in the art world. Featured in various publications, including The New York Times and India Today Magazine, Kundu’s artistic endeavors extend beyond the canvas, integrating dance into her narratives. In addition to her artistic pursuits, Kundu has made significant contributions to the community, conducting workshops for special children and organizing multimedia workshops for various institutions. Her accolades include the Sarojini Naidu International Award in Visual Arts and the Rajiv Gandhi Excellence Award for the Best Contemporary Artist of the Year. Established in 1936 by Shri Ram Babu Jain, Dhoomimal Gallery is India’s oldest contemporary art gallery, known for its promotion of groundbreaking artists and fostering a vibrant art community. With over 80 years of successful promotion, the gallery continues to showcase prominent artists and support art-minded individuals. Exhibition Details Preview: Thursday, April 25, 2024 at 6pm Exhibition Continues: April 25, 2024 to May 24, 2024 Venue: Dhoomimal Gallery G-42, Connaught Place New Delhi- 110001

Bringing the Sun’s Blessings: The Ingenious Surya Tilak Project at the Ram Mandir

April 28, 2025, 8:20 pm

On Ram Navami, the city of Lord Ram, Ayodha, witnessed the confluence between science, technology, and faith. The first Surya Tilak was performed on April 17, 2024, marking a historic day in Ayodhya and across the country. The Indian Institute of Astrophysics (IIA), an autonomous body under the Department of Science & Technology, was the main stakeholder in the Surya Tilak Project, a wonderful event, i.e., the sun’s blessings on Ram Lalla’s forehead on this auspicious day. The IIA's engagement in this initiative exemplified how scientific knowledge may be used to protect and enhance our cultural heritage. As the Ram Mandir rises, the Surya Tilak will stand as a symbol of the eternal connection between the earthly and the heavenly, a tribute to Lord Ram's timeless heritage. The position of the sun shifts each year as the English calendar date of the Ram Navami changes according to the lunar calendar. For this unique problem, the expertise of the IIA was required. The IIA team methodically computed the calendar days of Ram Navami over a 19-year cycle, keeping note of the sun’s changing location in the sky. The detailed grasp of celestial movements laid the blueprint for the Surya Tilak Project. They built an optomechanical system to direct sunlight from the temple’s top to the forehead of Lord Ram Lalla’s idol. This system requires the placement of the lens and mirrors, carefully calibrated to ensure that sunlight falls on the idol. As the temple is still in the construction phase, IIA experts make their design in a way that can fit the existing structure and the Surya to be implemented. But the team's work did not end there. They precisely built an opto-mechanical system to direct sunlight from the temple's top to the forehead of Sri Ram Lalla's idol. This sophisticated system required the perfect placement of mirrors and lenses, and after that, the Idol was lit up for 3 minutes, around 12.

Tapasaya Foundation and Lightsense Art Foundation host ‘RENAISSANCE’ dance festival

April 28, 2025, 8:20 pm

Tapasaya Foundation, in collaboration with Lightsense Art Foundation, was delighted to announce the “RENAISSANCE” dance festival, which graced the prestigious Triveni Auditorium on April 12. Festival directors Milind Srivastav and Ajay Bhatt were eager to unveil their vision and mission behind this cultural extravaganza. The “RENAISSANCE” dance festival aimed to foster a deeper appreciation of art and culture within society, particularly uplifting underprivileged individuals possessing remarkable talent but lacking avenues to showcase their artistry. This festival served as a platform to empower budding artists and provided them with the opportunity to display their dance prowess and dedication. The festival’s lineup promised a captivating fusion of traditional and contemporary dance performances. Dr Pallavi Lohani enchanted the audience with her Kathak performance, epitomizing the essence of Devi Durga. Renowned Kathak artists such as Himani Gautam, Gaurav Javda, and Deepak Javda, guided by Dr Rekha Mehra, presented a mesmerizing “Taraana,” showcasing the intricate techniques of the Kathak dance form. Acclaimed Odissi dancer Sushant Maharana showcased the rich cultural heritage of Odissi through his performance titled “Dashavatar.” Additionally, Sangeeta Mohanty captivated the audience with her rendition of “Devi Stuti” through the graceful movements of Odissi dance. The festival also featured a captivating Chhau dance performance by Mayurbhanjh Chhau artists Abhishek and Anurag, presenting a duet performance on “Geeta Updesh” from the epic Mahabharata. Nikhil Pal, another talented Chhau dancer, presented a traditional dance item titled “Dandi,” narrating the journey of a boy into manhood and his path to becoming a celibate saint. Collaborating organizations such as Urvashi Dance Music Art and Cultural Society and Amoli were pivotal in ensuring the success of the festival, contributing to its vision of celebrating and preserving the diverse tapestry of Indian art and culture. “RENAISSANCE” was a celebration of talent, diversity, and inclusivity, showcasing the beauty and depth of Indian classical dance forms while providing a platform for emerging artists to shine.

Natya Vriksha celebrate World Dance Day curated by Dancer Geeta Chandran

April 28, 2025, 8:20 pm

Natya Vriksha, under the stewardship of the esteemed dancer and Padma Shri awardee Geeta Chandran, is set to grace the stage once again with their annual celebration of World Dance Day on April 20th and 21st, 2024, at the prestigious India International Centre in New Delhi. This year marks the 17th edition of their spectacular event, promising a captivating blend of workshops, seminars, and mesmerizing performances, all aimed at honoring the rich heritage of Indian classical dance. Curated by Geeta Chandran herself, the event kicks off on April 20th with a morning workshop on “Movement Techniques in Sattriya,” led by Prateesha Suresh and artists from Assam, inviting dancers from all classical styles to participate. The afternoon session witnesses the esteemed 5th Natya Vriksha Lifetime Achievement Award ceremony, honoring dance critic and scholar Smt. Leela Venkataraman, followed by a discussion on “Celebrating Rukmini Devi Arundale” led by Dr. V.R. Devika. The evening of April 20th dazzles with performances by young talents such as Vaishnavi Srinivasan and Nivedha Harish showcasing Bharatanatyam, and Divya Goswami presenting a mesmerizing Kathak performance. The celebration continues on April 21st with the continuation of the Sattriya workshop in the morning, followed by a seminar on “Legacy in Classical Dance,” featuring eminent panelists moderated by Geeta Chandran herself. The evening of April 21st brings forth the Young Dancers’ Festival, featuring various dance styles including Mohiniyattam by Thoma Vo Van Tao and Bharatanatyam by Meera Sreenarayanan. Throughout the event, workshops are held at the IIC Multipurpose Hall, while seminars and performances take place at the C.D. Deshmukh Auditorium, providing an immersive experience for participants and attendees alike. Geeta Chandran, the visionary behind Natya Vriksha, emphasizes the organization’s mission to create a vibrant community that transcends boundaries, empowers young talent, and celebrates the dedication of artists to Indian classical dance forms. Through their endeavors, Natya Vriksha continues to uphold the legacy and promote the beauty of Indian classical dance on a global stage.

Aarti Gupta Bhadauria: A master sculptor breathing life into terracotta

April 28, 2025, 8:20 pm

In the world of contemporary art, one name is making waves across the globe – Aarti Gupta Bhadauria. This Indian sculptor, specializing in terracotta, has been captivating audiences with her unique and evocative creations. Born in 1983, Bhadauria embarked on her artistic journey in Gwalior, India, where she earned her Bachelor of Fine Arts with a focus on sculptures in 2004. Her move to Bangalore in 2009 marked a significant turning point in her career, as she decided to promote the ancient medium of clay and terracotta. Bhadauria’s sculptures are not just objects—they are reflections of the human experience, capturing the delicate dance of emotion and abstraction. Each piece is a labor of love, unfolding slowly over the course of months, a testament to the patience and dedication required to breathe life into clay. Her work transcends the traditional categorization of pottery, as Bhadauria is recognized as an artist of Fine Art, specifically sculpture, working with the expressive medium of clay and terracotta. Her creations elevate the craft into the realm of Fine Art, offering a unique blend of artistic expression and decorative appeal for living spaces. Bhadauria’s dedication to her craft and her ability to transform clay into captivating sculptures underscore her status as a prominent artist in the realm of Fine Art. Her work not only engages with traditional techniques but also transcends them, creating a distinctive and evocative presence in the world of contemporary sculptural art. Her work has received wide appreciation and acceptance from connoisseurs of art across the world and many prizes. She has received several international awards and honors, including three “Best in Show” and three “Judges Choice” from Contemporary Art Gallery Online, USA. The “Light Space Time Gallery, USA” selected her among top 3D artists in March & October 2022 competitions and for ‘Solo Art Showcase’ in September 2022. She was the only Indian among 69 artists selected by Garrison Art Center New York for 2022 biennial small Works international exhibition. Bhadauria’s work has been showcased in numerous group and solo exhibitions. Some of her notable exhibitions include “Waves of Feelings”, a solo art exhibition at Karnataka Chitrakala Parishath in July 2023, and a solo online exhibition hosted by “Light Space Time Gallery, USA” in September 2022. She was also selected for the “XII NEOTERIC ABSTRACT” International exhibition in April 2024 by Limner Gallery, New York. In conclusion, Aarti Gupta Bhadauria is a true virtuoso in the world of abstract sculpture. Her work in terracotta is a testament to her talent, vision, and dedication to her craft. As she continues to create and showcase her art, there is no doubt that her influence and recognition will continue to grow.

Nabeel Khan performs Indian Classical Sarangi at BAPS Hindu Mandir Abu Dhabi

April 28, 2025, 8:20 pm

Embracing the spirit of the holy month, the newly opened BAPS Hindu Mandir in Abu Dhabi hosted its first Ramadan event `Omsiyyat’ uniting people from diverse religious and cultural backgrounds for a special evening of spiritual reflection, dialogue and community bonding. Nabeel Khan who is the youngest Sarangi artist and Indian vocalist performed at BAPS Hindu Mandir Abu Dhabi. He was the first Indian Muslim specially who performed there and played for the hormony and gave the special message that music is the universal language and humanity and love is first religion. And he gave the special speech about India-UAE relations. How we can make more powerful and strong relations through arts and culture which he doing in UAE from past 3 years. He is promoting our India Classical art in the UAE and helping our culture to expand and make special strong relationship with UAE through music. Nabeel Khan is the first and only Sarangi player in the UAE. Nabeel Khan has been the first Indian Classical musician to give Sarangi recitals of varied genres four times in UAE’s Theater of Digital Art (TODA) and Candlelight Concerts by Fever at Zabeel theatre in Dubai. Most recently he performed the first ever Indian Classical Sarangi recital for the Embassy of India, Abu Dhabi. He has also performed for Louvre Museum, Salt camp, Abu Dhabi, Sikka Arts festival 2023 & 2024, Emirates LitFest 2024 Dubai, Dubai Culture events, Dubai metro music festival, Embassy of India in Abu Dhabi, Dubai Opera, Abudhabi Festival, Al Hosn Festival 2023, Red Sea International Film Festival 2023 in Jeddah, KSA as the first Indian classical musician. For the last two years, Nabeel has been working extensively on mental health Sarangi healing sessions worldwide through therapeutic specific ragas to soothe and heal people. He has been immensely successful in spreading the joy of being in unison with music through his melodies. He has pioneered introducing Sarangi into the United Arab Emirates, Saudi Arabia, Kuwait, Qatar, Bahrain, Oman and continues to be the first and only Sarangi player in the UAE who received Golden residency as an Indian Sarangi player. Nabeel Khan also introduced Sarangi in the GCC for the first time. And told people about Sarangi its history. “Presenting Indian Classical Sarangi admist an array cultures and their art signifies the timeless importance of connecting people via music . Peace, harmony and spirit of accommodation are the basic principles which should govern our systems and our lives “ - Nabeel Khan Among those who graced the occasion were Sheikh Nahyan bin Mubarak Al Nahyan, Minister of Tolerance and Coexistence, Dr Thani bin Ahmed Al Zeyoudi, Minister of State for Foreign Trade, and Dr Mugheer Khamis Al Khaili, Chairman of the Department of Community Development. “The India-UAE relations are based on many common interests and values. We cherish our friendship with the people of India and look forward to enhancing and strengthening this wonderful relationship now and in the future.” Later, Swami Brahmaviharidas narrated a moral tale promoting love, friendship, and harmony.

MASSARAT BY BRUNO ART GROUP: A NEW CULTURAL HAVEN IN NEW DELHI

April 28, 2025, 8:20 pm

A new chapter unfolds in India’s vibrant art scene as Massarat by Bruno Art Group makes its grand entrance into the heart of New Delhi. With a legacy spanning over a century, Bruno Art Group (BAG) brings unparalleled expertise and iconic artworks to the Indian capital.Situated at Savitri Cinema Complex in New Delhi, Massarat by Bruno Art promises to be a beacon of artistic excellence, offering a diverse range of contemporary and modern art to cater to India’s rich cultural landscape. From the kinetic art of Yaacov Agam to the vibrant pop art of David Gerstein, Massarat by Bruno Art presents a kaleidoscope of artistic expressions that captivate and inspire. Among the stellar lineup of artists featured at Massarat by Bruno Art are the likes of Picasso, Andy Warhol, Marcel Janco, and Yuval Mahler, whose works add depth and dimension to the gallery’s offerings. BAG, an international powerhouse with galleries across Europe, Asia, and the US, has curated an extraordinary collection featuring renowned masters and emerging talents from around the globe. Nidhi Gupta, owner of Massarat by Bruno Art, describes the gallery as more than just a space for showcasing art; it’s a cultural bridge connecting diverse artistic traditions and fostering creative dialogues. To mark its inauguration, Massarat by Bruno Art has collaborated with acclaimed artist Siddharth Bansal, known for his captivating installations resonating with the spirit of pop art. Bansal’s rendition of the revered Kamdhenu Cow promises to infuse the gallery with blessings of prosperity and joy, embodying the celebratory ethos of the launch. “It’s an honor to be part of this momentous occasion,” shares Siddharth Bansal. “My installation embodies the festive spirit that Massarat by Bruno Art encapsulates – a jubilant symphony of colors and emotions.” The art preview offered patrons and connoisseurs a first look at the gallery’s eclectic offerings, including works by international luminaries and promising Indian talents. Massarat by Bruno Art emerges as a cultural haven where international artistry converges with Indian tradition, inviting art enthusiasts to embark on a journey of creativity and discovery.

The Demand of SH Raza’s Artwork has been increasing in the international market

April 28, 2025, 8:20 pm

Progressive art gallery has become the first one to organise a solo retrospective on Raza in the Middle East. The demand for the esteemed works of celebrated artist SH Raza has soared following the retrospective titled ‘Raza: The Other Modern’ dedicated solely to Raza’s creations, making it one and only exhibition in Dubai which has dedicated a whole show only to Raza. This unprecedented event marks a pivotal moment in the global art scene, as Raza’s paintings have claimed their position as one of the most expensive Indian artworks. Last year, at a Pundole’s auction, Raza’s Gestation fetched ₹51.75 crore. Which made it the second most expensive Indian painting till date, Similarly two of the Raza’s Paintings were sold cumulatively for ₹86 crores recently by iconic Sotheby’s and France’s Métayer-Mermoz. Organised by the Progressive Art Gallery, the retrospective honouring SH Raza has become a focal point for art enthusiasts worldwide, igniting a fervent desire for Raza’s pieces in the global market. Exclusive artworks by Raza are being showcased, underscoring the unparalleled significance of the exhibition as the first solo exhibition dedicated to Raza in the Middle East. The Director of the Progressive Art Gallery, Harsh Vardhan Singh said “The reason I chose SH Raza is because of his universal appeal and the growing demand of his artworks in the international market also there had been no solo show on raza in entire Middle East and to make the people witness the masterpieces of the Indian Arts Treasury”. Harsh added that as the show is going on, the people not only from the Middle East but from all over the world are coming to get a glimpse of the wonderful Raza’s artworks. What distinguishes Raza’s works and elevates their value to unprecedented heights is meticulously explored in a newly launched book ‘Raza:The Other Modern’, Published by Mapin publishing has detailed essays by art appreciators and veterans including Ashok Vajpeyi, Yashodhra Dalmia, Gayatri Sinha, and Geeti Sen have contributed their insights to this publication, delving into the intricacies and nuances of Raza’s artistic brilliance. The convergence of the retrospective and the book launch has generated a palpable buzz within the art community, Raza’s legacy continues to captivate audiences around the globe, his timeless creations stand as a testament to his enduring influence on the world of art. Ashok Vajpeyi in an Essay of this book describes Raza “Man with an Indian Vision and French sens de la plastique coalescing to create a unique modernism, a master of colours, concepts and creativity while exploring dissonance, disquiet and a tension between life and death. He added ”Raza’s art could be seen in the context of bridging the dichotomy of spiritual and sensuous, which eventually tells us the range, depth and complexity of the art piece”. Yashodhrya Dalmia described “Raza’s early painting of rainwashed seafront or the drizzling light of the night that spackled the dark or the drenched streets and the people created a magnetic periscopic effect”. Dalmia also shared that Raza actively participated in group discussion and debates with fellow artists like MF Hussain, F.N. Souza on the ethical artistic practices and freedom of expression in the modern art culture. Geeti Sen, one of the authors of the book added, “The collection of Raza’s art at progressive art gallery is rare and incomparable in its comprehensive range of works from late 1930s to 2010”.

The Artsy, Delicious, and ‘Luxury Living’ ft Glenmorangie X Shivan & Narresh

April 28, 2025, 8:20 pm

Do you want to step into a world where luxury meets artistry? Where your house blooms and springs with colours and screams ‘luxe’ and ‘premium’ across all corners? Well, we are here at your rescue as we came across the limited edition artisanal collaboration between Glenmorangie and ace-designers duo Shivan & Narresh. The Delicious Living collection is a feast for the eyes, offering a range of exquisite couches and artistic decorables that are set to redefine opulence in the Indian market. At the heart of this collection are the exquisite oak swirl and infinity swirl couches, each a masterpiece in its own right. The oakley-like and oh-so-colourful couches pay homage to the alchemy of whisky maturation, featuring carved textures and a whimsical form crafted from rich oakwood. It’s a tactile exploration of the journey of the OG award-winning Glenmorangie, showcasing the craftsmanship and patience behind every crafted bottle. Their swirly-infinity couches are a symphony of endless swirls inspired by the world of Glenmorangie. Crafted with a dynamic form and fluid lines within a metallic frame, this couch is designed for comfort and style, making it a statement piece that will elevate any living space. Adding to the allure of this collection are the stunning rugs, throwns, and cushion sets - all featuring intricate patterns that evoke a sense of dynamic movement. These vibrant displays resonate with the notes of orange, vanilla, honey, and peach found in Glenmorangie whiskies, bringing a touch of springtime freshness to your home decor. With the promise of imminent product launches, the ‘Delicious Living’ collection is just the beginning of a journey into a world of art, colors, and luxury. Whether you’re looking to infuse your living space with a pop of elegance or elevate your at-home celebrations with a touch of technicolor surprise, these artisanal pieces are sure to make a statement. So, as the season blossoms, it’s the time to amp up your aesthetics and redo your space with all things art, colours, luxury, opulence, and delight!

Solo exhibition ‘Here Comes The Sun’ set to showcase artworks of artist Sangeeta Singh

April 28, 2025, 8:20 pm

Triveni Gallery is set to host ‘Here Comes The Sun’. The solo exhibition is about to feature the recent artworks of the distinguished Gurgaon based artist Sangeeta Singh, who has been awarded Senior and Junior Fellowship from Ministry of Culture, Government of India. The exhibition is scheduled to take place from 14 to 22 April, 2024, and will be inaugurated by Prayag Shukla, Poet, Art Critic and Curator. The Exhibition will feature approximately twenty five paintings and three sculptures. Sangeeta Singh is a highly acclaimed artist known for her unique blend of emotions and creativity. With numerous exhibitions to her credit, Sangeeta continues to captivate audiences with her evocative and thought-provoking artworks. Her recent creations serve as tangible expressions of her evolving emotional journey, primarily stemming from the prolific year of 2023. Before this period, there was a substantial hiatus, a deliberate pause, lasting for a year and a half. During this sabbatical, she delved into the intricate labyrinth of her inner emotions, allowing them to flow freely and without the constraints of external creation. However, this introspective respite proved to be a pivotal phase, a cocoon where transformation took place. It incubated the formation of a diverse collection of work, a veritable buffet of energies and the raw fabric of reality itself. This fresh direction in her artistic practice gave her a new approach to work. The allure of colours and textures which became apparent during this time, drew her into a gradual shift towards layering her creations and employing a method of gentle scratching to uncover the concealed undertones. The journey was marked by delightful surprises as she navigated this uncharted path, bringing with them waves of joy and, at times, overwhelming emotions. These revelations were the threads that wove the intricate tapestry of her innermost self. The concept of letting go became a central theme, prompting her to release forms that she had meticulously crafted but were no longer aligned with her evolving vision and emotional state. These creations are the landscapes of her travel diaries. It allowed her to blend her personal experiences, memories, and artistic expression into a visual narrative, infusing her works with a sense of personal connection and authenticity. The teapots in her works are metaphors of living spaces such as a house, an abode or even a city that share boundaries with one another. The story behind the teacups is all about the warmth, bonding, love and togetherness that we share.

Development of eco-friendly artistic decorations: An initiative towards environment sustainability

April 28, 2025, 8:20 pm

In a move to combat climate change, Mobilier National, a renowned French manufacturer of furniture and artworks, Under Ministry of Culture, France recently announced a strategic plan on their recent visit to India. The initiative focuses on developing sustainable and eco-friendly artistic decorations and furniture, aiming in reduction of significant carbon footprints. Mobilier National: an esteemed institution operating under the Ministry of Culture, France, specializing in the conservation, restoration, and curation of both historic and modern state furniture. This institution plays a vital role in preserving France’s cultural heritage and showcased its unique collection in India “Given the alarming state of our environment and climate, Mobilier National is taking a proactive stance,” said Emmanuelle Petitdemange, General Administrator, Mobilier National. “We are assembling a team of leading architects, designers, artists, research scholars, and scientists. Together, we will explore and develop materials and solutions that are not only sustainable but also maintain the high artistic value our clients expect”, said Emmanuelle Petitdemange. The activity will involve travelling and exploring different countries in the search of rich and sustainable material, among the targeted countries: India being known for rich raw material will be our prime location, with the collaborative efforts of the French-Indian scholars the materials will be explored and shared between the counties that will eventually lead us in making the sustainable and creative decors, furniture, artistic works. “Adding to the collaboration initiatives between France and India, the countries will foster dialogue, exchange of Art and Culture in the exhibition which is expected to happen in 2025 hopefully as announced by the President of France Emmanuel Macron”, added Emmanuelle during her recent visit to India at ‘Art de Vivre à la Française’ an Art and Culture exposition which was organized by the French Embassy and the French Institute in India. The exhibition focused on crafting and designing of the architectural art works which highlighted France’s extensive expertise in home decor and furnishing. She also shared the stories of the successful beneficiaries who carry the blend of Indo-French Art-Culture, mix traditional “savoir-faire” and contemporary creation. Experts believe this collaborative approach positions Mobilier National at the forefront of the green design movement. The initiative is expected to have a significant impact on the furniture and art industry, potentially inspiring a broader shift towards sustainable practices. The French Embassy in India though its efforts in organizing and hosting such events wish to strengthen the people-to-people relationship between France and India in the fields of design and arts and craft which have been pointed out as strategic priorities by President Emmanuel Macron, acknowledging the immense diversity of talents in both our countries and hoping that this dynamic can grow through trade exchanges and initiatives, creative collaborations like residencies (Villa swagatam), as well as professional training and students mobility.

Art Harmony: Celebrating cultural exchange between India and Philippines- 2024

April 28, 2025, 8:20 pm

It is with the firm belief that exchange and collaborative programmes across countries provide platforms for growth, vital exposure to artist communities and cultures that Arth Art International, India and Angono Ateliers Association, Philippines, have organised an art exchange programme. This is perhaps the first time that an art exchange programme has been set in motion between the two countries: India and Philippines. Art Diversity - 2024 is the second part of a special event where artists from India and the Philippines come together to share their culture through art. It’s happening in New Delhi, India, from April 19 to April 26, 2024. The main highlight of the event is the International Art Exhibition, running from April 20 to April 26, 2024. It will take place at The Stainless Gallery, New Friends Colony, New Delhi. This event is organized by Arth Art International, led by CEO Sushil Shriwastwa. Artists from the Philippines and India will showcase their work at the exhibition. Some of the participating artists from the Philippines include Aaron Bautista, Aries Hernandez, Arnaldo “Atoy” Apostadero, Bernardo Balagtas, Claro Agusto Santiago Jr., Don Nemesio Miranda III, Katrina Tuazon, Maria Cecilia Artillaga, Nemesio “Nemiranda” Miranda Jr., Rodolfo E. Alcantara Jr., and Rosalie Vitor Gonzales. From India, artists like Anoop Kamath, Ashish Arora, Jasmine Kaur, Krishnendo Porel, Meenakshi Jha, Nitasha Jaini, Dr. Ramesh Kandagiri, Ritu Kamath, and Shuvendu Sarkar will be participating. The exhibition is curated by Jyoti A Kathpalia, who will ensure that the artworks on display represent the rich diversity of artistic expression from both countries.Many renowned and eminent personalities and dignitaries from art and culture will grace the occasion and the various events. The exhibition will be inaugurated by Josel Francisco IGNACIO, Ambassador Extraordinary and Plenipotentiary of the Philippines in India who will grace the occasion as Chief Guest. The Guest of Honour is Shatrughna Sinha Joint Secretary (AMS-II), Ministry of External Affairs, Government of India. In the inaugural chapter of the exchange, Indian delegates went to Philippines where Manila unfurled its vibrant tapestry in February 2023, at the World Trade Centre where the exhibition took place. The guiding principle behind Art Diversity 2024 is to provide a platform for the vibrant expression and interaction of diverse cultures and to ignite profound cultural exchanges through the medium of art. The exchange programme will consist of tours to important cultural and historic sites, art and craft museums of India and cultural programmes. The programme will also have art talks for a stimulating exchange of ideas between the artists, and an art camp for two days where the Indian and Philippine artists will create artworks which will be exhibited. Sushil Shriwastwa, CEO Arth Art International and the project director said, “It is indeed a matter of great privilege to be undertaking this project. I believe that many more such exchange programmes should be organised as they enable the artists and the countries to foster ties of friendship and bring to light the aspects of care, tolerance and humanity that we all share.” Curator Jyoti A Kathpalia noted, “In this programme there is an astonishing array of diverse styles, mediums and genres and incredible artistic talent that will be on display. The art camp and art talk that is being planned with the Indian and Philippine’s artists will further the mutual interaction and exchange of ideas and techniques. There is also a cultural evening that is planned where we will showcase Indian folk and classical traditions.” Apart from the above there are also thirty-eight upcoming and established Indian Artists whose artworks will be displayed. These are wide ranging from folk art to contemporary, figurative and abstract.

AIACA’s first edition of Craft Katha inaugurated by Mr. Andrew Giles, the Honorable Minister of Multicultural, Australia

April 28, 2025, 8:20 pm

In a celebration of India’s rich tapestry of handlooms and handicrafts, AIACA (All India Artisans and Craftworkers Welfare Association) proudly announced the inaugural edition of Craft Katha, a pioneering event dedicated to honoring authenticity and sustainability in the country’s craft sector. This groundbreaking platform, inaugurated by Mr. Andrew Giles, the Honorable Minister of Multicultural, Australia, at Gandhi Darshan, Gandhi Smriti and Darshan Samiti, RajGhat, New Delhi, marks a significant milestone in promoting the cultural heritage and artisanal craftsmanship of India. Craft Katha, envisioned as an annual series, aims to shine a spotlight on various segments of India’s diverse craft sector, with its debut edition focusing on textiles. Through compelling visuals, craft demonstrations, and expert talks, Craft Katha aims not only to underscore the sustainability aspect of the craft sector but also to educate buyers on distinguishing authentic products from their counterfeit counterparts. Meenu Chopra, Executive Director of AIACA, remarked, “Craft Katha is a journey to unfold stories from the craft sector and bring them to the forefront, aiming to inculcate a deeper understanding of crafts among consumers and address the misrepresentation of crafts. Since 2004, AIACA has been dedicated to the continuous growth and vibrancy of the sector, and Craft Katha is another step in the same direction.” Craft Katha witnessed the inspiring journey of sustainability, showcased in collaboration with Kumaun Grameen Udyog in Uttarakhand and Sadhna in Udaipur, Rajasthan. It celebrated the authenticity and sustainability of India’s handcrafted textiles, embarking on a journey towards a brighter, more sustainable future for the craft sector. Established in 2004, AIACA has been a pioneer in championing the cause of India’s handloom and handicraft sector. Through multi-stakeholder collaboration, research, advocacy, sustainable livelihoods development, and Certification, AIACA endeavors to ensure the growth and vibrancy of this sector, while simultaneously improving the standard of living for artisans and crafts workers. Craftmark, developed by AIACA, stands as the nation’s sole certification program for genuine Indian handcrafted products produced in a socially responsible manner. Recognized by the Trademarks Authority of India, Craftmark certifies individual craft processes as handmade and adheres to set standards for each craft. With over 280 certified craft enterprises and an outreach of approximately 250,000 artisans, Craftmark continues to play a pivotal role in promoting authenticity and sustainability in India’s craft sector. Craft Katha serves as a testament to AIACA’s commitment to preserving and promoting India’s rich heritage of handcrafted textiles while championing sustainability and authenticity. Through initiatives like Craft Katha and Craftmark, AIACA continues to empower artisans, foster sustainable livelihoods, and preserve the cultural legacy of India’s vibrant craft traditions.

Patte Khul Gaye is satirical play where secrets are revealed as it moves forward: Actor Rajesh Puri

April 28, 2025, 8:20 pm

Well known actor Rajesh Puri who attained a special place in the television industry with prominent roles in noted serials such as Hum Log and Buniyaad, recently enthralled the audience with his wit and humour in theatre play ‘Patte Khul Gaye’. Written and directed by renowned actor Rakesh Bedi, the play exposes the double standards in the society especially among the higher middle class. Actor Rajesh Puri says, “Rakesh Bedi has been a friend since last 40 years. The play is about kitty culture among the higher middle society. The play is a satirical comedy in nature. A party is organized in my house and secrets are revealed within couples as the play moves forward.” He further said that he came to Mumbai in 1981 and he was one of the founders of the Ekjute theatre group. He played the role of Lalit Prasad (Lallu) in the popular TV serial ‘Hum Log’ of Doordarshan. “After the success of Hum Log, I signed 30 films within three months,” he said. He started his film career in the year 1983 with the cult classic comedy- Jaane Bhi Do Yaaro by Kundan Shah. He played the role of ‘Cherry Chaplin’ in the TV advertisement for “Cherry Blossom” brand of shoe polish. He further said, “For three years I worked almost 24 hours. Filmmaker Ravi Chopra helped me a lot. I have done more than 5000 stage performances and over 150 films. I have improvised on my every role. I played the role of main comedian in V. Shantaram’s Jhanjhaar.” His role as Pandit in Dil is among his noted character roles on big screen. He further said that currently he was working on theatre, serial, web series and a film also.

Apeksha Niranjan’s cultural journey of harmony & expression

April 28, 2025, 8:20 pm

Renowned Bharatnatyam exponent Apeksha Niranjan, affectionately known as ‘The Queen of Expressions’, is set to embark on a captivating journey across Poland with her much-anticipated Poland Spring Tour 2024. This tour not only promises mesmerizing performances but also represents a harmonious fusion of cultures, reflecting Apeksha’s deep-rooted Polish connection and her unwavering passion for Bharatnatyam. Apeksha’s familial ties to Poland, stemming from her paternal grandmother, affectionately referred to as “Wnuczka Polski”, imbue her performances with a personal touch. Despite her upbringing in India, she holds her Polish heritage dear, fostering a strong bond with the country and its people. Her previous performances in Poland have been met with warmth and admiration, endearing her to audiences across the nation. The Poland Spring Tour 2024 kicks off on April 13th with a special performance celebrating the Tamil New Year, “Chithirai Thiruvizha”, organized by the Tamil Sangam Association of Poland. Held at OSIR Polna, Warsaw, at 11:30 am, this event promises to showcase the diverse facets of Tamil music through Apeksha’s captivating repertoire of Tamil compositions. Continuing the theme of cultural amalgamation, Apeksha will enchant audiences on April 19th with “Wieczór nad Wartą; Wieczór nad Gangesem”, a unique exploration of the convergence of Bharatnatyam and Polish folk music. Collaborating with the Polish folk group Kapela Odmieńciese, this performance at Sinegog Konin at 7:00 pm marks the first-ever attempt to blend Bharatnatyam with Polish folk music, promising a delightful celebration of unity through music and dance. On April 21st, Apeksha will grace Poznań with her mesmerizing Bharatnatyam performance, captivating audiences with her graceful movements and expressive storytelling. From April 26th to 28th, Apeksha will participate in the Indian Festival, offering attendees in-depth insights into Bharatnatyam through workshops, lectures, and recitals. This comprehensive event, to be held at a venue soon to be announced, will provide a rich cultural experience for all participants. The tour continues with performances in Zabkowice on May 7th and “Nayanam” on May 10th at Gminny Ośrodek Kultury w Długołęce, Długołęka. “Nayanam” holds special significance as Apeksha showcases this performance in various cities worldwide this year. Closing the tour on May 11th at Pałac Górka, Sabòtka, Apeksha will present a Bharatnatyam recital and workshop, culminating in a unique fusion presentation of Gregorian Chants. This blend of religious music from the region promises to be a highlight of the evening, showcasing the diversity and richness of cultural expression. In addition to her performances, Apeksha will conduct workshops in Warsaw and Sabòtka, providing enthusiasts with a rare opportunity to learn from a master of Bharatnatyam. “I am deeply honored to share my passion for Bharatnatyam with the people of Poland,” said Apeksha Niranjan. “Through music and dance, we can bridge cultural divides and celebrate the beauty of diversity. I am grateful for the opportunity to connect with audiences in Poland and to honor my Polish heritage through my art.” Don’t miss the chance to witness the magic of Apeksha Niranjan’s Bharatnatyam performances on the Poland Spring Tour 2024—a cultural journey of harmony and expression that transcends borders and celebrates the universal language of art.

A celestial fusion of Artistry by Divyaman Singh unveiled in New Delhi

April 28, 2025, 8:20 pm

In the heart of New Delhi, a celestial symphony awaits as the renowned artist Divyaman Singh unveils his latest masterpiece, “The Divine Elements Vol I.” This extraordinary exhibition, curated by the esteemed Shahzada Khurram, promises a captivating journey through the cosmic and earthly realms, inviting art enthusiasts to delve into the profound connections between astronomy, spirituality, and artistic expression. Set against the backdrop of the historic Bikaner House, from April 5th to 8th, 2024, this exhibition is poised to enchant attendees with Divyaman Singh’s visionary artwork. Through a meticulous blend of oil on canvas, Singh intricately weaves together the beauty of space with the essence of spirituality, creating a mesmerizing dance between the celestial and the terrestrial. Each stroke of Singh’s brush tells a story of interconnectedness, inviting viewers to contemplate the unseen threads that bind the universe together. His symbolic portrayal of celestial bodies and earthly elements ignites a visual narrative that sparks profound contemplation. Shahzada Khurram, the curator of this extraordinary exhibition, brings his discerning eye and passion for innovation to the forefront. With “The Divine Elements Vol I,” Khurram transcends traditional boundaries, showcasing artists whose work leaves an indelible mark on the cultural landscape. Khurram’s adept curation harmoniously melds spirituality and earthly elements on canvas, creating a captivating journey where the celestial and terrestrial unite seamlessly. The exhibition’s opening reception promises an immersive experience, with both artist and curator present to interact with attendees and delve into the inspirations behind the collection. As attendees traverse the gallery space, they will encounter a visual symphony where celestial blues mingle with earthy tones and golden accents, elevating each artwork to a spiritual plane. “The Divine Elements Vol I” isn’t merely a collection; it’s a testament to the transformative power of art to transcend boundaries and ignite the imagination. Join us for an unforgettable journey into the cosmos and the earthly elements at “The Divine Elements Vol I.” Let Divyaman Singh’s masterpiece guide you on a profound exploration of the interconnectedness of the universe, where beauty and spirituality converge in a breathtaking display of artistic brilliance.

Shriram Shankarlal Music Festival 2024: Celebrating the eternal harmony of Indian classical music

April 28, 2025, 8:20 pm

The Shriram Shankarlal Music Festival, an esteemed annual event presented by Shriram Bharatiya Kala Kendra, is set to enchant audiences once again from March 27th to 29th, 2024, at the serene ambiance of Shriram Bharatiya Kala Kendra Lawns on Copernicus Marg, New Delhi. Designed and nurtured by Smt. Shobha Deepak Singh, the festival stands as a beacon of Indian classical music, showcasing extraordinary performances by both legendary maestros and emerging talents. This year’s lineup boasts an impressive array of artists, each contributing their unique brilliance to the tapestry of classical music. The festival opens with the mesmerizing flute recital by the renowned Pravin Godkhindi, accompanied by his prodigious son, Shadaj Godkhindi. Following this, the audience will be treated to the soul-stirring Hindustani classical vocal rendition by the maestro Ulhas Kashalkar, known for his profound expertise and adherence to traditional nuances. The festival features the captivating vocal performance by Manjiri Asanare Kelkar, whose musical journey is deeply rooted in the rich tradition of the Jaipur Atrauli gharana. This is followed by an enthralling violin duet by the legendary Dr. N. Rajam and her daughter, Dr. Sangeeta Shankar, both epitomes of excellence in their rendition of Hindustani classical music. 26th to 31st March 2024 11 am to 8 pm Visual Arts Gallery, India Habitat Centre, New Delhi The show will continue at Urban Fringe – the underground studio F-15 Basement, Okhla Phase I, New Delhi, between 12 and 22 April 2024 The festival culminates with the spellbinding sitar performance by the virtuoso Purbayan Chatterjee, known for his dynamic blend of tradition and innovation. Concluding the event on a high note is the captivating vocal recital by the legendary Pandit Ajoy Chakrabarty, whose mastery transcends boundaries, reflecting the essence of various classical styles. The Shriram Shankarlal Music Festival not only serves as a platform for celebrating the timeless beauty of Indian classical music but also embodies the Kendra’s commitment to preserving and promoting cultural heritage. As Padmashri Mrs. Shobha Deepak Singh eloquently states, this year’s edition fills her with immense pride, showcasing the seamless integration of veterans’ mastery with the brilliance of younger artists. It’s a testament to the vibrant legacy of Indian classical music, fostering a harmonious bridge between tradition and innovation, and leaving an indelible mark on the cultural landscape of the nation.

Within, Without Fifth Solo Exhibition

April 28, 2025, 8:20 pm

Through deeply nuanced and phantasmagorical paintings that use allegory, magic realism, metaphor, symbols, poetry, mythology, fantasy – Within, Without is Ranjan Kaul’s expression of what he views as a discordant, chaotic and disrupted world. The works are reflections on the complexities of contemporary society inured to realities into complacency by altogether new technology-based media narratives. Among the focus areas include the condition of women and children, self-interest, and the plight of the oppressed and marginalized. The artist’s concerns are not confined merely to those that meet the eye, but also those that remain hidden – that take place in the home, in the interior of the mind. Rather than creating a mood of despondency and despair, the works give a glimpse of hope and harmony, of a world brimming with love and romance, music and dance. Rather than depict his serious thematic as realistic reportage, the artist often enlivens his work with a quirky, satirical skylarking, oftentimes using hybrid, chimeric creatures. The exhibition is on at Visual Arts Gallery from 26th to 31st March 2024 and then the exhibition will continue at Urban Fringe – the underground studio at Okhla Phase 1 from 12th to 22nd April 2024. A dominant theme in the show is the predicament of women, particularly those belonging to the oppressed groups, given their lack of choice and autonomy and absence of agency. “The primary focus of this show is to give imaginative articulation to what I believe are the disruptive and disquieting conditions we are living in. These works are a reimagined umwelt of our times in which I use a range of devices and visual languages – from mythology and literary references to flora symbolism and human-animal hybrid characters.” Says Ranjan Kaul.

Unleash your inner artsy soul: The jungly glow up awaits you in New Delhi!

April 28, 2025, 8:20 pm

Imagine a day where the air is filled with positivity, the surroundings echo with holistic vibes, you get to do some Yoga with Malini Ramani, Pilaties with Vesna Jacob, Face Yoga with Diipa Khosla, an Art Class with Charuka Arora, and where every moment offers an opportunity to embrace a healthier version of yourself. That’s exactly what awaits you at Araya Bagh, MG Road this Sunday, from the break of dawn at 9 am till the stars shine at 8 pm. So, pack your yoga mats, tie your shoelaces, and mark your calendars, because this is a wellness extravaganza like never before – The Jungly Glow Up! What’s Cooking? Brainchild of the Glow Glossary and Ananya Bhandare and Pratishtha Rawat’s Jungly Delights, they are redefining the wellness landscape and bringing together over 25 handpicked wellness brands, seasoned experts, and a community buzzing with enthusiasm to create an environment that’s not just about wellness but also about joy, learning, and connection. A Day of Wellness and Artistic Wonders Start your day with a rejuvenating yoga session with Malini Ramani, or find your core strength with pilates by Vesna Jacob. If you’re looking for something to soothe your soul, immerse yourself in sound bath healing with Mala Barua or unleash your creativity in an art class with Charuka Arora. With activities ranging from animal flow workouts to intuitive journaling, there’s a slice of wellness for every taste. And let’s not forget the fireside chats with industry mavens like Diipa Khosla and Sumaya Dalmia, who’ll share their insights on transforming passion into purpose. Mix, Roll, Blend: Interactive Fun for Every Palate and Canvas! With interactive sessions like cocktail making with Sepoy and sushi rolling with Chef Ahvanya, you’ll take home more than just memories. And for those with a sweet tooth, there’s a matcha latte-making tutorial and a smoothie bowl demo that are sure to tantalize your taste buds. Stroll through the array of curated stalls, where you can discover everything from clean snacks and skincare to healing crystals and activewear. Indulge in tarot reading, reflexology, or seed acupuncture for a dash of mystique, or capture the moment at the photobooth. The Jungly Glow Up isn’t just an event; it’s a movement. It’s about creating a space where individuals can connect, share their journeys, and inspire each other towards a lifestyle that’s not just healthy but also happy and harmonious. And because art, culture, and wellness is for everyone, The Jungly Glow Up welcomes the entire family, with a special corner for kids and a pet-friendly policy that ensures your furry companions can join in the fun. So, New Delhi, are you ready to glow up, celebrate, forge friendships, and cherish your life?!

Swaranjali Delhi showcases ‘Shraddhanjali’ an ode to Indian Classical Music

April 28, 2025, 8:20 pm

Swaranjali Delhi recently organised “Shraddhanjali,” an evening to celebrate Indian Classical Music with an enchanting audience. The event took place at Theater (Amaltas), India Habitat Centre.4 Featuring a lineup of esteemed artists, “Shraddhanjali” showcased an unforgettable musical experience. The main performers included Sankumay Debnath on Vocal, accompanied by the legendary Pandit Santosh Nahar on Violin, and the virtuoso Subrata De on Sitar. Their mastery and passion for Indian Classical Music transported the audience to realms of profound musicality and spiritual resonance. The performances were supported by esteemed co-artists: Mustafa Hussain, Susamoy Mishra, Lalit Sisodia, and Zaheen Khan, each bringing their unique talents to enrich the musical tapestry of the evening. On this occasion, Subrata De Founder of Swaranjali Delhi said “We are honored to organize the show ‘Shraddhanjali,’ an ode to the timeless beauty and depth of Indian Classical Music,” organizer of the event. “This gathering is a celebration of tradition, talent, and the enduring power of music to unite hearts and souls.” The event featured eminent dignitaries, including Guest of Honor, Rakesh Pathak, Assistant Secretary of Sahitya Kala Parishad, who graced the occasion with his esteemed presence. The evening unfolded with a captivating performance by the Sitar-Violin duet, presented by Subrata De and Pt. Santosh Nahar, enchanting the audience with the melodious raag Kirwani. Accompanied by the rhythmic brilliance of Susamoy Mishra and Mustafa Hussain on tabla, the artists transported the listeners into the depths of musical bliss. The audience was privileged to witness the mastery of renowned artists such as Pt. Jitendra Singh, Indra Mukherjee, Mousumi Kundu, Ajay Jha, Amrita Dutta, Dr Ranjan Kumar, Prasenjit Adhikari, Monideep Mittra, and many others, who graced the occasion with their esteemed presence. Special recognition was extended to Pratima Sharma for her exemplary anchoring, which added an extra layer of charm to the evening’s proceedings. The concert included soulful renditions such as “Bilambit -piya mora manat nahin” and “Teental - tarapat Raina Dena piya bin,” evoking emotions and stirring hearts with their timeless melodies. As the evening drew to a close with the melodious strains of raag Mishra Pahadi Dhun, attendees departed with hearts full of music and memories.

Annual State Art Exhibition provides platform to budding artists to showcase their talent

April 28, 2025, 8:20 pm

The 2nd Annual State Art Exhibition 2024 was inaugurated in a grand manner with the joint efforts of Apeejay Education, Jalandhar and Virsa Vihar Jalandhar. Expressing her views at the Inaugural Ceremony of 2nd Annual State Level Art Exhibition 2024, Dr Sucharita Director, Apeejay Education, Jalandhar said that the objective of this Art Exhibition is to provide a platform to the budding artists to showcase their talent and to admire the creativity of eminent artists in front of the people so that other artists can also take inspiration from them. She also put forth that through this art exhibition we have presented paintings, sculpture, digital art, mixed media, graphic design and photography. Artworks of expert artists of the field were invited in which 160 artworks from different parts of the state of Punjab were received. The jury members - Dr Jaspal’s and Basudev Biswas selected 78 artworks for the exhibition at Virsa Vihar, Jalandhar. Tanishk Arora, a student of Department of Music of Apeejay College of Fine Arts, sang “Dhoom Machaye Shyam, Radha Sang Raas Rachaaye” Bandish in Raga Bhimpalasi and was accompanied on stage by Dr Sumit Singh ‘Padam’ on Sitar, Sahil on Tabla and Sagar on Harmonium. With the composition of music depicting Holi festival, they enthralled and intoxicated the audience with their melodies. In this 2nd state level Art exhibition, the best art works are rewarded. Guranjan Pal won the first prize along with Dr Stya Paul Award of Rs. 21,000 for her painting - Chanting. Second prize was awarded to Jalandhar based artist Sukhwinder Singh for his painting ‘Sparrow’s Feast’ and cash prize of Rs. 11,000 sponsored by Vivek Sondhi (PKF, Joint Managing Director). The third prize was given to Loveleen Verma for her sculpture ‘Verma on Web’ along with the cash prize of Rs. 7000 which was sponsored by Major General Balwinder Singh, Convener, INTACH. Also, another eight artists- Hargun Kaur from Jalandhar for her painting ‘Blue Holy City’, Gurpreet Singh from Ludhiana for his painting ‘Migrating Punjab’, Tina Sharma from Amritsar for her sculpture ‘Home’, Balwin Badhan from Jalandhar for his painting ‘Lost Souls’, Tarannum Gupta from Ludhiana for her painting ‘Shrinagar’, Sananpal Singh from Hoshiarpur for her portrait, Anuradha Thakur from Jalandhar for her sculpture ‘3 Plates’ and Rohit Kumar from Jalandhar for his work - Beyond Reality were honoured by Ajit Pal Singh (GST, Superintendent, Hoshiarpur) and all these commendable artists won the cash prize of Rs. 1000. All the artists participating in this art exhibition were honored with certificates. Principal Dr Neerja Dhingra expressed her gratitude to all the guests and artists present in the art exhibition and said that such artistic environment is inspirational and an opportunity for every budding artist. This art exhibition will run from 10:00 am to 5:00 pm from 22nd - 28th March 2024.

Pracheen Kala Kendra showcases 53rd Bhaskar Rao Nritya and Sangeet Sammelan

April 28, 2025, 8:20 pm

53rd Bhaskar Rao Nritya and Sangeet Sammelan is being organized by Pracheen Kala Kendra at Tagore Theatre till 24 March. Delhi based eminent Vocalist Amjad Ali Khan and troupe of Famous Odissi dance Guru Kiran Segal captivated city audience on the second day of the Sammelan. Classical vocalist Amjad Ali Khan from Kirana Gharana of Delhi won the hearts of the audience with his soulful recital. It is worth knowing that just a few days ago, Amjad ji’s father Ustad Akhtar Nawaz Khan , a legendary vocalist passed away and yet like a true artist he performed on stage. To justify “Show must go on” Amjad performed like a star. Amjad Ali Khan commenced with invocatory piece with composition Tu Hi Malik Mero in a vilambit ek taal after the traditional Aalap in Raga Puriya followed by a Madhya laya bandish. Then he doled out with composition in drut teen taan with bols Chalori Main Olia Beke Darbar which was appreciated by all. He concluded his recital with Aali Re Albeli, a beautiful bandish based on Raga Bihag. City based percussionist Mehmood Khan on tabla and Vivek Jain on harmonium accompanied him and added charm to the concert. In the second part of the program, Guru Kiran Segal’s group presented a beautiful presentation of Odissi dance. They started with invocatory composition Mangalacharan a prayer to goddess Saraswati. Then they moved on to present sthai which is a traditional part of Odissi dance depicting various sculptors from the temples of Odisha. Then the group moved on to present Pallavi based on Raga Hansadhawani in which beautiful gestures of dance were presented with their coordination with rhythm and laya. The audience was mesmerized to see beautiful display of beautiful gestures gestures. This presentation is composed by Guru Kiran Segal. After this, traditional Odissi dance, Odissi Tandav was presented and the composition was based on the Bhava aspect, was presented. This composition, adorned with bols Jaago Maheshwara , received a lot of applause from the audience. The audience were delighted to watch beautiful technical aspects of this dance performance. The fine team of accompanists like Prafulla Mangaraj on Mardal, Prashant Behera on vocals Dheeraj Pandey on flute, Janab Rais Ahmed on Sitar and Padmashree Guru Kiran Segal on Manjira added success to the event . Madhyama Segal, Sangini Kumar, Akanksha Roy, Maitri Pal Sanishka Roy Choudhary, Aditi Gupta and Janhavi Kallonini participated in dance presentation. Registrar of the Kendra Dr Shobha Koser and Secretary Sajal Koser honored the artists with mementos and Uttariya at the end of the program.

Collaboration established with aim to foster cooperation with Korea

April 28, 2025, 8:20 pm

With the objective to improve cultural and educational ties, Apeejay Education has taken a significant stride by establishing a framework to promote educational exchange programmes, solidified through the signing of a Memorandum of Understanding (MoU) with the Korean Cultural Centre India (KCCI). The MoU was signed by Dr Neha Berlia, Co-Promoter, Apeejay Stya & Svran Group, Joint Secretary, Apeejay Education, and Pro-Chancellor, Apeejay Stya University and Mr II yong Hwang, Director of Korean Cultural Centre India, in the presence of Ms Sunjune Min, Head of the Education Team at KCCI, Ishani Ranjan as well as Ms Vidhi Jain, Education Assistants, Korean Cultural Centre India. Through this MoU, the organisations have agreed to establish a collaboration for Korean Cultural Centre India – Apeejay Education Partnership Project also referred as School Project. The collaboration aims to foster cooperation in various areas, encompassing support for Korean language curriculum classes and hobby classes, encouragement for the practice of the Korean traditional support -Taekwondo, and joint educational activities. These activities include the Korean Cultural Centre India Tour, Korean Cultural Experience Workshop and an exchange program between Korean and all Apeejay Schools. Additionally, the agreement entails active participation in cultural events supported by KCCI such as “Korea-India friendship contests like quiz, essay, etc.”, “Korea Day Event”, “Korean festival”, etc. Sharing his thoughts, Mr II yong Hwang, Director of Korean Cultural Centre India, expressed his delight in Apeejay’s educational legacy of more than 50+ years, founded under the visionary leadership of Dr Stya Paul, Founder Chairman. Dr Neha Berlia, Co-Promoter, Apeejay Stya & Svran Group, Joint Secretary, Apeejay Education, and Pro-Chancellor, Apeejay Stya University, expressed her passion for delivering an exceptional value-driven education that prepares each student for a life-long journey of growth, learning and success. Emphasizing the holistic approach to education, she highlighted, “The commitment to providing the right energy and opportunity to nurture confident and self-reliant students from a young age.”

Renowned poet Gulzar, Prem Chopra, Mohit Chauhan graces 17th Edition of Kathakar International Storytellers Festival

April 28, 2025, 8:20 pm

3000 guests were enchanted by the unparalleled mastery of wordsmith poet and lyricist Gulzar and actor Prem Chopra as they graced the stage at the 17th edition of Kathakar - International Storytellers Festival, hosted at the prestigious Bharat Mandapam. As a goodwill gesture, the invitation to attend the festival was extended to the war widows, Veernari, Constabulary of the Indian Air Force, Delhi Police Force, Indo-Tibetan Border Police, and school students by Mohit Chauhan, patron of the Kathakar International Storytellers Festival. The festival was inaugurated by Meenakshi Lekhi, Minister of State for External Affairs & Culture. She spoke about the importance of storytelling. She added, “It is one of the oldest cultures where stories are passed on from one generation to another. It can be Phad in Rajasthan, Pandwani in Chattisgarh, Allah Udal in Uttar Pradesh.” She told the story of Ramayana. “Our social life, education, literature were passed down to us through storytelling,” she added. Mohit Chauhan, in conversation with poet Gulzar and Prem Chopra, was moderated by the esteemed Prarthana Gahilote. It showcased an engaging dialogue that delved into the depths of storytelling, cinema, and artistry. As these luminaries came together for the first time, there were insightful discussions, anecdotes, and a glimpse into the creative processes shared with the audience that have shaped their illustrious careers. The evening commenced with an exquisite Opening Act: a meticulously curated Piano Recital by the talented students of AR Rahman’s K M Music Conservatory. The harmonious notes transported everyone to a realm of musical brilliance, setting the perfect tone for an evening of cultural enrichment and artistic celebration. Mohit Chauhan said, “It is our honor to host Prem Chopra sa’ab and Gulzar sa’ab at the 17th edition of Kathakar. Bharat Mandapam is a state-of-the-art auditorium. Brilliant students of AR Rahman’s Music Conservatory will be performing piano recital and singing songs. For over 14 years, we at Kathakar have been promoting storytelling and working to restore dying art forms like folk music, poetry, storytelling, and theatre. It is important that people support the artists, performers, musicians so that this art form gets a fresh lease of life in the age of film, television, OTT, and other gadgets which have limited our interest in old art forms and book reading. We are thankful to our sponsors Ministry of Tourism, Delhi Tourism, and Coal India. The Ministry of Culture has over the years been supporting Kathakar and Doordarshan for showcasing our work pan India through its various channels and Radio Ishq as the Radio partner”. Poet and lyricist Gulzar said, “Once upon a time, there was a rabbit and a turtle who decided to compete in a race. This time, they had to cross a lake and meet at the end. When the turtle finally reached the end, the rabbit was nowhere to be found. Confused, the turtle called out for the rabbit; eventually, a rabbit came running. The turtle could not recognize the rabbit nor did the rabbit recognize the turtle. The reason being that it was the third generation of turtles which were racing. It took three generations of turtles to finish the race. The two learning we draw from the story are one it teaches you never to give up. Second that things are moving fast in this age, and we need to keep up with the pace of development. The perspective has to change; we have to match our pace with other countries which India is doing now.”

Dr. Anita Ratnam’s Arangham Dance Theatre presents “Naachiyar Next” : A Retelling of Andal’s Legacy

April 28, 2025, 8:20 pm

Dr. Anita Ratnam’s Arangham Dance Theatre is set to enthrall audiences with their latest production, “Naachiyar Next,” a captivating dance theatre performance delving into the life and legacy of Andal, the revered 7th-century CE poet-saint of Tamil Nadu. Scheduled for Sunday, March 31st, 2024, at 6 pm, the performance will take place at the esteemed Chinmaya Mission Hall on Lodhi Road, New Delhi. Renowned as a dance visionary, Dr. Anita Ratnam has consistently explored unique and uncharted territories, reimagining women and myths through her feminist perspective. Beyond her extraordinary performances, Ratnam is dedicated to outreach initiatives aimed at sharing the rich nuances of Indian arts with today’s youth. “Naachiyar Next” represents Ratnam’s latest endeavor, described as a “trans-creation,” offering a fresh interpretation of Andal’s profound narrative. This innovative production promises to unveil seldom-explored facets of Andal’s life, incorporating elements such as the traditional Kurathi (gypsy) soothsayer ritual from the Srivilliputhur temple. Featuring a talented ensemble of eight dancers, two actors, and four musicians, the 70-minute performance seamlessly weaves together dance, theatrical staging, ritual chanting, storytelling, and contemporary movement improvisations, delivering a visually stunning and emotionally charged experience. Reflecting on the significance of this unique performance, Dr. Ratnam shares, “Re-telling is like a translation. Rather a trans-creation. A remarkable life, saturated with emotion, passion, and poetry – lived over 1000 years ago – where the landscape of devotion and personal worship were forbidden for women – is a challenge.” Andal, also known as Goda, emerges as a remarkable figure, hailed as one of the earliest feminist voices whose profound love and devotion to her deity, Ranganatha/Krishna, resonates through the ages. Extensively revered in South India and uniquely honored with her own temple and living tradition, Andal’s poetry continues to captivate audiences, inviting them to delve into the depths of her remarkable journey. “Naachiyar Next” promises an unforgettable evening of artistic brilliance and cultural exploration, offering audiences a rare opportunity to immerse themselves in the profound poetry and legacy of this iconic Tamil figure. With its fusion of tradition and innovation, “Naachiyar Next” is poised to leave a lasting impact, celebrating the enduring allure and timeless relevance of Andal’s extraordinary life and work.

Sarangi cultural academy hosts spectacular sarangi legacy 2024 festival

April 28, 2025, 8:20 pm

Sarangi Cultural Academy hosted a remarkable evening of classical music at Triveni Kala Sangam on March 7, 2024. Founded by esteemed Sarangi artist Ustad Nasir Khan and his son Nabeel Khan, the youngest established Sarangi artist globally, Sarangi Cultural Academy paid homage to the legendary Sarangi maestro Padma Bhushan Ustad Sabri Khan Sahab. ‘Sarangi Legacy 2024’ showcased captivating performances by talented artists, including Nabeel Khan performing Sarangi solo accompanied by Pranshu Chaturlal on Tabla. Nabeel Khan began the evening with an introduction to Sarangi, the Queen of Indian Classical instruments, highlighting its history and unique characteristics. He mesmerized the audience with his performance of Maru Bihag, followed by compositions by Ustad Sabri Khan Sahab and his original composition, “The Arrival of Sultan,” inspired by his experiences in the desert. Nabeel Khan’s performance concluded with the iconic “Mast Qalandar,” leaving the audience spellbound. Pranshu Chaturlal on Tabla provided exquisite accompaniment, enriching the musical experience. The second performance featured a flute recital by Pt. Rajendra Prasanna accompanied by Abhishek Mishra. Pt. Rajendra Prasanna enthralled the audience with his rendition of Raag Puriya Kalyan, showcasing his mastery over the flute. His performance included famous compositions and exercises, culminating in a captivating rendition of thumri in Raag Khammaj. The performances were met with overwhelming applause and appreciation from the audience, who were treated to an unforgettable evening of music and culture. Talking about the event, Nabeel Khan said, “This festival celebrates the rich legacy of Sarangi and Indian classical music, honoring the contributions of maestros past and present. We are grateful for the opportunity to share our music with the world and inspire future generations of artists.” ‘Sarangi Legacy 2024’ was a testament to the enduring beauty and power of Indian classical music, leaving a lasting impression on all who attended.

The 16th Gharana Festival Delights Audiences with Musical Splendor!

April 28, 2025, 8:20 pm

Recently Swaranjali Delhi organised Two days of unparalleled musical brilliance at the recently concluded 16th Gharana Festival hosted by Swaranjali Delhi. Held at the prestigious Amaltas Hall, India Habitat Centre, Lodhi Road, the festival enchanted audiences with a harmonious blend of talent, culture, and celebration. Celebrating Tradition and Excellence: Music enthusiasts were treated to a mesmerizing showcase of Indian classical melodies and rhythms, highlighting the rich diversity of Gharanas. The festival honored the exceptional contributions of two maestros, Taalyogi Pandit Suresh Talwalkar ji and Padmabhushan Pandit Sajan Mishra ji, who received prestigious Lifetime Achievement Awards from Swaranjali Delhi, amidst heartfelt applause and admiration. Featured Artists: The festival lineup boasted an array of renowned artists who graced the stage with their extraordinary performances: Day 1: =Vidhushi Tulika Ghosh, the esteemed Vocalist from Mumbai, captivated the audience with her soulful rendition. =Pandit Ramdas Palsule ji, the Tabla (Solo) Maestro from Pune, mesmerized with his rhythmic mastery. Day 2: =Pandit Shounak Abhisheki and Abhed Abhisheki, the dynamic Vocalists from Pune, enchanted the crowd with their mesmerizing duet. = Shri Subrata De, in his Solo Sitar Recital, transported listeners to a realm of serenity and bliss. Accompanying Artists: The performances were enhanced by the skillful accompaniment of talented artists: Tabla: = Susamoy Mishra = Durjay Bhowmik = Pradip Sarkar Harmonium: = Sumit Mishra = Lalit Sisodia Reflecting on the Journey: As the curtains drew to a close on the 16th Gharana Festival, attendees departed with hearts full of gratitude and memories that will linger for years to come. Swaranjali Delhi extends heartfelt thanks to all who contributed to making this event a resounding success, reaffirming our commitment to preserving and promoting the heritage of classical music in India. About Swaranjali Delhi: Since its inception in 2000, Swaranjali Delhi has been dedicated to nurturing the rich tradition of Indian classical music and providing a platform for both established maestros and budding talents. Through events like the Gharana Festival, we continue to foster a deeper appreciation for the timeless beauty of Indian classical music across Pan India.

ART MAGNUM CELEBRATES THE WORKS OF PARIS BASED ARTIST ANJU CHAUDHARY WITH A POWERFUL SOLO SHOW: PAYSAGE EPHEMERALE

April 28, 2025, 8:20 pm

Her master strokes invoke a feeling of oneness with nature. Her abstract lines subliminally travel through the diverse cultures that Anju Chaudhary has lived, from the streets of bustling Kolkata, to a quaint Bengali village and finally flowing with the river Seine in Paris. On the eve of international women’s day, Art Magnum presents the splendorous works of a famous Indian artist Anju Chaudhari who has lived and worked in France creating nature prints that, though abstract, capture the cadence of flora and fauna in a lyrical form. She was trained in engravings by Stanley William Hayter at his illustrious art studio Atelier 17, Paris that artists like Pablo Picasso, Alberto Giacometti, Jackson Pollock, and Mark Rothko often frequented. Born in North Calcutta Anju was inspired by stories of Hindu mythology and she grew up absorbing the beauty of the beautiful sea and mountains. Educated in the Government College of Art & Craft, Calcutta, Anju won a National Scholarship to study art at the Faculty of Fine Arts in Baroda. After being exposed to Western Art in Baroda, she got scholar- ships to continue her studies at the St. Martins School of Arts, London, and then at the Ecole des Beaux-Arts, Paris. The essence of her work lies in her unique portrayal of her perception of the environment. For her, the idea of nature is universal as it is persistent in every part of the world. Hence, nature with its “Leafs, Flowers, Field, Forest, Landscapes, Windows, Cascade, Light” is an integral part of her art. She also renders images of the five elements in her artworks. She compliments her vision with her bold brushstrokes, intricate detailing, and harmonious use of colour. Her true artistic capability emerges from her incorporating the paper she uses; she is a pioneer in making paper where flowers, plants, pigments, and glues mingle to create a harmonious outcome. “ The artist’s artworks transcend more than just mere aesthetics; they embody the joy of human life and the unifying power of art and culture that brings people together. She captures the essence of shared experiences and hence celebrates the universality of art. The different blooms in her paintings represent different cultures, which come together to form a beautiful flower garland, depicting the convergence of different civilizations,” sharesJyotirmoy Bhattacharya. Acrylic, watercolour, inclusions, calligraphy, pencil, mixed technique, engraving... the medium for her art varies widely but her direction stays constant. Her art- works have been exhibited in many parts of Europe and Japan; Notably her work is in the permanent collection of the Victoria and Albert Museum in London and has been showcased in places like the Galerie Toni Brechbuhl, Switzerland and the Birla Academy, Calcutta. She is also the recipient of the Certificateof Merit from the Royal Academy of London and the International Arts Guild Prize for engraving in Monte-Carlo.

‘Voice of Colors’ exhibition echoed artistic brilliance

April 28, 2025, 8:20 pm

Sahitya Kala Parishad, Department of Art, Culture, and Languages of the Government of NCT, Delhi, organised ‘Voice of Colors’ exhibition at Bikaner House. The event was inaugurated by Minister of Arts and Culture, Government of NCT of Delhi Saurabh Bharadwaj, underscoring the government’s dedication to fostering the arts in the capital city. The exhibition, which started on 1 March, 2024, showcased an impressive collection of artworks curated from artists’ camps held in 2017 and 2024. It serves as a platform to honor the diverse talents and creativity of renowned artists and promises to be a highlight of the cultural calendar. Featuring celebrated artists such as Ajay Samir, Anupam Sud, Dharmendra Rathore, Gopu Gajwani, Hemraj, Jaganth Panda, Madhvi Parekh, Manisha Puskle, Mannu Parekh, Manoj Aggarwal, Milan Sharma, Ritu Kamath, Sabia, Shobha Broota, Shridhar Iyer, and Yusuf, the exhibition offered a diverse canvas of contemporary artistry. Each artwork invited viewers on a journey of exploration and discovery into a vibrant realm of creativity and expression. Ritu Kamath’s art piece ‘The Forgiving Mother’ connects with the world. Through various mediums, she portrayed nature as an unwavering, nurturing force, symbolizing resilience. This collection prompts reflection on our environmental responsibility amidst challenges like climate change. One piece, ‘Verdant Verses,’ showcased at the ‘Voice of Colours’ artist camp, highlights nature’s resilience against obstacles, urging social change. In Sabia’s art piece, nature plays a pivotal role in her artistic journey, serving as a constant wellspring of inspiration. Her work serves as a tribute to the beauty of nature and delves into the intricate bond between nature and women. Art lovers also got to witness renowned contemporary artist Hemraj’s artwork. Through his abstract compositions, Hemraj invites viewers on a journey of self-discovery, urging them to contemplate the timeless essence of humanity, which transcends the transient nature of ideas. Each brushstroke serves as a conduit to the universal, offering a glimpse into the depths of the human soul. Minister of Arts and Culture, Government of NCT of Delhi, Saurabh Bharadwaj, expressed his excitement, stating, “It is overwhelming to see the turnaround of the art lovers for the exhibition showcasing artwork from both the 2017 and 2024 Artist Camp. The sophistication of a civilization is assessed by how its artists and artwork are understood and empowered. It is a continuous effort of the government to support and encourage artists, whether musicians, dancers, or painters.” Dr Monica Priyadarshini, Secretary of Sahitya Kala Parishad, echoed similar sentiments, saying, “Through this exhibition, we not only celebrated the strokes of a brush, but the myriad stories and emotions woven into each masterpiece.”

37th Inter-University North West Zone Youth Festival 2024 held at Rohtak

April 28, 2025, 8:20 pm

The 37th Inter-University North West Zone Youth Festival, 2024 held at M.D University Rohtak, Haryana recently. More than 20 Universities of North West Zone participated in this 5 day Festival in various literary, performing and visual arts events. Apeejay Stya University, Sohna, Gurugram secured the Second Runners up Trophy in Inter-University North West Zone Youth Festival. ASU participated in 22 events and the team has qualified in 10 events making itself eligible for participating in National Youth Festival. The participants are extremely happy and jubilant over their success. The ecstatic Chancellor ASU Sushma Paul Berlia and Pro-Chancellor Dr Neha Berlia congratulated the students for their brilliant performance and grand accomplishment. They also congratulated the Vice Chancellor Prof.(Dr.) Vijay Vir Singh and acknowledged the great work put in by the Pro-Vice Chancellor Dr Sucharita and the dedicated faculty involved in guiding the students who had brought laurels to the University. The Chancellor Sushma Paul Berlia also encouraged them to keep up this high spirit and start working with greater enthusiasm for the Nationals.

Reflections of Womanhood: Celebrating feminine narratives through art

April 28, 2025, 8:20 pm

Reflections of Womanhood” is a poignant art exhibition set to captivate audiences from March 8th to 28th, 2024, across three distinguished venues: Pioneer Art Gallery, Divine Art Gallery, and digitally through Ehsaas. This collaborative effort, curated by the esteemed Manisha Gawade, promises a profound exploration of feminine narratives through various artistic mediums. With a lineup of 54 eminent artists, including luminaries like F.N. Souza, Anjolie Ela Menon, and Paresh Maity, the exhibition unveils a tapestry of women’s experiences, resilience, and contributions. Through paintings, sculptures, photography, installations, and printmaking, these artists channel the silent yet powerful voices of millions of women worldwide, celebrating their roles from nurturing mother figures to embodiments of divine energy. The exhibition serves as a compelling call to address lingering gender inequalities, emphasizing the imperative of empowering women through education and economic opportunities. Despite progress, the exhibition underscores that the journey towards gender parity is far from over, urging societies to confront and dismantle entrenched biases. The participation of renowned dancers and instrumentalists adds a dynamic layer to the showcase, enriching the sensory experience and reinforcing the theme of feminine strength and creativity. Manisha Gawade, the visionary curator, advocates for a transformative shift in education to secure economic freedom for women, signaling a pathway to a more equitable future. Her words resonate with the mission of Ehsaas, which champions women, artists, and weavers, highlighting the interconnectedness of diverse art forms in shaping societal narratives. Praveen Upadhye, Director of Pioneer Art Gallery, acknowledges the indispensable role of women in enriching humanity, portraying them as vibrant contributors to the fabric of society. Similarly, Sumit Thakur of Divine Art Gallery celebrates the harmonious coexistence of male and female artists, reflecting the broader vision of inclusivity and mutual respect. Established as platforms for nurturing creativity and promoting diverse artistic expressions, Pioneer Art Gallery and Divine Art Gallery underscore the importance of fostering dialogue and appreciation for Indian art both locally and globally. Their commitment to showcasing innovative works underscores a shared mission to push the boundaries of artistic discourse. In essence, “Reflections of Womanhood” transcends mere art exhibition; it is a testament to the resilience, beauty, and complexity of womanhood. Through evocative imagery and stirring performances, it invites viewers to contemplate the multifaceted narratives of women and reimagines a world where gender equality is not just an aspiration but a lived reality.

An exhibition unveils dynamic tapestry of feminine creativity & empowerment by Indian women artists

April 28, 2025, 8:20 pm

The National Gallery of Modern Art, Govt. of India, and the Museum of Sacred Art, Belgium collaborate for the exhibition “Shakti: Fair & Fierce,” celebrating feminine creativity and empowerment ahead of International Women’s Day. Curated by Sushma K Bahl and featuring 55 female artists, the collection spans diverse media, including paintings, sculptures, installations, digital art, and more. The exhibition explores women’s voices, addressing issues and dreams that shape their experiences. Shakti, representing all energy, embodies the divine feminine principle. The fair aspect symbolizes love and warmth, challenging stereotypes perpetuated by media. Fierceness signifies resilience against injustice, reflecting the dichotomy faced by women globally. Despite being revered in various forms, women, as per ancient Indian history, endure violations in real life, battling gender constructs and discrimination. Dr. Sanjeev Kishor Goutam, Director General of the National Gallery of Modern Art, expresses delight in showcasing the brilliance and resilience of Indian women artists. The curator, Sushma K Bahl, emphasizes the exhibition as an outlet for women’s self-expression, boosting confidence and independence. The exhibition features works by renowned artists like Madhvi Parekh and Jayasri Burman, exploring feminine discourse in a broader social context. Emerging talents like Keerti Pooja and Sonal Varshneya provide fresh perspectives on feminine life. The collection also delves into digital media with artists like Charuvi Agrawal, addressing divine feminine concepts amidst societal challenges. Martin Gurvich, Director of the Museum of Sacred Art (MOSA), Belgium, applauds the creativity emanating from Indian women artists, representing the mesmerizing scale of the Indian Creative Economy. The collection includes traditional art forms, embroidery work, and installations, reflecting a vibrant blend of contemporary and traditional expressions. Sangeeta Gupta’s exploration of textile and block printing connects with hereditary women embroiderers, advocating against women’s marginalization. The exhibition incorporates artworks from various regions, promoting inclusivity. Following its launch in India, the exhibition will travel to Belgium and potentially other international destinations. It aims to bridge gender divides, challenge dichotomies, and advocate for a wholesome and inclusive society through the lens of Indian feminine Shakti on the global stage.

Pracheen Kala Kendra set to showcase 23rd Quarterly Baithak as Part of ‘Legends of Tomorrow’ Series

April 28, 2025, 8:20 pm

Pracheen Kala Kendra is set to showcase the 23rd Quarterly Baithak, an evening of exquisite performances under the esteemed ‘Legends of Tomorrow’ series on March 2, 2024 at Triveni Kala Sangam. This event will foster classical Indian music, featuring renowned artists and rising stars. The first event will feature vocal recital by Nirali Kartik, accompanied by Zaheen Khan on Tabla and Sumit Mishra on Harmonium. Nirali Kartik is an Indian Classical Vocalist from Mumbai. A recipient of Shreshtha Sadhak Award by Gujarat Sangeet Natak Academy and Guru Gangadhar Pradhan Award, Nirali represents the venerable tradition of Indian Classical music in a way that relates to the contemporary audience. Her recently released classical music album “NAVYAA” has garnered a lot of love and appreciation from music lovers of different age groups. This will be followed by Sitar and Santoor Jugalbandi by Wahane Sisters: Sanskrati and Prakrati Wahane. They will be accompanied by Zuheb Ahmed Khan on Tabla. Sanskrati and Prakrati are treading the same path paved by their father, Dr Lokesh Wahane (Sitar Vadak). Sanskrati born on 25 January 1998 in Sikandra, Waraseoni (M.P.). She has been awarded ‘A’ Grade in ‘Sitar’ by AIR, Delhi 2024. She made her first debut at the age of eight. She received her initial education in the field of music from her father Dr Lokesh Wahane, Gandabandh disciple of the world famous Sitar Maestro Ustad Shahid Parvez (Etawah Gharana). Sanskrati’s tradition and style of playing is unmatched. It is characterised by a rare phenomena of purity of Raga, Gayaki and Tantrakari Ang. Prakrati Wahane has got God’s gift in the form of music. Born on 9 June, 1999 in Sikandra, Waraseoni (M.P.) She is pursuing her Master’s degree (M.A) in English Literature (2022) Vikram University, Ujjain (M.P). She started taking music training from her father Dr Lokesh Wahane. She has been Awarded ‘A’ Grade in ‘Santoor’ by AIR Delhi, 2024. She made debut at an early age of eight and since then is pursuing the traditional music training as a devoted artist. Both the sisters have represented the National Youth Festival in the year 2018 and 2019 respectively. Sanskrati and Prakrati have contributed their duet and solo performance in various parts of the country. Recently both Wahane sisters have performed their jugalbandi at the very prestigious Darbar Festival in London 2022.

Le Meridien New Delhi & Archives of Tarun Thakral Presents ‘Journey Through Time: +1 Day, +1 Story’

April 28, 2025, 8:20 pm

Journey Through Time: +1 Day, +1 Story” is an extraordinary exhibition, a collaboration between Le Meridien New Delhi and the Archives of Tarun Thakral, showcasing a captivating collection of hand-drawn Indian commercial posters from the 1920s to the 1960s. This unique visual journey is a celebration of the leap year, taking place at the Atrium Lobby (Longitude) of Le Meridien from February 29th to March 15th, 2024. The exhibition, curated by the Archives of Tarun Thakral, presents a rare assemblage of 28+1 original images, offering a magical experience that transcends time. Each poster becomes a storyteller, immersing onlookers in the charm of offset and lithographic techniques, unveiling the evolution of design aesthetics and the rich visual history of India. Tarun Thakral, the curator, expresses his anticipation in presenting this immaculate collection to the world. He describes each piece as transcending its commercial purpose, providing a glimpse into social evolution, consumer trends, and artistic expressions. The exhibition serves as a time capsule, reflecting the dawn of independence through advertisements promoting indigenous products and showcasing a nation’s growing self-belief. Tarun Thakral invites viewers into the bustling marketplaces of the past, capturing the essence of Art Deco and Glamour through changing styles of hand-drawn illustrations. Meena Bhatia, Vice President & General Manager of Le Meridien New Delhi, expresses joy and fascination in opening the doors to guests for this unique exhibition. She highlights the posters as beyond interesting, sparking contemplation about the levels of creativity in yesteryears. Tarun Thakral, not just a curator but a prominent figure in the hospitality industry, boasts over 35 years of experience both in India and abroad. His passion for vintage and classic cars led him to establish the Heritage Transportation Trust in 1996, promoting the preservation of transportation modes used in India. As the Founder & Managing Trustee, Tarun developed India’s first comprehensive Transport Museum – the Heritage Transport Museum – which opened in December 2013 near Gurgaon. This museum, spanning 3.01 acres, features 95,000 sq feet of exhibition galleries, a library, a mini auditorium, a souvenir shop, seminar rooms, and a refreshment area. The Heritage Transport Museum sets a standard for Indian museums with dramatic displays, in-depth interpretation, an extensive collection, and opportunities for visitor participation. With over 3,500 curated objects on display, it weaves a colorful tale of India’s transportation history and has inspired more than 2 million visitors. The museum has received numerous national and international awards, including the prestigious National Tourism Award for being the most innovative and unique tourism project in the country. While Tarun’s transport-related collection is showcased at the Heritage Transport Museum, he also maintains an extensive collection of original popular visual arts, including old calendars, posters, oleographs, prints, and more. This collection, comprising over 5000 items, is currently in the process of being cataloged and preserved under the Tarun Thakral Archival Collection. Today, Tarun actively divides his time between the hospitality industry, the museum, and the arts, embodying a commitment to preserving and showcasing India’s rich cultural heritage and artistic expressions.

Adbhut Bharat showcases values of Indian cultural heritage and care for the environment

April 28, 2025, 8:20 pm

The Annual Appreciation Day at Apeejay Svran Global School held recently was an occasion to not only recognise the immense talent of its students but also to reiterate its commitment to the values of Indian cultural heritage and care for the environment. Themed Adbhut Bharat, the event was a dazzling celebration unravelling the glorious and vibrant tapestry of India. The cultural extravaganza included an enchanting Orchestral Performance that resonated with the audience. A divine Prayer Dance followed, setting a spiritual ambience for the evening. The students, true to the cultural ethos of India, presented a kaleidoscope of rhythmic songs, dances, and drama. Further, the rendition of the epic The Ramayana by the students not only showcased their artistic prowess but also symbolized the triumph of truth over sin. The students delivered impactful dance performances that conveyed the urgent message of environmental protection. Through their artistic expressions, the students demonstrated a keen sense of responsibility towards the planet. Shreshth Tayal (I.R.S) Deputy Commissioner of Income Tax, graced the Annual Appreciation Day as the Chief Guest. He said that while it is important for every student to pursue academic excellence, it is equally important that they learn to value human relationships, especially with family and friends. The Chief Guest felicitated the winners across various fields, acknowledging and applauding their dedication and excellence. The programme culminated with a grand finale performance that left the audience not only elated but with a feeling of enrichment about the values that it sought to reiterate.

Ghoomar: The mesmerizing folk dance of Rajasthan

April 28, 2025, 8:20 pm

Ghoomar, one of the most iconic and cherished folk dances of Rajasthan, embodies the rich cultural heritage and vibrant traditions of this colorful Indian state. With its graceful movements, swirling skirts, and rhythmic beats, Ghoomar captivates audiences with its beauty and elegance while celebrating the joyous spirit of Rajasthani culture. Origins and History The origins of Ghoomar can be traced back to the royal courts of Rajasthan, where it was performed by women on auspicious occasions, festivals, and weddings. The word “Ghoomar” is derived from the Rajasthani term “ghoomna,” which means to twirl or rotate. Over the centuries, Ghoomar evolved from a traditional ritual dance performed exclusively by women to a popular form of entertainment enjoyed by people of all ages and backgrounds. Performance and Style Ghoomar is characterized by its graceful and fluid movements, accompanied by lively folk music and rhythmic clapping. Dancers, typically dressed in vibrant and colorful attire, including flowing skirts (ghagras) adorned with intricate embroidery and mirror work, perform intricate footwork and twirls in sync with the music. The dance is marked by circular rotations, where dancers gracefully spin and twirl while moving in a synchronized manner. One of the most striking features of Ghoomar is the use of elaborate hand gestures, known as “mudras,” which convey a wide range of emotions and expressions. These hand movements, combined with the dancers’ graceful spins and twirls, create a mesmerizing spectacle that captivates audiences and leaves a lasting impression. Symbolism and Significance Ghoomar holds deep cultural and social significance in Rajasthani society, symbolizing joy, celebration, and communal harmony. Traditionally performed by women from various communities, Ghoomar serves as a form of self-expression and empowerment, allowing women to showcase their talent, grace, and creativity. The dance is often accompanied by traditional Rajasthani folk songs, known as “ghoomar geet,” which narrate tales of love, valor, and everyday life in the desert regions. These songs, passed down through generations, add depth and meaning to the performance, reflecting the rich oral traditions of Rajasthani culture. Celebration and Preservation Today, Ghoomar continues to be celebrated and cherished as an integral part of Rajasthan’s cultural identity. From village fairs and folk festivals to grand weddings and cultural events, Ghoomar is performed with passion and pride, keeping alive the traditions of the past while embracing the spirit of modernity. Efforts are underway to preserve and promote Ghoomar as a cultural heritage of Rajasthan, with initiatives focusing on training young dancers, documenting traditional dance techniques, and showcasing Ghoomar on national and international platforms. Through these endeavors, Ghoomar remains a symbol of Rajasthan’s rich cultural legacy, captivating audiences with its timeless beauty and enduring appeal. In conclusion, Ghoomar stands as a testament to the artistic creativity, cultural diversity, and enduring spirit of Rajasthan. With its graceful movements, vibrant costumes, and rhythmic melodies, Ghoomar continues to enchant and inspire audiences around the world, celebrating the rich tapestry of Rajasthani culture and heritage.

‘Voice of Colors’ artist camp wraps up, leaving an everlasting impression on Delhi’s cultural canvas

April 28, 2025, 8:20 pm

The four-day “Voice of Colors” Artist Camp organised by Sahitya Kala Parishad, the Art and Cultural Department of the Government of NCT, Delhi, came to an end, leaving an everlasting mark on Delhi’s cultural landscape. The camp, which was held at the scenic Zorba the Buddha, provided a dynamic setting for well-known artists to create an array of rich artistic diversity and boundless creativity. Curated by Vineet Paliwal, the camp featured well-known figures like Ajay Samir, Dharmendra Rathore, Milan Sharma, Hemraj Manoj Aggarwal, Ritu Kamath, Sabia, Shridhar Iyer, and Yusuf. From traditional mediums like watercolors and oils to contemporary explorations in mixed media and installation art, the camp showcased the vast spectrum of Indian artistic talent. Each artist brought their unique voice, cultural influences, and personal narratives to the forefront, creating a stunning array of diverse artworks. Sahitya Kala Parishad will soon announce an exhibition showcasing the captivating creations born from the camp. This exhibition, featuring artworks from both the 2024 and 2017 editions, promises to be a feast for art lovers, offering a glimpse into the multifaceted world of Indian contemporary art. Dr. Monica Priyadarshini, Secretary of Sahitya Kala Parishad, stated, “Voice of Colors is a testament to the brilliance of Indian artists. It was inspiring to witness their diverse expressions and the spirit of collaboration that flourished throughout the camp.”

Nisha Kesari’s Kathak Odyssey: An Unforgettable Evening at the India International Centre

April 28, 2025, 8:20 pm

Nisha Kesari’s mesmerising performances charmed the audience, beginning with an invocation to Lord Shiva through Shiv Dhrupad. This segment showcased slow and meditative passages, intricate melodic ornamentation, and rhythmic patterns reflecting the cosmic dance and divine essence of Lord Shiva. Gracefully depicting Shiva’s benevolent presence and his role as the destroyer of ignorance, Nisha’s performance was both captivating and spiritually uplifting. Nisha then performed a classic Kathak repertoire in Taal Teentaal and Taal Dhamaar. She demonstrated her command of the art form by performing bandishes such as Upaj, Thaat, Aamad, Uthan, Paran, Tukde, Tihai, Ladi and by having Gatnikas express characters, moods, and emotions. She added depth and variation to her performance by presenting Aanchal gat and Nawab Wajid Ali Shah’s Gatnikas, which included husn, salami, and rukhsar. Nisha Kesari played a bandish in Raga Basant, “Phagavaa brij dekhan ko chalo ri,” and in Basant Bahaar, “Ketaki gulab juhi,” showcasing the colors of spring and their significance of romance and rejuvenation. Sakhi is calling her friends and asking them to go with her to see the beautiful season of Basant at Brij. The messenger bird has told her that in this spring season, we will meet Lord Krishna. When spring arrives, the entire garden will be filled with the sweet scent of flowers. I will embrace Krishna in this beautiful season. The poet describes the spring season and the fervour that goes with it. The sakhis of the village are welcoming the season by adorning themselves with fresh flowers and jewellery and swinging on jhulaas. They tell each other to dress up in their finery and prepare some abir gulal (coloured mixture) used for playing holi with their friends. Accompanying Nisha were esteemed artists, including Guru Rani Khanam Ji on padhant, Nasir Khan Ji on sarangi, vocals and harmonium by Shuheb Hasan Ji, and tabla by Aman Ali Khan Ji, enriching the performance with their musical expertise. Nisha Kesari, known for her rhythmic and flowing movements coupled with strong footwork, demonstrated her prowess as a prolific exponent of Kathak. Having begun her journey into Kathak at the age of 7 under the guidance of Guru Rani Khanam Ji, Nisha’s passion for the art form has propelled her to remarkable heights. With Nisha Kesari’s compelling performances engaging audiences on both emotional and spiritual levels, the event proved to be a memorable experience for Kathak enthusiasts and receptive spectators alike.

Celebrate the creative soul at The Art Hub’s 8th anniversary exhibition

April 28, 2025, 8:20 pm

The Art Hub, a beacon of creativity nestled in the heart of South Delhi, is gearing up to celebrate its 8th Anniversary with an extraordinary exhibition at the esteemed Alliance Française de Delhi on February 25, 2024. This commemorative event, chaired by the visionary founder Bhavna Minocha, promises to be a vibrant showcase of artistic ingenuity, featuring the works of both seasoned artists and budding talents nurtured within The Art Hub’s nurturing embrace. At the core of this jubilant celebration is a profound appreciation for the transformative power of art. Through a diverse array of mediums ranging from pen and watercolor to acrylic and oil, the exhibition pays homage to the boundless creativity cultivated within The Art Hub’s vibrant community. Founder Bhavna Minocha herself leads by example, infusing the showcase with her dynamic and ethereal creations that serve as captivating focal points for any space they inhabit. One of the highlights of the exhibition is “The Journey Continues...”, a captivating collection of paintings by the talented artist Gauri Minocha. Gauri’s journey through the realm of art has been marked by accolades and achievements, from her formative years at Vasant Valley School to her current pursuit of a degree in Psychology at Lady Shri Ram College. Despite her academic pursuits, Gauri remains deeply connected to her artistic roots, with her works adorning homes and prestigious galleries alike. Also gracing the exhibition is TAH Spotlight Artist Saurabh Sukhwani, whose passion for art transcends the confines of convention. Despite the demands of familial obligations, Saurabh’s unwavering dedication to his craft has blossomed under the guidance of Bhavna Minocha, resulting in a body of work that seamlessly blends imagination with realism. Saurabh’s story serves as a testament to the enduring power of artistic expression in the face of adversity. Furthermore, the exhibition shines a spotlight on emerging talents such as Gaurika Gaind and Vaneesha Khandelwal, whose artistic journeys have been shaped by their experiences at The Art Hub. Their contributions, alongside those of other featured artists, offer a glimpse into the diverse tapestry of creativity that defines The Art Hub’s vibrant ecosystem. A particularly poignant addition to the exhibition is “Voices on a Canvas”, a collection of artworks inspired by John Lennon’s timeless anthem “Imagine”. Crafted by young artists aged 4-15, these masterpieces serve as a testament to the universal language of art, transcending age and experience to convey a profound message of hope and unity. Proceeds from the sale of these artworks will be dedicated to the noble cause of the Little India Foundation, underscoring The Art Hub’s commitment to using art as a force for good. Beyond the captivating artworks on display, the exhibition offers visitors a unique opportunity to engage with fellow admirers, meet the artists firsthand, and delve into the wellsprings of inspiration that fuel their creativity. From thought-provoking conversations to hands-on demonstrations, the event promises to be a celebration of art in all its forms. As the curtain rises on The Art Hub’s 8th Anniversary Exhibition, it invites one and all to join in the festivities and revel in the boundless creativity that defines this vibrant community. With each brushstroke and each conversation, the exhibition serves as a testament to the enduring power of art to inspire, uplift, and unite us all.

This is why we celebrate ‘International Mother Language Day’

April 28, 2025, 8:20 pm

International Mother Language Day is celebrated on February 21 each year. It is a celebration of diversity and linguistic awareness around the world. India is a shell of thousands of languages and dialects, making it one of the most diverse countries in the world. Language is a means of communication and connections, but it also represents culture and intellectual heritage. On February 21, 1952, four Bangladeshi students were killed as they campaigned to make Bengali language as the official language of the state. In 1999, General Conference of the United Nations Educational, Scientific and Cultural Organisation (UNESCO) announced the day as 'International Mother Language Day,' which was later welcomed by the General Assembly of the UN. The theme for this year is 'Multilingual education is a pillar of learning and intergenerational learning.' UNESCO wrote on its website, 'Today, 250 million children and young people still do not attend school and 763 million adults do not master basic literacy skills. Mother tongue education supports learning, literacy and the acquisition of additional languages.'

The Art of the Entrance: Choosing the Perfect Door for Your Home

April 28, 2025, 8:20 pm

Every home tells a story, and the first chapter unfolds the moment you step through the door. Beyond mere function, a door sets the tone, whispers the promise of style, and reflects the personality within. But with so many material and design choices, navigating the world of doors can feel like traversing a labyrinth. Fear not, intrepid explorer, for this guide will equip you with the tools to unlock the perfect entrance for your story. Material Matters: The very fabric of your door sets the stage for its presence. Here's a glimpse into the three main material options:

Steel: For unwavering strength and security, steel reigns supreme. Impregnable against the elements and intruders, steel doors are the guardians of garages, basements, and entryways in high-traffic While lacking the warmth of wood, they offer a sleek, modern aesthetic and require minimal maintenance.
Plastic: Budget-friendly and practical, plastic doors shine in specific Lightweight and water-resistant, they fit seamlessly into bathrooms, utility rooms, and laundry areas. However, their affordability comes at the cost of limited design options and durability.
Wood: Ah, the timeless charm of Wooden doors stand as the darlings of home décor, offering unparalleled beauty, warmth, and versatility. They are a symbol of aesthetic appeal, seamlessly combining natural beauty with versatility. With robust insulation properties, exceptional durability, and the ability to be customized, wooden doors provide a secure and environmentally sustainable choice. Enhancing the character of homes and commercial spaces, contribute to both visual appeal and functional efficiency. Wooden doors whisper sophistication in living areas and provide a sense of privacy in bedrooms.

A Symphony of Choice: Stepping into the realm of wooden doors, the options blossom like a spring garden. Each type carries its distinct melody, waiting to harmonize with your home's unique rhythm:

Flush Doors: Modern and minimalist, flush doors offer a sleek canvas for paint or stain, blending effortlessly with contemporary styles. Their affordability and lightweight construction make them ideal for interior spaces like bedrooms, closets, pantries, and even utility rooms where a clean, uncluttered look is desired.
Laminated Doors: Durable and low-maintenance, laminated doors mimic the look of expensive wood grains without the hefty price tag. Resistant to scratches, stains, and moisture, they're perfect for busy areas like kitchens, bathrooms, and children's rooms, where practicality meets style.
Veneer Doors: Craving the natural beauty of wood, but on a budget? Veneer doors offer the best of both They combine the aesthetic appeal of real wood with a more affordable price tag, adding warmth and texture to living areas, bedrooms, home offices, or even hallways where a touch of elegance is welcome.
Designer Doors: Let your door be a conversation starter! Designer doors showcase intricate carvings, unique designs, and handcrafted elements, transforming your entrance into a statement piece. Their exclusivity adds value to your home, making them a worthy investment for entryways, living areas, or even as a focal point in a bedroom or study.
Custom Teak Wood Doors: For those seeking unmatched durability and timeless elegance, custom teak wood doors stand as the pinnacle of artistry. Naturally weather-resistant and rot-proof, teak defies the elements, becoming a family heirloom that graces your exterior doors, patios, or even wine cellars for generations.

Each wooden door type adds its unique charm and functionality to your home. Consider your individual needs and style to ensure your chosen door harmonizes beautifully with your space. Whether you seek sleek minimalism, enduring practicality, natural warmth, or a showstopping statement, the world of wooden doors offers a melody to match your home's rhythm. By- Faizan Ahmad, Managing Director of Splice Ply, Powered by Ahsan Agro Private Limited

NEWS ART FEST 2024 set to celebrate vibrant diversity of Indian contemporary art

April 28, 2025, 8:20 pm

India Fine Art, Mumbai, is set to organise the inaugural edition of NEWS ART FEST 2024, a spectacular Contemporary Art Festival scheduled to take place from 17 February to 7 March, 2024, at the esteemed State Art Gallery in Madhapur, Hyderabad. This landmark event is curated by renowned figures in the art world Manvinder Dawer, Dr Laxman Aelay and Bolgum Nagesh Goud. NEWS ART FEST 2024 is a celebration of creativity, innovation, and cultural exchange. Presented by India Fine Art, Mumbai, this groundbreaking festival will showcase the works of over 200 contemporary Indian artists, spanning various genres and styles, including paintings, sculptures, installations, and new media art. Kicking off the festival is an onsite Art Camp from 12 to 17 February featuring 13 senior and eminent contemporary artists from across India. Attendees will have the unique opportunity to witness these maestros in action, interacting with them as they bring their creations to life. The festival will also host an exclusive preview on Saturday, 17 February offering a sneak peek into the diverse and captivating artworks on display. The heart of NEWS ART FEST 2024 lies in its Art Show, a curated collection of over 200 artists’ works, ranging from established luminaries to emerging talents. Visitors can expect to be mesmerized by the breadth and depth of artistic expression, with pieces representing various styles, themes, and mediums. In addition to the exhibition, the festival will feature Art Historical Talks, Panel Discussions, Folk Art Workshops, New Media Art Installations, Film Screenings, and Live Performances curated by experts Anand Gadapa and Dr Nirmala Biluka. “NEWS ART FEST 2024 is a magnanimous and one-of-a-kind Contemporary Art Festival presented by India Fine Art, Mumbai. It is the brainchild of three enthusiastic and dynamic individuals, Dr Laxman Aelay, Manvinder Dawer, and Bolgum Nagesh Goud, who aspire to showcase the best of artistic practices from across the country, with Hyderabad as its host city. The festival aims to celebrate the rich tapestry of Indian art and culture while providing a platform for both established and emerging artists. Hyderabad’s unique legacy of nurturing art and culture, combined with its multicultural cosmopolitanism, makes it the perfect setting for this transformative event. Through NEWS ART FEST 2024, we hope to make art more accessible and affordable to art collectors and the public, enriching the vibrancy of the city and contributing to its cultural tapestry,” Manvinder Dawer said.

Singer Mohit Chauhan releases his new song Duur from album ‘Musafir’

April 28, 2025, 8:20 pm

Mohit Chauhan who completed 25-years of musical journey in Bollywood, which started with the release of his first musical album in 1998 ‘Boondein’, released his new solo musical album on 10 February in Delhi. This is Mohit Chauhan's 5th studio album. The album ‘Musafir’ has 10 songs. The first of the songs released on 10 February is a song called Duur. Duur is the first ever Indo-Mongolian music collaboration. The song is important as it comes at a time when India and Mongolia complete 69- years of their diplomatic and friendly relations. ‘Musafir’ the new Music Album released under Mohit Chauhan Music by Kiren Rijiju, Union Minister of Earth Sciences. Meenakshi Lekhi, Minister of State for External Affairs and Culture was the Guest of Honor. Singer Mohit Chauhan said, "This song is a collaboration between me and a Mongolian artist, we both have sung this song. I am also a Cultural Envoy of Mongolia to India, so I got the opportunity to visit Mongolia and to meet the artists over there to that's how I recorded the music. The song 'Duur' was shot in Himachal Pradesh. I think this is the first Cultural collaboration between India and Mongolia. And this is just the beginning, more songs will be coming soon." On Saturday, Mohit took to his Instagram account and shared a glimpse of the track 'Duur' and captioned it, "#Duur my first song from my new solo album #Musafir is out today!!!" The song's description reads, "Composed and produced by Mohit Chauhan is one of the 6 songs he has done with Mongolian artists. They will be released as singles over the next few months. The full album 'Musafir' will have a total of 10 songs." Other important dignitaries who attended the function are Jairam Thakur, Former Chief Minister of Himachal Pradesh, H E Dambajavyn Ganbold, Ambassador Designate, Embassy of Mongolia and M P Singh, Former Ambassador of India to Mongolia, Govind Mohan, Secretary Ministry of Culture, Vinay Sahasrabuddhe, President, ICCR, and Abhijit Halder, IBC DG.

Captivating musical play ‘Ollie with a Twist’ showcases talent of large number of students

April 28, 2025, 8:20 pm

With the objective to recognise the outstanding achievements of students in both scholastic and co-scholastic areas as well as showcased the immense wealth of talent of the students, Apeejay School, Noida recently celebrated its Annual Appreciation Day with much grandeur and gaiety. The special highlight of the evening was a captivating musical play– ‘Ollie with a Twist’— a modern take on Dickens’ Oliver Twist, showcasing the talent of a large number of students. The bilingual play was inspired by the sentiment of compassion, social commitment and equal education opportunities for all. The idea was to let the students imbibe these human values organically as value based education is a prime focus of the School. The Chief Guest for the evening was Ms Laxmi Singh, IPS, Commissioner of Police, Gautam Budh Nagar, UP. She congratulated the School for its achievements and said that she was genuinely impressed by the academic excellence, display of sportsmanship and talent. She further said, “The world has become more competitive, it is crucial to understand what real education entails. Competitions and exams, while important, are just the beginning. The real tests lie in decision-making, facing obstacles, and meeting challenges after leaving institutions like Apeejay School Noida.” Padma Shri, Shashadhar Acharya, an exponent of Chhau dance form, graced the occasion as the Guest of Honour. He highlighted the need to be grounded as a human being and encouraged students to pursue any art form alongside academics. The entire programme was led by students themselves - from welcome, compering, reporting and thanks-giving. The programme was presided over by Dinesh Rai, Member, Board of Governors, on behalf of Madam Sushma Paul Berlia, Chairman, Apeejay Education. He expressed delight at the School’s success, including consistently ranking first in various surveys. Principal Ritu Kohli, presented the Annual School Report along with members of the Prefectorial Board, chronicling the School’s achievements at the International and National level. In the much anticipated Prize Distribution Ceremony, the Chief Guest and Guest of Honour felicitated the meritorious students for excellence in academics and co-scholastic arenas for the session 2023-24.

Raj Shahani’s exhibition Mukhowta opens in Bikaner House

April 28, 2025, 8:20 pm

Raj Shahani presents Mukhowta, a series of wood works where he makes a forest of antique wooden corbels on bases in a circular formation like a sacred forest. He repairs accentuates each object with a metal covering to reflect on our alter egos. Drawing inspiration from the sacred Snake Groves of Northern Malabar he creates a constellation of wood and metal in the Mughal Fountain Rotundas of Bikaner house. The exhibition will be on display until 29 February. Raj Shahani places pieces of Burma teak behind shining plates of metal – copper, gold, silver, panchadhatu, bronze ,German silver, brass and steel, reminding us of the ethereal presence of materials used in sculpture, but it also hides something valuable behind by a veneer of a shining metal. That shining metal is our alter ego, our ‘Mukhowta’, the mask that we don hiding our real beautiful selves in wood. The two fountains in the courtyard don snake sculptures made from a jute rope adorned with an iron hood and tail. Calling them ‘Sarpa Devtas’ they are drawn from the sacred Sarpa Kavus or Snake Groves of Kerala, through which water sprouts towards a blue sky above beckoning our belief in nature. Protecting us. “Raj Shahani’s practice in art gave us the opportunity at AnamKara to deal with complex realities of queerness and the gaze but also the brilliance of self taught artiste and their unique practices. Raj is prolific in his practice of sculpture, a vocation he uses as a catharsis for repair and therapy in a world where we are now living through a mental health pandemic of humongous scale. Art today is a soul friend in change, and soul friend translates to AnamKara in Celtic” says Priyanka Kheterpal of AnamKara. Masks have had an undeniable existence in the history of visual culture of India. Masks act as a spiritual apparatus to performances that are esoteric and magical, used by shamans as acts of divine presence and the clairvoyance. In the districts of the Malabar in Northern Kerala – Theyyam is a calling of nature spirits by shamanistic characters who dwell in a sacred cove called the Kavu, where snakes of fortune from the Nagaloka inhabit as protectors of the forest. The Theyyam dancers dance through the wake of night enthralling an audience into ecstasy. ‘Pitala (Brass)’ and ‘Tambra (Copper)’ are two sculptures of the logs that in their veins hold memory of the forests. ‘ Swarna (Gold)’ and ‘Rajata (Silver)’ are the two anapakshis where the peacocks are embellished with a Gold and Silver plating. ‘Kansa ( Bronze), ‘Tina’ (German Silver), ‘Loha’ ( Steel) and ‘ Panchadhatu (Five Metals) ‘ are four sculptures where Raj makes the brackets vertical in an upright standing position by giving them legs using bronze, tin, steel and aluminium. Using the same metals he fills in the cavities left in by the pillars and wooden fixtures that have been taken apart. By filling them in he makes a cosmetic effort at making them complete again using a shining surface. An aesthetic measure is at play - we aren’t ever made to feel complete with our adornments. A smaller third corbel has a vine of floral elements emerging from the jaws of the dolphin. He caps this makara with a ‘panchoha’ or ‘panchdhatu’ alloy. The gangetic dolphin is a very sacred animal that is the vehicle or vahana of the Ganges, India’s sacred river. Panchaloha or Panchadhatu is an alloy of gold, silver, copper , zinc and iron and is used across Hinduism, Buddhism and Jainism to make sacred idols and utensils for worship. Giving the makara of the Gangetic Dolphin a ‘Panchaloha’ embellishment Raj plays on the dichotomy or sacredness and pollution. ‘Makara’ in Ancient Indian texts is revered as the vahana or vehicle of the Mother Ganges, a river that has power to purify but one we often pollute. This dichotomy is inherent in the Modern Indian psyche which is lost to grandstanding and statements.

WHEN ART MEETS DESIGN

April 28, 2025, 8:20 pm

Milaaya Embrodieries brings an endearing sustainable story to the India Art Fair. Recreates 6 master artist’s body of work in hand made embroidery. What do you do if you are a textile expert, an embroidery protagonist and a lover of art? You create the most unique platform where art meets design and where embroidery takes centre stage, answering questions of sustainability, continuity and making art more affordable. Gayatri Khanna, a self-made design afficionado whose Mumbai based embroidery atelier Milaaya Embroideries crafts couture pieces for global brands like Tom Ford, Oscar De La Renta, Roberto Cavalli amongst others joins hands with MASH to recreate art by masters into embroidered and embellished art. Making these formidable but exquisite works available to collectors, these hand worked wonders are a true labour of love and a testament to the sheer gravitas of the Indian handmade story that has made ours the most coveted country for impeccable couture. The geometric cadence of Reza, the floral world of Ghulam Shiekh, the surreal depth of Ranbir Kaleka, KK hebbar’s abstracts and Ram Kumar’s mystical city landscapes, all are recreated by the dexterous hands of a hundred beaders and embroiderers who worked tirelessly for days on the work. Threaded Visions a show by Gayatri Khanna is presented by MASH and curated by Dr. Arshya Lokhandwala , Founder Director of Lakeeran Gallery. Gayatri Khanna, the one who conceived the show shares her thoughts. Milaaya Embroideries is renowned for its luxury embroidery. What inspired you to collaborate with M.A.S.H. for an exhibition that focuses on sustainability and the intersection of contemporary art and embroidery? With an experience of 25 years in the world of luxury and couture embroidery , Milaaya Embroideries is working to expand the scope of hand embroideries beyond just fashion, to blur the line between craft and art by promoting hand embroidery as a medium to create art. MASH seemed like the ideal platform for us to partner with not only because Shalini Passi is a distinguished art connoisseur but MASH also supports new artists, ideas and creativity . It was the perfect collaboration for MASH to present couture hand embroidered works for the first time and for Milaaya to have a unique and renowned platform to launch on. Our mission to save this dying craft and vision to take hand embroidered art to the world align perfectly. Having the opportunity to showcase at IAF, we wanted our artworks to send a message of sustainability- to preserve our planet and environment with thoughtfully curated artworks but also promote sustainability of the craft. The exhibition showcases a range of embroidery techniques. Could you shed light on the significance of preserving and showcasing diverse traditions and skills of Indian embroidery through this artistic endeavor? 2. Hand embroidery is a skill that is passed on from one generation to another. With education and awareness, the current generation wants to explore other opportunities that provide a better livelihood. Hand embroidery is thus a dying craft. Milaaya’s goal is to encourage the younger generation of artisans by providing them not only with better working conditions, benefits and incentives as they have at Milaaya Embroideries but also the recognition and respect they deserve. Through ‘Threaded Visions’ we aim to widen the scope of embroideries beyond fashion by introducing it as a medium to create art, give an opportunity to the artisans to showcase their creativity without any limitations as well as create awareness on this dying craft. As far as impact on the perception of hand embroidery as an art goes- creativity has no bounds or limitations. It is a relatively new space however we have tried to maintain the essence and the style of these distinguished artists. It’s wonderful to see how with a needle and thread, the details, depth and the textures of the original artwork have been captured giving them a new life and we hope that comes across through this exhibition. How did art meet embroidery in your world? 3. The world of embroideries has endless possibilities. Hand embroideries is an ancient Indian craft with the diversity of India reflecting in the different embroidery techniques coming from that region. With just a needle and thread , these artisans create a myriad of stitches and textures. The surrealism and the play of light in Ranbir Kaleka’s artworks , the detailing and softness in Nilama Sheikh’s scroll or the abstract brush strokes from Ram Kumar’s landscapes all are translated meticulously with techniques like French knots, Satin stich, chain stitch, back stitch, waffle stitch, spring stitch and more. The richness and the depth in hand embroidery cannot be mimicked by machines. The different styles of art showcased in the exhibition give us an opportunity to showcase a multitude of hand embroidery techniques suitable to each, allowing us to stretch our imagination and creativity. Inputs from Shalini Passi, founder MASH: The collaboration between M.A.S.H. and Milaaya for “Threaded Visions” seems innovative and unique. Could you share the inspiration behind bringing contemporary embroidery into the conversation on sustainability and climate change? I believe inspiration for “Threaded Visions” truly lies in the idea of merging sustainability with fashion. We are at the junction where immediate action is a need-of-the-hour. This exhibition not only celebrates artisanal skills and encourages a dialogue on the role of embroidery in shaping a more environmentally conscious future in the realm of fashion and design. With this exhibition, we aim to bring into attention that crafts and particularly embroidery are not a relic of the past but are an ever evolving entity which can contribute significantly in the conversation on sustainability and climate change. M.A.S.H. has been a platform exploring various art forms. How does this exhibition align with your vision for supporting emerging artists, especially in the context of sustainability and slow fashion? My vision for MASH is to develop an approachable and interesting platform that explores the intersection of architecture, art, craft, etc. The way that art and craft are combined to address climate change and sustainability makes this exhibition remarkable. My vision is multifaceted as along with sustainability in fashion, I want to provide a canvas for our emerging artists, creating a space for them to experiment and find their own voices. This exhibition creates a platform for our young emerging artists to delve into traditional Indian crafts like embroidery and employ them to create art and express themselves. The exhibition is also a great way to gauge the emerging artists about sustainability and make them more environmentally conscious going forward. As an art aficionado, you have a knack for spotting brilliant ideas. What drew you to the idea of combining celebrated Indian artists’ works with modern embroidery to address environmental concerns? As an art enthusiast with a passion for innovation and addressing pressing issues, the idea of merging celebrated Indian artists’ works with modern embroidery to tackle environmental concerns immediately captured my attention. What drew me to this concept was the fusion of traditional art forms with activism. Firstly, the rich heritage of Indian art, spanning centuries of tradition and cultural significance, provides a compelling backdrop for exploring complex themes such as environmentalism. By incorporating the works of renowned Indian artists, we not only pay homage to their talent but also leverage their influence to amplify the message of environmental conservation.

Group art exhibition ROOTS reveals profound value of tribal art and culture

April 28, 2025, 8:20 pm

The vibrant and profound visual voices of the Adivasis take centre stage in the group art exhibition ROOTS: Art from the Tribal Heartland of India. This celebration of indigenous art is set to captivate audiences at the Visual Arts Gallery, India Habitat Centre, till February 14th, 2024. The show is curated by Dr Alka Pande and Mitchell Crites. ROOTS is not just an exhibition but a cultural journey into the dreams, aspirations, legends and wisdom held within the minds of India’s first humans—the Adivasi. This collection features the works of artists from four central Indian tribes: the Baiga, the Mandavi, the Pardhan Gond, and the Rajwar. Authors of the book include Nada Chaldecott, Mitchell Shelby Crites, Dr Aurogeeta Das, Rob Dean, Dr Stephen Huyler, Dr Thalia Kennedy, Minhazz Majumdar, Ameeta Nanji, Dr Alka Pande and Nimish Swami. ROOTS unveils narratives previously silenced, presenting a parallel universe pre-existing and co-existing with our own, showcasing the Adivasi understanding of healthy ways to live on our planet. The exhibition and book reveal the profound value of tribal art and culture, offering a newfound confidence and awareness. Curated by Mitchell Crites and other specialists, ROOTS features 24 artists who boldly share their visions. Transcending traditional boundaries, these artworks explore new pigments, surfaces, and insights into ancient cultures. The collection includes masterpieces that draw viewers in, encouraging a meticulous examination of each line, dot, stroke, and whimsical detail. ROOTS: Art from the Tribal Heartland of India is accompanied by contributions from ten authors, each a scholar/specialist offering a deep understanding of Adivasi art and culture. Together, their insights create a comprehensive exploration of this previously unseen and unknown art form. Featured artists include: Faguni Bai Baiga, Hema Baiga, Jhulan Bai Baiga, Jodhaiya Bai Baiga, Ramrati Bai Baiga Siyalal, Rinku Baiga, Roopa Baiga, Sakun Bai Baiga, Santoshi Bai Baiga, Savni Bai Baiga, Baldev Mandavi, Belgur Mandavi, Jairam Mandavi, Sehdev Mandavi, Sukhdev Mandavi, Shankar Mandavi, Pisadu Ram Mandavi, Phoolmani Bai Rajwar, Shakuntala Bai Rajwar, Sundari Bai Rajwar, Jangarh Singh Shyam, Narmada Prasad Tekam, Ram Bai Tekam and Akash Uikey.

Swaranjali Delhi showcases classical music festival Swar Dhwani 2024

April 28, 2025, 8:20 pm

Swaranjali Delhi in the association with Dhwani Foundation organised Swar Dhwani 2024, a classical music festival. The event was started by a young tabla kalakar Master Rudraksha presented in taal - Teen Taal accompaniment by Janab Akram Hussain on Sarangi. Mohanveena artist Monideep Mittra presented raag Madhubanti, with alaap jore jhala tabla accompaniment by Amritesh Sandilya. The third item Duet recital by Pt. Chetan Joshi on flute with Dr Vipul Kumar Ray on Santoor performed with Siddharth Chatterjee on Tabla and Ankit Parikh on Pakhawaj . They presented in raag Patdeep with two compositions. The fourth item was by Vidhushi Saniya Patankar, vocalist from Pune started her recital in rag Bhoopnat Vilambit Teental Maalaniya layi and Drut adhha Teental Ja re ja re Drut aadachautal saj dhaj Singar Aati Drut - Sargamgeet Harmonium accompaniment by Devendra Verma and Amritesh Sandilya. Later Subrata De played a unique Rag namely Nandeshwaree in Jhaptal and Teen taal bandish with Saptak Sharma on Tabla followed by the performance of Iman Das from Bengaluru the vocalist, presented raag Bihag and Manjh Khamaj Bihag, Manjh Khamaj E kaan Mo- vilambit ektaal, Chinta na kar re- jhaaptaal, Jhumjham dhumdham – teentaal, Thumri- Lagi Tose Naina in Manjh Khamaj. Tabla accompaniment by Prabhakar Pandey and Lalit Sisodia on Harmonium. The concluding presentation by young tabla maestro Pandit Yashvant Vaishnav from Mumbai with Pt Mrinal Upadhyay on Pakhawaj in Taal Teentaal. Harmonium accompaniment by Lalit Sisodia.

Tarab: A multifaceted artist navigating the Universe of creativity

April 28, 2025, 8:20 pm

Tarab, an eminent artist is known for her dramatic and panoramic paintings, which she describes as a condensation of her little universe. Holding a master’s degree in Economics and being a published author with Bloomsbury, Tarab is a speaker and collaborator for social initiatives, a panelist at forums, and a facilitator of sessions and workshops for B-School students and MNCs. Currently residing in Hyderabad, she has two upcoming books. Q 1: You recently celebrated 11 years on your journey as an artist. What has the journey been like for you? Over these captivating 11 years, my journey has resembled a bit of a rollercoaster ride. I’ve had my fair shares of success and disappointments, and what I’ve learned in these years of artistic pursuits is that art is neither coherent nor finite. Instead, it’s a universe where you encounter pockets of light and dark matter. To navigate this abstraction called the universe, one needs to be playful, adventurous, and sail with courage, building a treasure box by collecting those pockets of light. Mind it, invariably, one will encounter dark matters too, and it’s a journey, and I am on it. Q 2: Can you share the key influences and themes that shape your artistic style and the messages you aim to convey through your work? Art, to me, is a vehicle for storytelling—a narrative woven between the internal hemisphere of the mind and the external reality. It’s a dynamic evolution that unfolds by navigating these two hemispheric orbs. Within this artistic journey, fictional stories, mysteries, realism, and imaginations burst forth like a supernova. It spans from ancient myths and fictional tales to real-life stories and the untold imaginary narratives of the future. Allow me to provide two instances as examples. In my series “At the Gates of Talbosh,” I delved into the theatre of my mind to create mystical stories on canvas. The second reference is my painting of Lucy, inspired by William Wordsworth, which ventures into the external realm—the world of realism. Q 3: How does being both an artist and an author influence your creative perspective and approach? Well, to me, writing stories serves as a parallel form of artistic exploration. The process of storytelling augments my ability to convey narratives, emotions, and concepts visually. It adds a layer of depth and resonance to my art, contributing to a more nuanced and multidimensional artistic practice. I believe that immersing myself in a sea of stories is a valuable experience that magnifies my sensorial stimuli, enriching my artistic expression. Q 4: Can you describe any interesting encounter in your journey as an Artist? Absolutely! Working primarily on children’s books, conducting workshops for little ones is always a joy. In one instance during a pineapple-themed workshop, a child painted the entire canvas in dark blue. When I asked about the absence of the typical yellow pineapple, the child responded with curiosity, saying, ‘I painted the pineapple at night.’ I believe it was a very refreshing and imaginative perspective that only children bring to art. I have many such delightful incidents to share. Q 5: What in your opinion, are the key attributes of being an artist? Being an artist involves a unique blend of creativity, curiosity, unwavering resilience, and a constant pursuit of intellectual quests. I believe it demands a nuanced ability to articulate thoughts, weave narratives, and tell stories visually, all while continually evolving both technical prowess and conceptual outlook. Q 6: How do you perceive the role of digital tools in your artistic journey? As we’ve all witnessed this transformative shift, the digital world has undeniably reshaped the art landscape. The instant connectivity and virtual showcasing have given rise to a dynamic online art community. While some artists may be skeptical about this change, personally, I see the digital realm as a liberating space. It allows me to explore various forms of creation, such as digital collages, animations, and storytelling. Rather than considering it a replacement, I view it as an additional tool that adds a new dimension to my creative palette.

‘Mobile Museum- Amrita among us’ displayed to commemorate 111th death anniversary of artist Amrita Shergill

April 28, 2025, 8:20 pm

With a collaborative effort, a colossal task can be completed in a very little time. This season, New Delhi based artists like Priyanka Banerjee, Mridoul Chakraborty, Dr Meghna Agarwal Jain, Nilay Sarkar collaborated with Liszt. Institute Hungarian Cultural Centre along with students of National School of Drama to commemorate the 111th death anniversary of the legendary artist Amrita Shergill. 0n 31st January, the capital woke up to a wet and foggy morning. However, the damp weather could not dampen the spirits of the art enthusiasts. The vivacious artists, Hungarian cultural centre and the students National School of drama were determined to render warmth through myriad hues to the otherwise cold and grey landscape of the capital. The exhibition titled” Mobile Museum - Amrita among us” was showcased in the heart of the capital, Khan Market. Nine drama students acted as live paintings of Shergill’s famous artworks titled Three Girls, Self Portrait, The little girl in blue, Victor Egan, Portrait of Father, Portrait of Mother and Young man with apples under the guidance of former Dean of N.S.D , Santanu Bose. The backdrop of the artworks were executed by talented artists like Nilay Sarkar, Mridoul Chakraborty, Dr Meghna Agarwal Jain and Priyanka Banerjee. Ms Mariann Erdo, the effervescent Director of Liszt Institute Hungarian Cultural Centre, New Delhi along with her dynamic team worked arduously to make the impossible possible. Their hard work bore fruits as the people were rapt in admiration for the unique concept. It was truly a fun filled and memorable evening full of colours, warmth, camaraderie, conversation and laughter.

The Transformative Power of Indian Classical Dance: Achieving Goals and Uplifting Skills

April 28, 2025, 8:20 pm

Indian classical dance is not just a traditional form of artistic expression; it is a powerful tool that can help individuals achieve their goals and uplift their skills in various aspects of life. Rooted in rich cultural traditions, these dance forms, such as Kathak, Bharatnatyam, Odissi, Kuchipudi, Mohiniattam, Kathakali, Manipuri, and Sattriya, offer more than just a visual spectacle. They provide a holistic approach to personal development, instilling discipline, focus, and creativity that extend far beyond the regular dance classes. Physical Fitness and Well-Being: Indian classical dance demands rigorous physical training, helping practitioners enhance their flexibility, stamina, and overall fitness. The intricate movements, precise footwork, and demanding postures contribute to a strong and agile body. Regular practice not only promotes physical well-being but also instills a sense of discipline and self-control. Emotional Expression and Stress Relief: Dance, as a form of artistic expression, allows individuals to channel their emotions through graceful movements. The process of expressing emotions through expressive hand gestures (mudras) and facial expressions can serve as a powerful stress relief mechanism, promoting mental well-being and clarity of thought. Cultural Connection and Identity: Learning and practicing Indian classical dance connect individuals to their cultural roots. As they delve into the intricacies of the art form, dancers often find a deeper understanding of their cultural heritage. This connection to tradition instills a sense of identity and pride, fostering a well-rounded individual who is rooted in their cultural history. Discipline and Time Management: Mastering Indian classical dance requires dedication and discipline. Regular practice sessions, adherence to the prescribed forms, and commitment to the art form develop discipline and time management skills. These qualities, cultivated through dance, transcend into other areas of life, aiding individuals in achieving their goals and managing their time efficiently. Enhanced Cognitive Abilities: Indian classical dance involves intricate choreography and a focus on rhythm, leading to enhanced cognitive abilities. Dancers need to memorise complex sequences, maintain timing, and coordinate their movements, all of which contribute to improved memory, concentration, and cognitive flexibility. Boosting Self-Confidence: Performing in front of an audience, a common aspect of Indian classical dance, boosts self-confidence. Overcoming stage fright and the ability to present oneself with poise contribute to a strong sense of self-assurance. This newfound confidence extends beyond the dance stage, empowering individuals to tackle challenges in various aspects of life. Teamwork and Collaboration: Many classical dance performances involve group choreography, fostering a sense of teamwork and collaboration. Dancers learn to synchronise their movements, understand the dynamics of a group, and work towards a collective goal. These teamwork skills are transferable to professional and personal settings. Indian classical dance can be a fulfilling and rewarding profession for those passionate about the art form. Here are several ways in which Indian classical dance can be useful as a profession. Performing at many events, dance festivals, national and international festivals, teaching dance classes, and conducting workshops not only allows you to share your knowledge but also provides a stable source of income. Many renowned classical dancers have become sought-after choreographers in the entertainment industry. Professional dancers often have the opportunity to perform on various platforms, including cultural events, festivals, and concerts. This exposure not only helps in showcasing your talent but also contributes to your professional growth. Indian classical dance serves as a holistic practice that not only preserves cultural traditions but also contributes to physical, emotional, and social well-being, ultimately helping individuals achieve their goals and uplift their skills. Rani Khanam is Kathak Exponent

Assam’s Charaideo to hold three-day festival Poy-Lang on Saturday

April 28, 2025, 8:20 pm

The three-day Poy-Lang festival to be held on this Saturday in the fields next to the Buddhist Monastery of Chalapathar in the Charaideo area will be organized by the Shyam Gaon Buddhist Monastery. In honor of the late Shasanbansh Mahathera Vante, a three-day Poy-Leng celebration is being held in accordance with Buddhist customs and traditions. Shasanbansh Mahathera Vante had been a monk at the Shyam Gaon Buddhist Monastery for almost 40 years. On August 23, 2023, Shasanbansh Mahathera passed away at the Buddhist Monastery at Chalapatha. The festival is celebrated mainly by pulling specially designed chariots in which the bodies of outgoing Buddhist monks are kept. At the end of the three-day festival, the chariot will be set on fire, which will put an end to the rath yatra of the late monk. It should be mentioned that a Buddhist monk who has lived in a revered monastery for more than 40 years does not immediately have his body cremated or buried. The body of the monk is stuffed in a coffin for seven to eight months in a traditional and scientific manner and stored in a house called 'Nick Paan Kong'. After this, the festival of 'Poy Lang' is organised, and the said coffin is installed in the chariot. After paying their last respects to the monk in that chariot, the people present pulled the chariot from both sides like ropes. This act is considered to be an act of virtue and is believed to bring satisfaction to the dead monk. It is noteworthy to mention that thousands of people have flocked to the festival site to take part in this rathotsav of the renowned religious leader of North East India and recipient of the Anandaram Baruah Award, Palibhasha, Buddhist-religion scholar, litterateur, and educationist Dharmaratna Shasavansh Mahather Bhante. According to ANI one of the festival organizers, Piycheng Chawlo, said that the reason for the celebration of the Poy Lang festival is the passing of Dr. Sasavansh Mahathera. The Buddhist flag was raised this morning on the first day, and Mahathar Vante's body was lowered into the chariot. According to the organizing committee the festival is expected to take place today for three days, irrespective of the Buddhist people of North East India as well as caste and religion. Guests from South Korea, Thailand, Myanmar, and China will attend the event.

New York-Based Artist Tarik Currimbhoy brings his sculptures to India Art Fair

April 28, 2025, 8:20 pm

Renowned New York-based sculptor Tarik Currimbhoy, celebrated for his expertise in arts, industrial design, and architecture, is poised to unveil his distinguished reverse curve sculptures at the 15th Edition of the India Art Fair (booth PO7). Trained across multiple disciplines, including arts, industrial design, and architecture, Tarik’s artistic journey explores tranquility, simplicity, and tactility, embodied in the purity of form and material within both architecture and sculpture. Inspired by ancient architectural principles of tension and compression, Tarik’s sculptures, originally grounded in stone, have transformed into dynamic expressions in metal and wood, narrating tales of structure and gravity. Fascinated by the forces of energy in nature, such as a bouncing ball or sailing boats, Tarik expresses, “These are forces of energy in nature that inspire me deeply. With this, I create my sculptures. The DIYA and reverse curve sculptures were also such an inspiration, and I’m excited to have them displayed at the India Art Fair.” Tarik’s sculptures, ranging from table-top pieces to monumental installations, have received global acclaim and found homes in collections across America, Europe, South America, Singapore, the Middle East, and India. His notable installations include a kinetic “Cobra” sculpture at the Museum of Photography and Art in Bangalore and “Rockers” sculptures at Bengaluru International Airport. Beyond sculpture, Tarik has led his architecture and design firm for 40 years, integrating modern design with ancient Indian handcrafting techniques at Sana Stone. Tarik Currimbhoy’s artistic journey, featuring the DIYA and reverse curve sculptures, enriches the India Art Fair with a blend of tranquility, simplicity, and tactility. His presence promises to elevate the cultural landscape with explorations of gravity, balance, movement, and stasis, encapsulating the allure of form and material.

‘Water Matters’: French-Cameroonian artist’s installation on water to take center stage at India Art Fair 2024

April 28, 2025, 8:20 pm

As the capital’s much-awaited art fair returns for its next edition, a thought-provoking installation titled ‘Water Matters’ — by the Franco-Cameroonian artist Barthélémy Toguo — will be on view on the grounds of upcoming India Art Fair, to be held in New Delhi from 1 - 4 February 2024. It is presented by the French Institute in India (French Embassy in India) — as part of the launch of its Villa Swagatam residency programme, which encourages exchanges between French artists and Indian craftspeople. The installation is the fruit of an original collaboration between the veteran artist creative director Karishma Swali and the artisans of his embroidery school Chanakya School of Craft. It is unveiled by IFI, Basu Foundation and Galerie Lelong & Co. Paris New York. Presented in a dedicated area at the heart of the fair, this installation will reflect a unique dialogue, combining contemporary artistic practice with a wealth of ancestral knowledge. A 5-metre-long embroidery representing a man receiving and offering water will be presented in front of a table with a hundred engraved bottles filled with water from all over the world. Two other embroideries representing different animals will frame this installation that reflects ecological and societal concerns. Toguo was born in 1967 in Cameroon (Africa), and his work reflects his concerns about the development of his country, continent, and the Earth as a whole. Recalls Barthélémy Toguo, “It all started with a childhood memory. I remembered getting up very early in the morning to fetch water from far away, to drink, to wash the plates at home, in Cameroon, before going to school. It was these ordeals that made me realise the importance of water in our lives.” He adds, “Water is a priceless and vital element: I feel very concerned about this resource, which should be a right for everyone, but which is cruelly lacking and endangering the living world, both human and animal. Realising the current problem of the lack of drinking water in many parts of Africa and the rest of the world, I decided to focus my project with the Chanakya Craft School in Mumbai on this issue.” The artist also expresses his fondness for the shape of fish and says that he wanted to see them in embroidery. “My work is full of different animals that inspire me. I’d also like to see crocodiles and peacocks. Everything in the exhibition space at the fair will be blue. With the sea in mind, I’ll be drawing blue lines on the walls with pastels. I marvel at the fluidity of water, which for me represents a gentle, non-violent world,” says Toguo. He is part of Villa Swagatam — an intercultural exchange programme launched by IFI in March 2023 — which promotes cultural and environmental sustainability and aims to create a community of French and Indian creators keen to strengthen artistic exchanges between the two countries. Barthélémy Toguo’s invitation to collaborate with one of the country’s most eminent embroidery workshops comes within this framework: the artist will be visiting the country ahead of the fair to meet craftspeople and discover new production practices and techniques. As a partner of the India Art Fair, the IFI’s aim with this ‘carte blanche’ is to showcase the potential for creative exchange between India and France and encourage future collaborations.

Avataran- A Solo Art Show by Anita Goel Unveiling on February 4

April 28, 2025, 8:20 pm

In the aftermath of the British Raj, India underwent significant transformations; however, the art education system within schools clung to traditional paradigms. Despite centuries of artists asserting their uniqueness, the Indian school system persisted in championing a specific art style influenced by Western academic conventions. Renowned artist Anita Goel is set to challenge this entrenched status quo with her upcoming solo exhibition, Avataran. Scheduled for unveiling on February 4, Goel aims to revolutionize prevailing artistic norms embedded within Indian educational institutions. “The school art system perpetuates undistinguished artworks, stifling creativity,” remarks Anita Goel. “I aspire to disrupt this homogeneity and redefine contemporary Indian art.” Anita Goel’s artistic vision transcends conventional boundaries. Her creations extend beyond the canvas, exploring the untapped potential of painting tools, especially painting knives. Embracing the ethos of abstract expressionism, Goel rejects the notion that a painting must convey a specific message, prioritizing instead the interplay of form and medium. At the core of Goel’s work lies a bold exploration of form, color, and texture. Each piece encourages viewers to delve deeper, guided by recurring avian motifs—an homage to her previous series, Udaan, and a prelude to Avataran. The avian imagery serves as a narrative thread, inviting observers to discover new perspectives with each glance. Through the intentional use of irregularly shaped canvases and varying thicknesses, Goel creates a sense of three-dimensionality within the confines of a flat surface. The textured layers of knifed paint engage with the canvas’s nuanced topography, compelling viewers to interact with the work on multiple levels. Join us for the unveiling of Avataran on February 4, at 12:00 noon at Jolie’s, Worli, as Anita Goel invites audiences to embark on a transformative journey through the realms of contemporary Indian art. Event Details: • Date: Anita Goel’s Avataran is on from Feb 4 • Time: 12 noon • Venue: Jolie’s, Birla Centurion, Pandurang Budhkar Marg, Century Mills Compound, Worli, Mumbai, Maharashtra 400030.

“The Power of Thinking” aims to exchange of design and culture between India and Netherlands

April 28, 2025, 8:20 pm

A 5-day International Workshop on Design Thinking, titled “The Power of Thinking,” was recently hosted by The School of Design & Visual Arts of Apeejay Stya University from January 16th to 20th, 2024. The primary goal of this workshop was to facilitate the exchange of design ideas, processes, and thinking methodologies between two distinct cultures. The esteemed Resource Person for this event was Budi Loonen, a highly accomplished designer from Breda, Netherlands, currently serving as the Sr. Art Director at NO TOMATO in Breda. Loonen’s extensive global experience, which includes roles as a Guest Lecturer in China and India, Workshop Tutor in Budapest, and Lecturer in Chongqing, China, and Willem de Kooning Academy, Rotterdam, highlighted his dynamic career as a Creative Globetrotter. Budi Loonen delved into the intricacies of Design Thinking, elucidating each of the five stages: Empathy, Defining, Ideation, Prototype, and Testing. The workshop provided students with a rich learning experience, emphasizing the collaborative power of teamwork. Approximately 50 students participated in the workshop, utilizing both online and offline modes. On the concluding day, students showcased their innovative design solutions and prototypes aimed at enhancing the lives of individuals with disabilities. Projects ranged from smart goggles and specially designed wardrobes to shopping trolleys tailored for the blind and solutions for individuals using wheelchairs. The event proved to be a significant learning opportunity for both faculty and students.

Sahitya Kala Parishad’s ‘VAMA’ Art Exhibition Dedicated to the late Gogi Saroj Pal

April 28, 2025, 8:20 pm

VAMA,’ a remarkable art exhibition highlighting the creative brilliance of Delhi’s artists, was officially inaugurated on January 27 by the Sahitya Kala Parishad, the Cultural Wing of the Delhi Government. The event featured the works of 37 contemporary women artists from Delhi. The exhibition, spanning six days as part of the Women’s Art Exhibition, presents a diverse array of artistic expressions, including paintings, drawings, prints, and installations. Hosted at the AIFACS Gallery New Delhi, the exhibition was opened to the public on January 27 and will be open till February 1. On the inaugural day of the event, the Delhi art community mourned the loss of the eminent female artist, Gogi Saroj Pal, making this exhibition her final showcase of artistic brilliance. Talking about this unfortunate event, Saurabh Bharadwaj Minister of Art and Culture, Government of the NCT, Delhi, said, “As we mourn the loss of a distinguished artist Gogi Saroj Pal, we dedicate Vama, the art festival, in her memory. Gogi Saroj Pal painted profound narratives of femininity on the canvas of life by blending creativity with reality to capture the intricate moments of the female soul. Even if her brushstrokes have left the canvas, her legacy continues to illuminate the path for generations to come.” This year, the artist list includes veterans like Gogi Saroj Pal, Shobha Broota, Kanchan Chander, Meena Deora, Santosh Jain, and Indu Tripathy, among other artists whose works are featured at the exhibition. Other artists presenting their artworks are Aarti Kashayap, Arti Malik, Alpna Mahajan, Anita Tanwar, Anjali Singh, Anju Kaushik, Avneet Chawla, Annu Gupta, Avani Bakaya, Bula Bhattacharya, Dipa Patowary, Divya Gupta, Gulistaan, Gulbahar, Hemavathy Guha, Him Rajani Nagar, Kezia Khan, Madhu, Neeti Joshi, Nitiksha Dawar, Nusrat Jahan, Preeti Singh, Priyanshu Chaurasia, Renu Jain, Saloni Tondak, Seema Mohaley, Simmi Khanna, Sonam Chaprana, Tanya Rana, Timsi Gupta, and Vandana. Discover Bula Bhattacharya’s thought-provoking digital prints, “Search-1” and “Search-2,” exploring the nature of consciousness and the enigma of mental existence on archival papers. Delving into the essence of self and the external world, these artworks unveil hidden realities. Meanwhile, emerging artist Vandana Kumari addresses societal concerns through her impactful paintings, such as “Being a Girl Child” and “In Deep Fantasy,” shedding light on issues like violence, gender disparity, and societal pressures. Her art passionately advocates for the global liberation of women, encapsulating the human condition amidst social challenges. Annu Gupta’s ‘Changing Matrix’ explores the interplay of time and space, shaping individual experiences and creating distinct life meanings. Her second creation, ‘The passing’s by,’ delves into the necessity of space in urban life, reflecting on societal changes and urbanization. Art lovers also explore Anita Tanwar’s “2 Sakhiya Namak” paintings, which convey emotional depth through varied techniques, using colours like green, red, and blue to harmonise with the expressive shapes and rhythms. Another collection is Preeti Singh’s artwork named Habitat. Preeti’s art embraces diverse themes - ecosystem, biodiversity, life on land and water, natural habitats, cultural heritage, habitat destruction, and extinction, drawing inspiration from her village in Himachal Pradesh. Upcoming artist Renu Jain’s ‘Intertwined with Nature’ reflects life’s connection to nature. Her artwork captures the essence of human emotions amid urban structures, prompting individual engagement with the ephemeral beauty of the natural world. In addition, artwork by Anju Kaushik and sculptures by upcoming artist Timsi Gupta, entitled “Symphony” and “Path of Life,” are on display.

Galleria VSB presents Timeless Strokes: The Masters

April 28, 2025, 8:20 pm

Curated by Vandana Bhargava 31^st January to 15^th February, 2024 Monday to Saturday – 12 noon to 8pm Galleria VSB, Third Floor, Square One Mall Saket, New Delhi -110017 Phone Number: 9873192200 Website: https://galleriavsb.com/ Instagram: https://www.instagram.com/galleriavsb/ Artists: Asit Kumar Halder | Akbar Padamsee | B Prabha | Bhupen Khakhar |B Vithal | Badri Narayan | Chameli Ramachandran | Francis Newton Souza | Hemen Mazumdar | Jagdish Swaminathan | Jamini Roy | Jogen Chowdhury |K.K. Hebbar | K. G. Subramanyan | K.H. Ara| Lalu Prasad Shaw | Maqbool Fida Husain | Manjit Bawa | N.S. Bendre | Nicholas Roerich | Ram Kumar | Somnath Hore | S.H. Raza | Vasudeo S. Gaitonde Galleria VSB celebrates the 20^th anniversary with a group show on modern and contemporary masters titled "TIMELESS STROKES: The Masters" showcasing works of 24 master artists from the 20^th century from 31^st Jan to 15^th February 2024. This exhibition aims to shine a spotlight on these exceptional artists whose unique styles and bold thematic explorations have left an indelible mark on Indian art. Beyond showcasing technical brilliance, their profound works convey rich narratives and cultural depth, serving and enduring sources of inspiration. The show aims to provide the viewer with an in-depth perspective and promises to be a captivating journey through the impactful strokes of these revered artists, providing a unique opportunity to delve into the cultural richness and artistic legacy they have bestowed upon the world. The curator Ms Vandana Bhargava expressing the significance of exhibition, states, “Timeless Strokes” is not just an exhibition; it is a journey through the minds and souls of these visionaries who have, through their unparalleled creativity, shaped the very landscape of modern & contemporary art. Their distinct styles and fearless exploration of themes have conveyed deeper narratives, emotions, and cultural significance that have left an enduring legacy, inspiring future generations and contributing significantly to the global appreciation of Indian art. Positioned at the core of South Delhi, the gallery has distinguished itself in the dynamic realm of art and its enthusiasts. With an instinctively curated assortment, Galleria VSB proudly showcases a blend of traditional and contemporary art, featuring artists whose works defined the Indian art movement and placed it on the international map. The exhibition showcases 55 Super Master Artworks. About The Gallery Galleria VSB was founded in 2004 by Ms. Vandana Bhargava, a veteran jewellery designer of international acclaim, whose lifelong passion has been the exploration, and preservation of Indian heritage art. Despite her professional background as a jewellery designer, she embarked on a journey to champion art conservation, and today, it stands as a prominent attraction among her various enterprises. The Gallery's extensive collection includes a wide spectrum of artistic expressions. Notable highlights include Heritage textiles, Masters, Supermasters, Folk art, early Lithographs, Oleographs/Serigraphs, venerable Nathdwara paintings, exquisite Pattachitra from East India, resplendent Tanjore paintings from the South, mesmerising miniature paintings from Persian, Rajasthan, Mughal and Pahari schools and the captivating 'calendar' style paintings depicting an array of deities and heroes. Furthermore, Galleria VSB pays homage to women and freedom fighters through a captivating collection of portraits. With its diverse range of art forms and genres, Galleria VSB stands as a cultural treasure trove, offering a platform for art lovers to immerse themselves in India's rich artistic heritage. It’s a must-visit destination, inviting all those who appreciate art and culture to partake in its enriching and diverse artistic experiences. The Gallery’s aim is to collect works of art that inspire the aesthetic aspect of the viewer's sensibilities, while challenging the intellect and also to spark a strong interest to explore each work in depth - an exploration that slowly divulges the various layers of meaning the piece of art is imbued with. A tour of our gallery offers an enriching journey of discovery, providing art connoisseurs with a satisfying, exciting, and exhilarating experience. About Curator -Vandana Bhargava Ms. Vandana Bhargava is a distinguished entrepreneur, veteran jewelry designer, and art curator. She is the chairperson and founder of House of VSB, overseeing various sub-brands such as White & Yellow, Galleria VSB, SKNZ, Luna Jewels, and Cafe VSB. Ms. Vandana began her academic journey with a Bachelor's degree in English Honors from Delhi University but transitioned to pursue her passion for gems and jewelry. She earned diplomas in jewelry designing and diamond gradation, leading to the establishment of her flagship store, "White & Yellow - Signature Jewels," in 2004. Her jewelry designs not only showcase her love for the art but also serve as a living testament to India's rich heritage and culture. Empowering craftsmen, particularly those practicing disappearing crafts, she collaborates with them to sustain and create unique designs. Ms. Vandana's appreciation for heritage art led to the creation of Galleria VSB in 2004, a gallery in Saket, New Delhi, which transcends traditional gallery expectations. It houses a captivating collection of rare miniature paintings, sculptures, and contemporary art, showcasing the magnificence of various art schools and periods. The gallery features Mughal and Rajasthan paintings, Pahari paintings, Old Patta chitras from Odisha, and Pichwai paintings. Additionally, it proudly displays sculptures by esteemed artists such as Padma Vibhushan Late Raghunath Mohapatra. Ms. Vandana's children, Swati Bhargava and Varun Bhargava, joined her in 2011, expanding the collection to include masterpieces by contemporary Indian artists. A pivotal moment in 2017 led to the creation of projects like ‘Shree Jagannath’ and ‘Shakti - the Creative Power of the Universe.’ Ms. Vandana's journey is marked by extraordinary talent, love for jewelry design, and dedication to preserving India's rich cultural heritage. Her legacy shines through her successful work, leaving a lasting impact on the realms of design, art, and heritage, ensuring the preservation of India's cultural treasures for future generations.

‘Once Upon a Mattress’ explores themes of love, acceptance, and importance of breaking free from societal expectations

April 28, 2025, 8:20 pm

A grand musical – ‘Once Upon a Mattress’ was recently organized by Apeejay School International (ASI) New Delhi. High on creativity and production values, the school presented a whimsical transformation of the classic fairy tale, The Princess and the Pea. The enchanting rendition was a comedic romp, weaving together humour, love, and unexpected twists. However, it was the purposeful tweaking of an accepted narrative to question gender stereotypes that elevated the production to a thought provoking piece of entertainment. Filled with lively musical numbers and witty dialogue, “Once Upon a Mattress” explores themes of love, acceptance, and the importance of breaking free from societal expectations. The play celebrates individuality and challenges the traditional fairy tale narrative with humour and charm. Also present in large numbers were the members of the parent community. Speaking before the presentation, Purshottam Dutt Vashist, Principal, ASI said “The musical is set to redefine the social narrative of women. Challenging patriarchal norms and several gender-related expectations often tied to the fairer sex, the musical strives to give women voice and agency. Our students have worked hard and are eager to showcase their magic on the stage.” The show proved to be a visual and auditory feast for the senses. The meticulously crafted sets and props reflected the attention to details. The precision in choreography and harmony in musical renditions all elevated the production to a high-quality theatrical experience.

Stellar ensemble of Bollywood artists keep audience engaged with two witty plays

April 28, 2025, 8:20 pm

The “Laugh re Laugh Theatre Festival”, showcased a stellar ensemble of popular, versatile comic Bollywood and theatre personalities from the Film and Television Industry. The acclaimed cast included Asrani, Padmini Kolhapure, Rakesh Bedi, Delnaz, Irani, Naveen Bawa, Chitrashi Rawat among others. A unique musical play, “Zamaana Kya Kahega?” showcased Rakesh Bedi and Delnaaz Irani as the accidental lovers. The play is interspersed with over 20 different dance performances as well. The romantic comedy takes place in 2007, a time where the newly-launched internet cafes play cupid in the love story of two strangers - Yash and Payal. This family-friendly love story takes us back to the old-school Bollywood era, where we re-live Madhubala’s ‘Anarkali’, Kishore Kumar’s melodies, Dev Anand’s evergreen charm and ask boldly, ‘Jab Pyaar Kiya Toh Darna Kya?’. A fan favourite, “Zamaana Kya Kahega?” has been performed over 50 times in Delhi-NCR and always recieved rave reviews. Actor Rakesh Bedi said, “Zamaana Kya Kahega is a metaphor within which the Indian society survives. We are always surviving in fear that what people are thinking about us. This story is about two persons who have crossed their youth and are living in isolation. Both are searching a companion but still they fear that in this age if they are found in relationship then what will people think. The story is set in 2007 when people had to go to cyber café for chatting.” Guncha Kanupriya, Co-Founder & Co-Director, Kanupriya Theatre Company (KTC) said, “When one thinks of theatre, they often associate it with serious, dark classics. “Laugh re Laugh Theatre Festival” is an attempt by us to portray that theatre can be light-hearted and meaningful at the same time. Both the plays “Zamaana Kya Kahega?” & “Baap Ka Baap” are unique musical comedies that have never been performed before in Delhi on this scale”.

Sopan Festival wraps on a high note of creative brilliance

April 28, 2025, 8:20 pm

The Sopan Festival, organised by Sahitya Kala Parishad, department of Art and Culture, Delhi Government concluded its four-day cultural extravaganza, leaving an endless mark with a stellar lineup of performances that spanned classical, contemporary, and traditional art forms. On Day One the festival commenced with a soul-stirring vocal performance by Ameen Khan, setting the stage for a mesmerising journey. Madhyama Segal’s Odissi took centre stage, featuring captivating dance pieces, including the eloquent ‘Bageshwari Pallavi’ and the Tandava portrayal of “Jago Maheshwara” composed by Padmashri Kiran Segal. Krishna Babu’s enchanting Mohiniattam unfolded the Ramayana in Ragamalikai, accompanied by the rhythmic Thalam Roopakam. Nanda Kumar brought a contemporary twist with “TRIBO,” expressing unspoken thoughts through African dance. The day concluded with Shivani Pandey’s theatrical brilliance in ‘Jayaz-Guftgu,’ that delves into love’s evolution, blending personal growth with the intricate nuances of love. Her reinterpretation of the Ramayana through Sita’s eyes adds depth, offering a thought-provoking, memorable experience. The second day featured Suraj’s spellbinding vocal rendition, followed by Sani Niyazi’s tabla performance. Abhishek Khichi’s expressive Kathak ensemble unfolded with a Surdas pada in Rupak Taal, revealing depth through intricate footwork and expressive storytelling. Akshar Tekchandani’s enchanting Kathak commenced with a Panchbhoot Shlok from the Rigveda and expertly showcased Kathak’s technical aspects in Teen Taal, vividly portraying the Kevat Prasang from the Ramayana in Abhinaya Paksh. The day reached a climax with Govind Mahato’s Chhau dance captivating the audience with a distinct taste of traditional and contemporary art forms. Rekha Pandey’s Hindustani classical vocal performance highlighted day three, featuring Raag Shree and a mesmerising Bandishi thumri. Tushar Goyal’s tabla ensemble was presented a 16-beat taal, Teentaal. He began the performance with vilambit laya, progressing through peshkaar, kaidas, and relas. The performance culminated with captivating compositions like tukdas and chakkardaars. Pragati Pandey, a Sahitya Kala Parishad vocal scholar, enchanted the audience with Raag Yaman, skillfully weaving alaap and taans, and ended with a mesmerising Tarana. Later, Partha Mandal’s Kathak commenced with “Kasturi Tilakam” in Raag Bhupali, followed by traditional dance in Taal Teental. The performance concluded with a beautiful dadra written by Pandit Bindadin Maharaj. Devikaa Rajaraman’s Bharatnatyam added grace, starting with the Mallari and seamlessly transitioning into Meera Bhajan, “Basso More Nainan Me.” The mesmerising tillana, set to Ragam Ragasree in Adi talam, paid homage to Lord Siva, captivating the audience with spiritual resonance. The day reached its climax with Kuleshwar Kumar Thakur’s Chhau dance piece. On Day Four Moni Jha’s enthralling performance featured Raag Bhopali and Raag Yaman, concluding with Raag Darbari Kanada. Following, Vivek Bhola presented Raag Multani and a bhajan. This was followed by T. Reddi Lakshmi’s Kuchipudi presentation and then Meera S. Unnithan’s Bharatnatyam, where she showcased Bharatnatyam, featuring two captivating pieces. The performance commenced with “Tiruvempavai Koutvam” in Ragam Ragamalika and Adi Talam, portraying a maiden urging her friends to wake up and visit the temple for darshanam of Lord Ardhanareeshwara. The second piece, a Thumri (“Mai toh nahi jaoon”) in Ragam Behag and Adi Talam, depicted Little Krishna’s excuses to avoid the riverbanks. Choreographed by Guru Smt. Rama Vaidyanathan, the act masterfully captured the essence of devotion and storytelling. The evening continued with Ashmita Mishra’s Kathak. In her presentation, she first presented Shri Ram Stuti, then the technical aspect in Taal Ashtamangal, and concluded her presentation with a dance performance on Kaisi Niksi Chandni in Raga Bahar, composed by Pandit Vijayshankar Mishra. A powerful theatre act by Amarjee Rai marked a fitting end to the festival.

Captivating performances steal the show on day 3 of Bharatmuni Rang Utsav

April 28, 2025, 8:20 pm

Sahitya Kala Parishad, the esteemed Art, and Cultural Wing of the Delhi Government, ‘The Bharatmuni Rang Utsav’ continues its enchanting journey, having successfully mesmerised audiences over the first two days with a diverse array of performances. On the third day, the spotlight was on ‘Ek Cup Chai,’ a gripping one-woman play adapted from Dr. Kiran Singh’s original story and dramatised by the eminent Rajesh Tiwari. The play unfolds as a poignant exploration of the multifaceted struggles faced by women, intricately weaving disparate storylines and portraying the journey of women entangled in circumstances leading to incarceration. As the lone performer takes the stage, audiences are immersed in the diverse challenges women grapple with, shedding light on societal pressures and injustices. ‘Ek Cup Chai’ serves as a powerful commentary on the universal struggles women endure, emphasising the metaphorical imprisonment they may experience daily. Rajesh Tiwari, an acclaimed theatre director and playwright with over 25 years of experience, brings his expertise to this compelling production, promising an evening of thought-provoking theatre. The day continued with ‘Dhoop Ka Ek Tukda,’ authored by Nirmal Verma and directed by the talented Pooja Dhiyani. A theatre practitioner with a thriving 13-year journey, Pooja Dhyani, a distinguished graduate of Bhartendu Natya Academy, presents an intriguing story of a woman navigating the complexities of life, offering a unique perspective on relationships and self-discovery. In ‘Dhoop ka ek tukda,’ a woman, sensing an emotional void with her husband, relocates to another part of the city. The artistic journey further unfolds with ‘Baarish,’ written by Saadat Hasan Manto and directed by Vijay Shrivastava. BAARISH’ encapsulates the spirit of 1950s India, vividly portraying its fashion and lifestyle. The plot immerses readers in the profound emotions of Tanveer, a 22-year-old man, as he encounters love at first sight with Parveen. The narrative unravels the hurdles imposed by societal constraints on love and relationships, encompassing factors like background, caste system, age, and status. Saadat Hasan Manto’s storytelling defies prevailing societal norms, addressing fanaticism head-on and, in the process, reshaping perspectives on love. Vijay Shrivastava, acclaimed actor and director, immersed in theatre from a young age, collaborated with eminent directors, showcasing versatility onstage. In addition to dedicating 11 years to the National School of Drama (NSD) Theatre Extension program, Shrivastava has helmed numerous theatrical productions. The evening concluded on a powerful note with ‘Jebkatra,’ scripted by Saadat Hasan Manto and directed by Javed Sameer (Sameeruddin), highlighting the transformative journey of a pickpocket. Bharatmuni Rang Utsav continues to captivate audiences, providing a platform for seasoned artists and emerging talents to showcase their craft. The festival is running until January 25, 2024, at the LTG Auditorium, Mandi House.

A Tapestry of Indian Art: Masters & blue-chip contemporaries to be unveiled at The Art of India Exhibition

April 28, 2025, 8:20 pm

In the ever-evolving landscape of Indian art, The Art of India, one of the most distinguished platforms in the art and culture domain, is set to unveil its highly anticipated third edition. Showcasing a spectrum of artistic expressions under the theme “Tradition, Transition, Modernity,” the exhibition promises to be a captivating journey through the rich tapestry of Indian visual culture. Curated by the eminent Dr Alka Pande, the show will feature an impressive array of masterpieces from distinguished artists, including Raja Ravi Verma, B Prabha, M F Husain, Ganesh Haloi, Manu Parekh, and Jayasri Burman. The exhibition will kick off at the Visual Arts Gallery at India Habitat Centre, New Delhi, from January 28th to February 4th, before making its way to NCPA, Mumbai, where the collection will be on display from March 9th to 15th. The carefully curated selection spans various artistic mediums, including painting, drawing, printmaking, sculpture, ceramics, photography, video, digital, and mixed-media works. Speaking about the upcoming edition, Dr Alka Pande emphasizes the exhibition’s narrative as a ‘ragamalika’ or a garland of many stories, representing the diverse voices, languages, and mediums that define Indian art. She states, “The story of Indian Art is indeed an amazing compendium of different voices, languages, and mediums which defines Indian art. The 3rd edition promises to be a moving feast for art lovers.” The Art of India exhibition not only serves as a platform for art collectors but also stands as a significant gathering for art enthusiasts, offering an immersive experience in diverse forms of visual arts such as sculpture, painting, design, and architecture. With a theme deeply rooted in India’s cultural history, the event highlights the creative expressions of renowned artists, creating a melting pot of artistic proficiency and imaginative concepts. The curator, Alka Pande, shares her thoughts on the exhibition, “This year, The Art of India is looking at the story of Indian art through a ‘ragamalika’ or a garland of many stories which makes the narrative of Indian Visual Culture. The story of Indian Art is indeed an amazing compendium of different voices, languages, and mediums which defines Indian art. The 3rd edition promises to be a moving feast for art lovers.” The past editions of The Art of India have been monumental successes, setting the stage for the grandeur that the exhibition embodies. As The Art of India’s third edition prepares to enchant art lovers and collectors alike, it promises to be a celebration of India’s artistic legacy, a testament to the continuity of tradition, the inevitability of transition, and the allure of modernity. Mark your calendars for this extraordinary showcase that encapsulates the essence of Indian visual culture.

A huge rangoli of Lord Ram, Lord Laxman, Goddess Sita and Lord Hanuman was made by devotees on the eve of Pran Pratishtha ceremony of Ayodhya Ram Temple

April 28, 2025, 8:20 pm

PM Modi visits the Sri Ranganathaswamy Temple

April 28, 2025, 8:20 pm

[caption id="attachment_302953" align="aligncenter" width="1920"] PM Modi visited Sri Ranganathaswamy Temple to offer prayers. This temple is dedicated to lord Sri Ranganathar. It is India’s largest temple compound and one of the world’s greatest religious complexes.[/caption]

Preparations are underway for Pran Pratishtha ceremony of Sri Ram Janambhoomi Temple

April 28, 2025, 8:20 pm